Showing posts with label Arden Gild Hall. Show all posts
Showing posts with label Arden Gild Hall. Show all posts

Tuesday, February 17, 2015

Sinkane Brings A Distinctive Music Experience to Arden

By Guest Blogger, Alex del Tufo
Alex is a high school student attending Wilmington Friends School with an interest in journalism as a major. She is an editor for her school newspaper, has served as an intern at
Out and About magazine and has written for WXPN’s website. Alex hopes to expand her love of music and writing through helping with our blog.



Delaware’s local venue, The Arden Gild Hall, was honored to have Sinkane grace the stage on Friday, February 13. Sinkane is the stage name for Sudan native, Ahmed Gallab. He was accompanied by two backup guitarists and a drummer. The quartet’s individual skills accented one another perfectly. Sinkane’s unique musical style was introduced by Brooklyn band, Cookies. Their electronic style worked well with the electronic aspect of Sinkane, but Cookies’ female vocals and more pop sound contrasted in an interesting way.

I think that one of the most interesting parts of Arden Concert Gild performances is the variety. This was especially the case for Sinkane; I saw audience members ranging from teenagers to elders, all enjoying the music together. If you have never been to Arden’s Gild Hall, it is essentially an open room with a stage. For this performance, the room was about one-third chairs and the rest was open for dancing and roaming. I thought that this gave the show a laidback feel but let the audience appreciate the music more. Specifically, a few especially excited dancers enjoyed themselves in the back of the room.

Describing Sinkane’s musical genre is a near impossible task. I can say with ease that I have never heard anyone that has the same style or skillset as him and his band. According to wikipedia he is categorized as “krautrock, free jazz, and funk rock with Sudanese pop.” To tear that apart a little, krautrock is a style of rock with a more electronic sound. Although Gallab grew up in Sudan, he was born in London. This could explain his reasoning for the aspect of krautrock in his music, which has European roots. Free jazz is essentially a more unconventional style of jazz that fits well with the other genres of his music. The most complex part of his music style would have to be the Sudanese pop. This clearly was influenced by his Sudanese heritage. Sudanese pop is a blend of traditional Sudanese music -- violin, bongo, etc. -- combined with influences from American pop stars.

I thought that Sinkane’s distinct sound was not to be missed and their music combined with the atmosphere of the Gild Hall made for a perfect winter night. Sinkane and Cookies truly set high expectations for future performers soon to come to the Hall. I don’t think that Sinkane was for everyone just because of his “out-there” style, but I believe that anyone who is open to new music should really give him a listen. Spending my Valentine’s Eve with Sinkane was an excellent decision and, as an Ardenite, I hope to see him and the band return in the future.

See www.ardenconcerts.com

Friday, January 2, 2015

More Delaware's Best ArtStuff of 2014!

By Guest Blogger, Alex del Tufo
Alex is a high school student attending Wilmington Friends School with an interest in journalism as a major. She is an editor for her school newspaper, has served as an intern at Out and About magazine and has written for WXPN’s website. Alex hopes to expand her love of music and writing through helping with our blog.  

Narrowing down my "Best Delaware Arts Experiences of 2014" is an excruciating feat. There are numerous concerts, shows, and performances that can be distinguished as some of the best the Delaware Arts Scene has to offer.

A concert that stands out in my mind was Run River North, who performed an incredible set at the Baby Grand in the Grand Opera House in July. The group is categorized as a Korean-American indie folk-rock band, but that doesn’t even begin to describe them. Among the six members, they can probably play any instrument imaginable, including violins, guitars, drums and of course, vocals. The sextet is impossible to squeeze into any one musical genre. I think their performance was breathtaking and has me hoping Delaware will see much more of them in the future.

My second 2014 Delaware Arts moment is not strictly 2014, but the annual Spring Standards Boxing Day Event at Arden Gild Hall. For seven years, the day after Christmas has been dedicated to witnessing the religiously enthusiastic and talented trio, The Spring Standards, light up Arden. Just steps away from my house, the Gild Hall is home to not only our annual favorite but also welcomes several foreign acts. We Were Promised Jetpacks, a Scottish indie rock band, graced the stage in March. I first heard their music in the indie film, The Kings of Summer, and couldn’t stop listening. I hope that the Gild Hall can welcome them to be a part of their list of regular performers alongside The Spring Standards.

A Delaware music moment that cannot be overlooked is the 3rd annual Firefly Music Festival in Dover. This summer event started as a relatively small outdoor concert but quickly erupted into a musical extravaganza hosting around 100 bands and welcoming tens of thousands of festival fanatics. Firefly 2014 brought in performers from Foo Fighters to our local group, New Sweden. My favorite show had to be the energetic indie pop duo, twenty one pilots. Four days of non-stop music and good company was a weekend never to forget, and never to miss again!

A change in pace from the many excellent bands that hit Delaware in 2014, is the outstanding performance of James Joyce's The Dead by City Theater Company. They served up nine performances of at The Black Box at OperaDelaware Studios, where they turned the space into a working Irish "pub." The show was an excellent combination of intriguing dialogue and beautiful musical pieces. The plot simply followed a group of family and friends in their house in Ireland, and the family conflicts that can arise in the comfort of one’s home. The intimate performance space of the show sparked a connection between the actors and the audience that is hard to beat.

2014 brought too many more outstanding concerts and shows to list — and I have faith that 2015 will do much the same for Delaware!

