Not Your Typical Christmas Show at NCT

With Thanksgiving still nearly two weeks away, it was no surprise that the crowd at New Candlelight Theater in Arden on Saturday was a bit smaller than usual. Don't expect such intimacy once the holiday season is in full swing. "A Very Candlelight Christmas" has been much-anticipated by fans of the dinner theater, not least of all because this seasonal production is an original, written and directed by NCT's Producing Artistic Director Chris Alberts and longtime friend Sonny Leo. For a theater that's done such familiar shows as "Cats" and "Annie" this season, the feeling of not having any idea what to expect is a definite change of pace.

 The show starts out like a typical Christmas variety show, complete with overly-enthusiastic hosts Katherine and Alan, comically played by Lindsay Mauck (who is underused in this production) and Tim Moudy. It's not long before the exuberant show derails, as the show-within-a-show's director, Devlin Powers (Patrick Hunt O'Hara), blows up at Katherine and sends everyone home, including his long-suffering brother Marcus (Paul Goodman). Not only does Devlin have no Christmas spirit, he's also sick to death of musical theater -- and thus begins his "Christmas Carol"-esque journey, complete with ghosts, time travel and  Bob Fosse.

A non-traditional set of Three Kings.

The NCT knows it draws lovers of musical theater, and almost all of the show's comedy references Broadway musicals. In that way, this is not a one-size-fits-all Christmas musical. It's for theater people, including die-hard fans. The Three Kings (also the ghosts of Christmas Past) are Don Quixote (Paul Goodman), the King of Siam (Andre Dion Wills) and "Fiddler on the Roof's" Teyve (Dave Snyder). Audrey III from "Little Shop of Horrors" even makes an appearance. It's more focused than it sounds, but some scenes work better than others. Tommy (Dan Sanchez) and Alan's rendition of "Baby It's Cold Outside" would have felt edgier if TV's "Glee" hadn't done a male duet version of it last Christmas, but Candlelight's version does have its own unexpected twist. And while some numbers, such as the Chanukah medley, seem to come out of nowhere, all of the musical numbers are well done. Standouts include "Shall We Dance" with young Zach Pennington and Jamieson O'Brien; "There's a Christmas Song for Every Situation" with Kaylan Wetzel Acon; and a very moving "Auld Lang Syne."

The often self-deprecating show pokes fun of beloved Broadway shows, but, of course, it's all in good fun. Just as it ultimately celebrates "that barn in Delaware," it also loves musical theater in a way only those who have made it their lives can.

"A Very Candlelight Christmas" runs through December 23; The 2012 Season starts up on January 27 with "Miss Saigon."

A Fresh Look at Howard Pyle at DAM

The Buccaneer Was a
Picturesque Fellow, 1905

Though it may be hard to believe for those of us who've grown up visiting the Delaware Art Museum, Howard Pyle isn't a Rembrandt-level superstar outside of the Delaware Valley. Pyle may no longer be a household name to the rest of the world, but his impact on modern culture extends far beyond the walls of 2301 Kentmere Parkway.

Take pirates, for example -- few images are as iconic in this century as the Pirates of the Carribean-style swashbucklers. The image we have of the pirates of legend doesn't come from actual-time paintings or photographs; real pirates simply weren't captured that way. It was Pyle who created the image (which directly influenced the style of Disney's Captain Jack Sparrow), using research from old books mixed with his own vision based on the text he was illustrating.

This method of taking existing material and turning it into something decidedly his own is at the heart of Howard Pyle: American Masters Rediscovered, the new special exhibition celebrating both the upcoming 100th Anniversary of the Delaware Art Museum and the centenary of Pyle's death.

Away they rode with clashing hoofs
and ringing armor, 1888

If you've spent a lot of time at the Art Museum, you're probably intimately familiar with the paintings in the Pyle collection (I have a "Flying Dutchman" magnet on my refrigerator -- doesn't everyone?). If you think you've seen it all, you may be right -- but you haven't seen it like this. Rediscovered shows Pyle's work in a new way, interspersed with pieces by his contemporaries such as Thomas Eakins, Jean-Leon Gérôme and Jean-Louis-Ernest Meissonier, from whom he took inspiration to create his varying illustrative styles that captured the Middle Ages, Fairy Tales and Fantasy, and historical America. The guest pieces are displayed on gold panels to to set them apart from Pyle's work. Don't skip the descriptions next each painting, especially if you think you know everything about the work -- you don't.

