Fall Arts in the Park

Wilmington and Alapocas Run State Parks are brimming with arts programs this month, so we thought we'd share their excitement with you! Coming up in September at the Blue Ball Barn:
 

"Two Wine Bottles" Eunice LaFate

Eunice LaFate Workshop
Saturday, September 6, 1:00-3:00pm | Admission free with paid park admission
Local folk artist Eunice LaFate* talks about her work and leads participants in creating their own piece of artwork.  Pre-registration required by noon on September 5.
Call 302.577.7020.
*Eunice is truly one of Delaware's treasures as an artist and community educator — even more evident by her recent recognition as a recipient of the 2014 Governor’s Awards for the Arts. Delaware Arts Info sends our love & congratulations to you, Eunice!
 
Green Willow Folk Club Concert Series at the Blue Ball Barn, Featuring Cantrip  
Tuesday, September 9, 7:30pm | $25 Reserved/$28 Door • 17 & under free with adult
This trio of traditional Scottish musicians has been stunning audiences with its driving blend of fiddle, bagpipes and guitar. Reserve seats at 302.456.3242 or reservations@greenwillow.org.

This Old Quilt
Sunday, September 21, 1:00-3:00pm | Admission free with paid park admission
Learn about the care, cleaning, repair and storage of old and new quilts in the home.
Madge Ziegler, quilt specialist, will help identify information about your quilt such as age, technique and fabrics, so bring them along! Examples from Madge’s collection will be used to illustrate theories and controversies of collecting and repairs. Space is limited.  Pre-registration required by noon on Thursday, September 18. Call 302.577.7020.

NWAA Fall Call for Artists!

Jazz IN the Riverfront 'Yard

By Guest Blogger, Tee Alexander*
Tee is a longtime member of the Wilmington INBassadors, helping to support and promote Wilmington's wealth of arts, businesses, causes and events.

*This post can also be found on the new blog site at INWILMINGTONDE.COM.

Warm weather, a light breeze and a clear sky were the perfect accompaniment to this week’s Shipyard Summer Concert at Dravo Plaza on the Wilmington Riverfront. For this, the sixth week of the eight-week series, the theme was Latin music, and the musical guests definitely brought hot rhythmic grooves.

Karen Rodriguez Latin Jazz Ensemble is a quartet that delivers a unique yet authentic sound with keyboard, bass and percussion. The lead singer, Karen Rodriguez, is passionate and expressive as she brings the music to life through her smooth vocals. In addition to Latin jazz, the group also performs Salsa, Cha Cha, Bossa Nova, Samba, Mambo, Tango, Rumba and Cuban music, as well as the sweet and romantic Bolero. The set included fun, upbeat songs like "Marie LaVeaux," and "Pa Gozar," which means “to have fun." It wasn’t long before concertgoers left their seats to dance Salsa, Bachata, and Cha Cha to the music.  Karen then slowed things down with the jazzy "Autumn Leaves" and "Adoro," which is a sweet ballad about love. The group also performed some cover hits: "Body & Soul" by Esperanza Spalding, "Peel Me a Grape" by Diana Krall, "It’s Too Late" by Carole King and "Killing Me Softly" by Roberta Flack — all of which were beautifully performed by Rodriguez. After this, it was time to get up and dance some more, as they played Salsa, Samba and Brazilian music. The children in the audience especially had fun dancing to a song about pollo ("chicken" in Spanish). Bailar!

Many came out for the concert and to enjoy a warm evening on the bustling Riverfront. People of different ages and backgrounds were brought together by the music, and they danced together to the rhythm. It was a peaceful gathering, which added to the beautiful evening in Wilmington.

Be sure to catch the last two weeks of the Shipyard Summer Concert Series, which will include reggae music by Jah Works on August 21 and New Orleans jazz with the Barbone Street Band on August 28.
 
See www.riverfrontwilm.com.

A Song for a Boy's Dog

A Concert for Charlie's Service Dog
Sunday, August 17, 2014 | 4:00pm
The Independence School

1300 Paper Mill Road, Newark, DE 19711
Join this fun-filled musical evening in hopes of raising funds to get an allergy-alert dog for Charlie, a 5-year-old boy with multiple severe food allergies.