Tuesday, June 19, 2012

Why You Shouldn't Miss the Shady Grove Music Fest (Next Year)

The Shady Grove Music Fest in Arden has come and gone rather quietly, as it tends to do, despite being one of the top music festivals in Delaware. (Of course, with Firefly this year, it's hard to compete -- but what is Firefly doing for the local music scene?) The event is surprisingly low-key -- though it does kick up a bit as the day progresses into evening -- and, even more surprisingly, not very crowded. It seems a lot of folks are missing out. So, looking forward to next year's festival, here's why you shouldn't miss Shady Grove:
 
  • It's easily one of the best ways to sample the Wilmington/Newark and Tri-State music scene.  
  • When else can you see most of these bands during the day with your family? If you rarely get out to bars and clubs for shows, you'd be crazy to miss it. Even if you do see live music frequently, it's a nice change of pace to see band like The Bullets, The Keefs, and Deadbeatz, Inc. outdoors in the afternoon or early evening. And if you have kids (who get in free if they're under 12), they rarely have the chance to see some of these bands play live.
  • The variety: the 2012 Shady Grove festival featured rock, indie pop, punk, rockabilly, jazz and funk. There's even live visual art, as a festival billboard is painted on site during the event -- in recent years, it has been done by Wilmington graffiti artist 3EYES.
  • It really is shady! The canopy of trees in the grove behind Arden Gild Hall cools off a sunny June day, and even make light rain tolerable.
  • It benefits the Arden Gild Hall, ensuring that the arts in Delaware continues to flourish.
Missed 2012's Shady Grove Fest? You can still check out the bands:


Deadbeatz Inc. www.reverbnation.com/deadbeatzinc
Still Moon Servants www.reverbnation.com/stillmoonservants
Spontaneous Underground www.reverbnation.com/spontaneousunderground
The Bullets www.reverbnation.com/theoriginalbullets
The Paper Janes www.reverbnation.com/thepaperjanes
The Keefs www.reverbnation.com/thekeefs
AlyCat www.reverbnation.com/alycat
Bullbuckers: www.bullbuckers.com/


Be sure to get all of the news about next year's Shady Grove Festival by liking their Faebook Page: www.facebook.com/WSTWArdenShadyGroveMusicFest

Wednesday, June 15, 2011

Good Times at Shady Grove Music Fest

Brad Turner of 3EYES. Photo: Joe del Tufo

A bit of rain couldn't slow things down at the Shady Grove Music Fest on Saturday -- rather than head for the hills (and their dry cars), partiers barely blinked an eye. After all, bailing out would mean missing out on some of the day's most anticipated bands, New Sweden and Bullbuckers, who rounded out the festival's roster of ten main stage bands, acoustic performances on the Moonlight stage and live graffiti art by Brad Turner of 3EYES.

The early part of the day featured The Joe Trainor Trio, Sharon Sable and E. Shawn Qaissuanee, Smoke Signals and Frequency Bender. As the afternoon warmed up under cloudy skies (nice, actually -- the grove is shady, but without the full summer sun in the sky, the day was a refreshing change from the recent heat waves), local youth Local Chaos took the stage to a supportive crowd as they honed their skills with songs by Motley Crue and the White Stripes, among others.

I especially enjoyed Newark's Little Invisibles, fronted by the lovely Dina Degnars on piano and vocals. Shades of Within Temptation, but singularly original. And, with an audience-participation hula hoop interlude, a lot of fun, too.
Little Invisibles. Photo: Joe del Tufo

A little drizzle started to fall during Deadbeatz, Inc's politically charged set, and by the time Villains Like You took the stage, the rain was really coming down -- and the crowd was starting to dance. Nothing like an outdoor music festival to get your body moving it the rain, right?

And through it all, 3EYES created a piece of his distinctive, hand-and-stencil graffiti art, while DJ Zip kept the beat going between bands.

You'll have to wait until next year to hang at another Shady Grove Music Fest, but the Arden Concert Gild offers live original music throughout the year -- like them of Facebook to keep up with the schedule.

Sunday, May 15, 2011

New Sweden and Free Energy Tear Up the Arden Gild Hall

New Sweden @ Arden Gild Hall. Photo: Joe del Tufo
The idea behind bringing Philly rock gods Free Energy to the Arden Gild Hall was simple: to draw a younger crowd to the breezy venue, which usually boasts a more solidly mature audience. And, of course, a local band kicking off the night was a must. Enter New Sweden, easily one of the most buzzed-about bands in Delaware right now. On every level, this XPN-sponsored show was a success, from the generationally diverse crowd to the choice of bands to the enthusiasm that filled the room through the night.

If you haven't seen New Sweden yet -- and I hadn't -- they are a band that has earned the hype. They play folky, foot-stomping rock, sometimes light and airy, sometimes hard, with viola, banjo, mandolin, pump organ and glockenspiel added to the traditional rock instruments. It's sort of like Burl Ives meets Cowpunk. Very cool. New Sweden is the kind of band you can sing along with, even if it's your first time seeing them. I can see why they've got the passionate following they have -- they put on a great show.

Free Energy @ Arden Gild Hall. Photo: Joe del Tufo

While we at DE Arts Info always focus on Delaware artists, headliners Free Energy deserve mention. I'll frame it like this: Delaware, and Arden in particular, should be very proud to have hosted this band and this show. Free Energy, whose sound can be described as modern "70s rock" -- think Sweet meets Teenage Head meets the Stooges meets the Stones in the 21st Century -- had the entire room dancing through the night. Not moving, but full on dancing, from the kids to the seniors, and that's not something you see every day.

New Sweden will be playing NON-COMM at World Cafe Live at The Queen on Friday, May 20; on June 4, they will perform at the Baby Grand; they'll return to The Queen to headline on July 29th (see their band page for full schedule and information on their upcoming album). Free Energy will be touring the US this summer; their album, "Stuck on Nothing" is available on iTunes and Amazon.