 Howard Pyle: American Masters Rediscovered runs from November 12 to March 4, 2012. Also be sure to tour the newly-redesigned illustration galleries -- with much of the Pyle collection relocated for the retrospective, rarely-seen pieces from the museum's collection are on display.

Pick of the November Art Loop

By Owen Napier, Jr.

Owen Napier, Jr.  is not your ordinary photographer and printmaker.  A bookbinder by trade, Napier practices the Japanese art of three dimensional decoupage called papier tole. This gives his photographs a startling layered and textured effect.  Napier was gracious to all the visitors who came to the Christina Cultural Art Center for the November Art Loop,  going out of his way to greet them and explain how he puts the intricate layers together to make his work.  One photograph was on display as a one dimensional work just above its companion papier tole image- showing the viewer the startling difference in texture and realism. (MD)

By Brian Marshall

Robots have invaded Poppycock Tattoo at 8th and Orange... again! Found object artist Brian Marshall's whimsy-cool Adopt-a-Robots surrounded the floor, from tiny shampoo bottle 'bots to large metal cowboys and knights, and everything in between. If you haven't come across Adopt-a-Robots before, they must be seen to be believed. Ordinary household (and sometimes industrial) objects are bound together to create artificial humanoids with amazing personality. In addition to the sculptures, the gallery featured a selection of robot-themed paintings, drawings and photomanipulations by Tina Marabito, Pat Higgins, Baron Von Reign, Dave Mele, Eric Hendrickson and 3EYES, plus tunes spun by DJ Zip. (HQ)

It Must Be October! The Coffin Ball at Talleyville Frame Shoppe

Photo: Ophelia von Gray

While most of the attention on First Fridays is focused on downtown Wilmington, it's always worth the short drive up Concord Pike to the Talleyville Frame Shoppe & Gallery -- especially this time of year, when horror-themed art takes center stage. This year, artists-slash-shop owners Ric and Wendy Frane focused on a coffin theme for contributing artists and, appropriately, named the opening event The Coffin Ball.

Each artist started with the same canvas: a flat toe-pincher coffin shape. Other than the base, there were no limits: Pat Higgins used his as a panels for comic-style pieces; Paul Romano created a carved 3D piece; Kristen Margiotta painted an upside-down bat in her distinctive big-eyes style; Adam Cruz, Ric Frane and Leila Marvel explored dark femininity with paint; Baron Von Reign utilized digital photography; and Ophelia von Gray applied her soft sculpture "Guten Monster" art into dimensional, coffin-shaped wall art. Several of the artists went with a bit of a Dia de Los Muertos theme, including Poppycock Tattoo c-owner Tina Marabito's Our Lady of Guadalupe, Poppycock tattoo artist Dave Mele's skeleton fortune teller and Wendy and Ric Frane's dead bride and groom pieces. Other themes, such as Tina Imel's "Death of the USPS" and Higgins' "Greed" made social statements. As a whole, the collection represents a spectrum of Delaware artists with a dark side, all of them highly talented.

L-R: Pat Higgins, Adam Cruz, Ophelia von Gray, Kristen Margiotta, Leila Marvel, Wendy Frane, Ric Frane.

The Coffin Ball itself was more than a gallery opening, it was also a rock 'n roll masquerade party featuring DJ Shadylady and live music by -- who else? -- Coffin Fly, who rocked it as usual with their twisted brand of rockabilly.

Photo: Kristen Margiotta

The Coffin Ball artwork will be on display through October at the Talleyville Frame Shoppe and Gallery at 3626 Silverside Road (between the PNC bank and the Chuck E Cheese).

Passing Strange at Bootless

Stew, the creator/subject of Passing Strange, and collaborator Heidi Rodewald chose just five theater groups in the US to perform the stage version of the show this year; Wilmington's Bootless Artworks was one of them. Still essentially homeless (they are taking up in The Episcopal Church of Saints Andrew & Matthew in downtown Wilmington for this show), Bootless continues to show that they're a major force in Delaware theater.

My last Bootless show was The Pillowman, an incredible, and incredibly dark, comic piece put on in an empty outlet store on the Riverfront. Passing Strange is positively light in comparison, but the journey is deep and real.