Recently, Charlie went into anaphylaxis by accidentally ingesting peanut residue. A service dog would be able to detect even the smallest, invisible residue which could prevent another (possibly fatal) reaction.

Featuring: Anna Evans, soprano; Augustine Mercante, countertenor, Simeone Tartaglione and members of the Newark Symphony Orchestra, plus many more wonderful musical surprises.

Tickets are $10. For more details and to purchase tickets, click HERE.

August 'ArtStuff' #INWilm

This blog post also available on the NEW INWilmingtonde.com blog site...
 
IN the final sweltering days of summer, beat the heat #INWilm with sizzling ArtStuff! Vacation — OUT! Stay IN and join the fun…

Art is After Dark: Doggy Days of Summer at Delaware Art Museum

Friday, August 8, 6:00 -10:00pm | 2301 Kentmere Parkway

Art goes to the dogs this weekend…and this FREE event comes with an enthusiastic “four paws up” endorsement from Dewey the Art Dog! In partnership with Delaware Humane Association, this free event includes dog portraits by caricaturist Sam Mylin in the Copeland Sculpture Garden, plenty of treats for four-legged friends and drinks for you.  P.S. While you’re here, also check out Transitions: The Brandywine Photo Collective, an exhibit featuring works of 20 local artists, located in the Outlooks Gallery.

Always...Patsy Cline at New Candlelight Theatre

Running now through August 24 | 2208 Miller Road, Arden

Showtimes vary; visit nctstage.org for tickets & info

More than just a musical (BONUS: you get dinner, too), the show is based on a true story about Cline’s friendship with Houston fan Louise Seger, who befriended the star in a Texas honky-tonk in l961.  All the favorite and memorable songs you love of Cline’s are here: Crazy, I Fall to Pieces, Sweet Dreams and more. It’s a nostalgic journey back in time and a timeless tribute to one of country’s most beloved and best singers. 

Need more #ALLINFUN and #INbudget ArtStuff? Check out these ongoing programs…

Summer in the Parks throughout City Parks in Wilmington

Running now through August 15 | Varying locations throughout Wilmington

Visit thegrandwilmington.org/parks for complete info

For the second summer, Wilmington’s parks are alive with all manner of arts and culture, thanks to Summer in the Parks.  The FREE programs found everywhere from Titlon, Haynes, Kosciusko and Holloway Parks feature live, interactive performances of music, dance, theater, visual arts and crafts. Bring the entire family and experience the Arts in Wilmington’s green spaces.

Cool Spring Farmers’ Market (with live music)

Every Thursday through October 16 | 10^th & Van Buren Streets

Thursdays in Cool Spring Park are the place to find fresh local veggies, delicious food truck options and plenty of great music, thanks to the partnership with Gable Music Ventures. Free live music livens up the park from 6:00-8:00pm ‘til Labor Day, and 5:00-7:00pm after Labor Day. The market itself opens at 4:00pm — get there early, buy some delicious snacks and stake out a prime spot to enjoy the likes of Nik Everett, Nature Jams and more!

Summer Under the Stars Rooftop Movie Series at ShopRite

Tuesdays through September 16 | ShopRite Christina Crossing

Another successful Year 2 event is this movie series, sponsored by The Kenny Family Foundation.  For only $6, you can enjoy big screen features on the rooftop of, with selections chosen by YOU! Many of Wilmo’s popular food trucks are also on hand to offer delicious snacks. Movies start at sundown and will be moved to Theatre N in case of rain. Showings of “Marley & Me,” “Frozen” and “The Blind Side” complete the month. 

Gettin' Shady IN the Grove

CONTENT COURTESY OF INWILMINGTONDE.COM
by Joe del Tufo, Chief Creative Officer, Mobius New Media.

Perfect weather and an energetic crowd helped make the 2014 Shady Grove Fest a big success on Saturday, July 19. It was a great mix of diverse musical acts, dancing, delicious food and mediocre beer.  

As is the tradition...

CONTINUE to the entire article here>>>

Show Off the Art You Love at Newark Arts Alliance

The Newark Arts Alliance (NAA) is presenting its “Community Art Gallery” for the second year, on view Tuesday, August 5 to Saturday, August 23.  For this exhibition, the community is invited to drop off artwork they own and love for display in the NAA gallery.  Participants will be asked to write a brief statement (max 200 words) on why they chose their piece.  Works can be submitted from Friday, August 1 to Sunday, August 3, from 11:00am–3:00pm daily.