Directed by Malika Oyetimein and James W. Fuerst, the musical is narrated by Stew (Jerry Rudasill), who introduces his teenage self (Cory Hindorff) and his mother (Cherie Jazman), a comfortably middle class black family in Los Angeles. She drags him to church, where he finds after-hours inspiration from the secretly free-spirited choir director (B.K. Elam) who never left home. His punk band flounders, and, terrified of never moving past his neighborhood, he leaves his mother for Europe -- and the promise of creative freedom, sex and drugs. The farther he gets from home, the farther he gets from himself, until his life is a performance of "passing," gaining acceptance from a group of German radicals by using his non-existent ghetto street cred. Humorous, yes, and also quite poignant. The Narrator was shaped by the choices made by his naive young self, but it wasn't without loss.

Hindorff is a star. And by that I don't just mean the star of this production, which he is, but a star, period. It's what I thought when I saw him in Cats at NCT in January, and my feeling has only been reinforced with Passing Strange. The ensemble includes four actors who take on triple roles as characters in LA, Amsterdam and Berlin -- Candace Thomas, Kori Beaman, Keith Wallace and B.K. Elam -- all of whom transformed dramatically and convincingly throughout.

The show features a live band, which was one of the main concepts of the original version, Travelogue. On preview night, the band sounded great, but at times drowned out the stage performers. Hopefully, the sound issues have been resolved.

Passing Strange runs through October 15. Ages 15 and up. For tickets, click here.

Pick of the August Art Loop

Two DE Arts Info bloggers, Margaret Darby and Holly Quinn, hit the Loop this month:

Holly says: If you follow local music in Delaware (or if you follow this blog regularly), no doubt you've seen David Norbut's work. This month, Poppcock Tattoo at 115 W 8th Street in Wilmington hosts a selection of his photography, with a focus on his Western series of landscapes, nature and portraiture -- with a couple of his stunning live band photos in the mix, as well as a video incorporating a larger selection of photos. Norbut has a great eye in any location, not least of all the sweeping, sometimes weathered beauty of the American West, leaving me wanting more.

While Poppycock was hopping, people wall-to-wall, The Chris White Gallery at Shipley Lofts was considerably more quiet. The work in Anti-Subliminal, a group show featuring multimedia work by artists including Jesse Jynch, John Durandetta, Herman V. Brandt, Bresnow, and Brandon Cash, brought together illustration, photoshop and graffiti art, with an installation piece by 3EYES highlighting the show. 

Yakime Brown

Margaret Says: Holly’s venture into Poppycock Tattoo to see David Norbut’s photography and wanting more made me conscious of Michelle’s admonition that we should find some new venues….which I tried to do.  I started on Lower Market to see what the LOMA Coffee House was doing – a few works by Catherine Mulrooney were all I could see from the street and earsplitting music coming out of an electric guitar and enhanced by the guitarist’s plananx of bass pedals.  Didn’t dare enter as I didn’t have my earplugs on me, but it was obviously happening.  Went to Dimensions and Co. by Ace to see a few Underground Comixxx by Jabar Brown, who was by himself eating pizza out of a box and chatting on his cell phone….Venture Creative Marketing Group was firmly closed – unlike the framer next door who tried to call to find out if Venture was going to open later.  But it was all happening at 919 Market, so it was worth hiking up the hill – hearing more earsplitting music from the Queen (holding my ears even a full block away where we encountered a hip guy asking us where the music was coming from)….and walking into 919 to find a great party going on!  A big cake, lots of snacks and lively art by Yakime Brown – a friendly guy in a porkpie hat who strode right up to say hello.  It was fun telling him which pieces I liked best and hearing how he felt about those same pieces.  His textures are shiny, acrylic paint for the most part – either done in an explosive circle, seemingly shot from a cannon or made into flowerlike petals with his palette knife.  Yakime Brown also has a considerable variety – with some pieces of staid stripes in a flat mode.  Originally from Brooklyn, Brown has been living in Bear for the past few years and has quite a following.  AND it seems that the new curator of 919 is ready for things to hop.