Works of art need not be original.  This exhibition offers a chance for art lovers and collectors who are not necessarily artists themselves to participate in an exhibition.  However, artists are welcome to submit their own creations.  Only one work can be submitted per participant.  Submitting a work is free, and works will not be offered for sale.

Hanging works should have a tight hanging wire across the back.  Central hanging devices (e.g., rings and saw-tooth hangers) do not work with the NAA’s hanging system.  The NAA’s Exhibition Committee will select as many works for display as space will allow.  The Exhibition Committee reserves the right to decline works, including works that are not properly prepared for hanging or display.

The Newark Arts Alliance will celebrate the “Community Art Gallery” with a reception on Friday, August 8, from 6:00 p.m. to 8:00 p.m.  This event will be free and open to the public.  Drinks and light refreshments will be served.

See www.newarkartsalliance.org. 

Get Thee to Delaware Shakespeare Festival’s Exhilarating Production of Hamlet!

There is nothing like spending a gorgeous summer night with friends, wine, nosh and one of The Bard’s most famous plays performed live outside. Thankfully the Delaware Shakespeare Festival (DSF) provides this opportunity in Rockwood Park! Regardless if you are a Shakespeare aficionado or novice, you will have a delightful evening at DSF.

This year’s DSF production is Hamlet. Of course, most of us have read Hamlet and/or seen a production of the play or a film version. We know Hamlet, but director David Stradley breathes new life into this iconic piece. His sophisticated production ignites the enchanting grounds of Rockwood Park and makes the material fresh and exciting.

The multi-level stage by Scenic Designer Oona Curley with the park as its backdrop is enthralling. The cutout quasi-square–shaped back wall not only makes it convenient for the actors to enter and exit the stage, but it also frames the scenes with the lush green field in the distance. It’s as if each scene begins as a picture that comes to life.

And, bringing the play to life is a stellar cast led by Griffin Stanton-Ameisen as Prince Hamlet. Mr. Stanton-Ameisen’s Hamlet has an emo rock star look, which is fitting for a character that is quite expressive with his thoughts and feelings. Mr. Stanton-Ameisen’s dynamic performance conveys the depths of anger and pain his character feels once finding out his uncle (Claudius, the now King of Denmark) has married his mother (Gertrude) after killing his father. Carl Granieri and Caroline Crocker give magnificent performances as the devious Claudius and weary Gertrude.

Clare Mahoney as the lovelorn Ophelia— who is told by Hamlet to go to a nunnery when she professes her love for him — and James Kassees as Opheila’s father Polonius, are both compelling and remarkable in their roles.  

As most know, Hamlet doesn't end well for its leading characters, but that doesn't dampen the lovely evening only DSF can provide in a charming atmosphere.  Don’t delay; get your tickets today before this production closes!

Hamlet plays at Rockwood Park until July 27. Purchase tickets at the door or visit www.delshakes.org. Don’t forget to bring your own chairs, drinks and food! If you don't want to pack food, the Wandering Chef Catering Cart is in the park selling delicious fare!

Wanna Give It a Go? Imaginary Mr. Marmalade!

By Guest Blogger, Kevin Regan
Kevin Regan is the Director of Multimedia and a player with CSz Philadelphia as well as a sometime performer, producer and other "p-words" with Wilmington's City Theater Company.

Emma Orr and Thomas Russell

You have a mere three chances to see Mr. Marmalade by Noah Haidle, at Chapel Street Players in Newark this weekend. That means you should keep that babysitter you have scheduled, but cancel whatever you planned for the evening. Then you can spend the night laughing hysterically at Lucy and her imaginary friend, Mr. Marmalade, while wondering what the hell your kids are doing.

Mr. Marmalade is an extremely dark comedy about children, for adults. Directed by CSP veteran J.W. Pukatsch, it explores a theme that has been tackled by everyone from Stephen Sondheim (Children Will Listen) to everyone's favorite 1980s Anti-Drug PSA ("I learned it from watching you...") — that our children are internalizing everything we say and do.