And, there was new life in the DCCA with the completion of the Movable Feast project by interns  Jung-A Woo and Hoyun Sun.  When I arrived, teenagers from the Latin American Community Center and their teachers were buzzing around outdoor tables cooking on hotplates to show what they had learned about food and culture .  Woo and Sun had a film loop explaining the project and the kids photographs and art were displayed in the DCCA lobby.  But the real fun was watching the poise and pride of the kids as they prepared and served foods they had learned about during the six-week project. 

My conclusion is that you can always find new surprises in the Art Loop.  Can’t wait for the next one because, like Holly, it left me wanting more.

DelShakes Returns

Outdoors under the rustling tress behind Rockwood Mansion, not even the occasional far-off train whistle will break you from the feeling of being transported to another time. More than almost anything, watching live Shakespeare done well, as it's done at the Delaware Shakespeare Festival, will do that.

The play on this night was A Winter's Tale, one of Shakespeare's  lesser-known and late-career plays -- and what a ride it is. Jealousy and devotion, birth and death, love and redemption -- these themes will always remain fresh. As Leontes, the King of Sicilia who becomes overwhelmingly convinced that his wife, Hermione,  is having an affair, Erik Mathew gives an emotional performance. Janice Rowland's Hermione is full of grace. Adam Altman and Molly Cahill Govern stand out as the devoted advisor and gentlewoman to the King and Queen, respectively.

Erik Mathew as Leontes, Janice Rowland as Hermione and Rueben Mitchell as Polixenes.

 The second act, taking place 16 years after the first, is lighter, more humorous and more romantic than the first. Jake Blouch's Autolycus a singing rogue and small-time criminal, is a show stealer, as is David Strattan White as the shepherd's son, the play's clown character. We meet the grown daughter (Isa St. Clair) of Leontes and Hermione, who has fallen in love with the son of the king her mother was accused of being unfaithful with, Florizel (Sean Bradley). His father, played more comically in the second act by Rueben Mitchell, forbids them to marry. Love will prevail -- or so we hope, as we're reminded that the doomed Hermione and Leontes were once deeply in love, too.

The solid DelShakes cast, including a handful of college apprentices, did a great job of entertaining and making Shakespeare accessible. One thing I do know: If it's poorly acted, a modern audience will have a hard time following it. I had never seen or read A Winter's Tale before, and the actors delivered the prose impeccably -- I wasn't lost at any time during the performance.

A Winter's Tale Runs through July 30.

"Annie" Brightens the NCT

Jamieson O'Brien as Annie. Photo: NCT

Being a female kid of the '70s, I was an "Annie" fiend in elementary school, as was every other girl I knew. Sticker collections and Annie, that's all that mattered, as well as Pink Floyd's "The Wall," which we didn't necessarily have to like, but it was there, and it seemed to be on our side. "Annie," with its defiance, paired with its belief that a little kid could potentially change not just her own life, but the world, was definitely on our side.

I took my 7-year-old niece, Sophie, to the opening night of Annie at the New Candlelight Theatre. I don't know if  the show has the same presence for young girls it had 30 years ago, but I do know that she is hooked, playing the same old record we listened to countless times. (Fun fact: three regulars of the much-missed  "Al Alberts' Showcase" were cast in the original Broadway cast of Annie, including the original Broadway Annie herself, Andrea McCardle. Chris Alberts, the son of the legendary Al and Stella Alberts, is the New Candlelight Theatre's Artistic Director.) So, for me, at least, this nostalgic show was a must-see.

Jamieson O'Brien as Annie, Patrick O'Hara as Mr. Warbucks

The NCT production lives up to the high standards the theater has set this season with shows like Cats and The Full Monty. As Annie, Jamieson O'Brien lights up the stage as any Annie should, and the rest of the orphans -- Rebecca Smith, Katie Loftus, Gueneviere Sherlaw, Jordan O'Brien, Kayla Brock and the scene-stealing Nicole Hemphill -- are a delight. Geri Weagraff's Ms. Hannigan is both sleazy and surprisingly sympathetic, though not to the point where you feel bad when she gets her comeuppance. Rooster and Lily, characters who have to own their scenes (as a point of reference for those not familiar with the play, they were played by Tim Curry and Bernadette Peters, respectively, in the movie version) are played solidly by Dewey Oriente and mega-talented NCT regular Lindsay Mauck. The role of Daddy Warbucks is played by another NCT regular, Patrick O'Hara, who brought both the required conservative staunchness and warmth to the role. You have to care about whether Annie and Warbucks become father and daughter for the play to work, and O'Hara does make you care. Rounding out the cast is the lovely Megan Pisors as Grace, Dave Snyder as FDR, Andre Dion Willis as the butler Drake, and an incredibly strong ensemble.

Whether you want to revisit your youth or introduce a great musical to the next generation, Annie fits the bill. The show runs through August 21, and, as always, the ticket price includes a buffet dinner; a cash bar featuring specialty Annie-themed drinks, specialty desserts and a nightly 50/50 raffle are extra.

Good Times at Shady Grove Music Fest

Brad Turner of 3EYES. Photo: Joe del Tufo

A bit of rain couldn't slow things down at the Shady Grove Music Fest on Saturday -- rather than head for the hills (and their dry cars), partiers barely blinked an eye. After all, bailing out would mean missing out on some of the day's most anticipated bands, New Sweden and Bullbuckers, who rounded out the festival's roster of ten main stage bands, acoustic performances on the Moonlight stage and live graffiti art by Brad Turner of 3EYES.

The early part of the day featured The Joe Trainor Trio, Sharon Sable and E. Shawn Qaissuanee, Smoke Signals and Frequency Bender. As the afternoon warmed up under cloudy skies (nice, actually -- the grove is shady, but without the full summer sun in the sky, the day was a refreshing change from the recent heat waves), local youth Local Chaos took the stage to a supportive crowd as they honed their skills with songs by Motley Crue and the White Stripes, among others.

I especially enjoyed Newark's Little Invisibles, fronted by the lovely Dina Degnars on piano and vocals. Shades of Within Temptation, but singularly original. And, with an audience-participation hula hoop interlude, a lot of fun, too.

Little Invisibles. Photo: Joe del Tufo

A little drizzle started to fall during Deadbeatz, Inc's politically charged set, and by the time Villains Like You took the stage, the rain was really coming down -- and the crowd was starting to dance. Nothing like an outdoor music festival to get your body moving it the rain, right?

And through it all, 3EYES created a piece of his distinctive, hand-and-stencil graffiti art, while DJ Zip kept the beat going between bands.

You'll have to wait until next year to hang at another Shady Grove Music Fest, but the Arden Concert Gild offers live original music throughout the year -- like them of Facebook to keep up with the schedule.

New Sweden and Free Energy Tear Up the Arden Gild Hall

New Sweden @ Arden Gild Hall. Photo: Joe del Tufo

The idea behind bringing Philly rock gods Free Energy to the Arden Gild Hall was simple: to draw a younger crowd to the breezy venue, which usually boasts a more solidly mature audience. And, of course, a local band kicking off the night was a must. Enter New Sweden, easily one of the most buzzed-about bands in Delaware right now. On every level, this XPN-sponsored show was a success, from the generationally diverse crowd to the choice of bands to the enthusiasm that filled the room through the night.

If you haven't seen New Sweden yet -- and I hadn't -- they are a band that has earned the hype. They play folky, foot-stomping rock, sometimes light and airy, sometimes hard, with viola, banjo, mandolin, pump organ and glockenspiel added to the traditional rock instruments. It's sort of like Burl Ives meets Cowpunk. Very cool. New Sweden is the kind of band you can sing along with, even if it's your first time seeing them. I can see why they've got the passionate following they have -- they put on a great show.

Free Energy @ Arden Gild Hall. Photo: Joe del Tufo

While we at DE Arts Info always focus on Delaware artists, headliners Free Energy deserve mention. I'll frame it like this: Delaware, and Arden in particular, should be very proud to have hosted this band and this show. Free Energy, whose sound can be described as modern "70s rock" -- think Sweet meets Teenage Head meets the Stooges meets the Stones in the 21st Century -- had the entire room dancing through the night. Not moving, but full on dancing, from the kids to the seniors, and that's not something you see every day.

New Sweden will be playing NON-COMM at World Cafe Live at The Queen on Friday, May 20; on June 4, they will perform at the Baby Grand; they'll return to The Queen to headline on July 29th (see their band page for full schedule and information on their upcoming album). Free Energy will be touring the US this summer; their album, "Stuck on Nothing" is available on iTunes and Amazon.