Lucy, who is played to perfection by Emma Orr, is a lonely four-year-old with a healthy imagination. As long as your definition of "healthy" includes sex, drugs and the occasional dildo thrown in for good measure. She creates a world based on all of the unseen men her mother brings into their home. This amalgamation is transformed into her friend, Mr. Marmalade, played with equal parts charm and sleaze by Thomas Russell, to create the bigger-than-life character. Think The Cat in the Hat, if Dr. Seuss was a sadist and you'll begin to get the picture. His addictions, bombastic temper and self-centeredness do little to alleviate the little girl's loneliness.

The whole show takes place in the family living room over the course of one night, while Lucy's mother Sookie (Tricia LaRock) is on a date. Lucy interacts with both real and imagined characters, including the disinterested babysitter (Rachel Diamond), Mr. Marmalade's hilarious and often injured assistant Bradley (Jimmy Van Buren) and a very real five-year-old named Larry (Andrew Dluhy), who might have more baggage than Marmalade himself. Lucy & Larry will have to work to find a way to exist in the harsh reality of our adult world.

Pukatsch does an amazing job utilizing the simple family room set, representing the four-year-old's reality, in both fantastic and pragmatic scenes. Especially poignant is the dance scene with Lucy and Mr. Marmalade while Bradley croons a la a 1940s nightclub. Orr, as well as Dluhy, is exceptional as an adult actor playing a child without ever becoming "cartoonish." And Russell's morally lacking Marmalade will make you wonder if you picked the right person to babysit your kids tonight.

Unfortunately, a lot of theaters go dark in the summer months for fear that the audiences cannot be lured away from vacation. I applauded Chapel Street Theater for putting up this show, even if it is only for a short three-day run. I implore you to leave the beach behind for a day and see this adult world through the eyes of a four-year-old this weekend. Mr. Marmalade is playing Thursday (7/10), Friday (7/11) and Saturday (7/12). All showtimes are 8:00pm.

Now STOP READING THIS and buy your tickets at chapelstreetplayers.org/reservation.php.

A Couple of Ladies Visit "The Odd Couple"

By Guest Bloggers Dottie Verne — lifelong Ardentown resident and artist and Kathleen Ford — Wilmingtonian recently returned home, former Wilmington Arts Commission Administrator and Art lover.

Once again, the New Candlelight Theatre (NCT) was a delight. On June 20, we trekked over to the woods of Arden for NCT’s production of The Odd Couple, which ran from 6/6-6/22. The play was presented with a clever twist from the original — the two (historically male) characters with very opposite personalities were both played by women.

Tori Healy played Olive Madison and Gerri Weagraff played Florence Unger with great humor. The actors seemed to be having fun with the fast-moving witty repartee. The show really came alive in the second act, when the two charming Spanish gentlemen arrived, hysterically played by Dan Healy and Anthony Connell.

New Candlelight Theatre certainly is a local gem!

See www.nctstage.org.

Summing Up the 2014 Delaware Chamber Music Festival

Delaware Chamber Music Festival Quartet, L-R:
Clancy Newman, Burchard Tang, Hirono Oka, Barbara Govatos 

Alas, all things must end — as did the Delaware Chamber Music Festival today (Sunday, June 22, 2014).

The programming must be commended for variety and standards.  Barbara Govatos and friends have consistently chosen works from the past which often are seldom used — either because they are not known or because they are so wildly difficult (such as the Tchaikovsky Trio Opus 50 performed in the first concert) — or they choose women composers who never got a fair shake (e.g., Rebecca Clarke's piece in the second concert themed "The Expressive Viola").  And speaking of fair shake, when you hear such artists as Burchard Tang and Che-Hung Chen play the viola up close and personal, it shows the audience that the viola deserves a role as solo instrument.

The incredible ability of Marcantonio Barone and the joy with which he and Charles Abramovic tore through excerpts of the Brahms Hungarian Dances for piano, four hands; the energy and excitement of Benito Meza's clarinet giving new impetus to Louise Farrenc (a woman composer who DID get a fair shake, but was later relegated to the attic); the introduction of new works by Clancy Newman and Kenji Bunch.  All are enough to make this series an experiment in innovative programming for some of the best musicians in the region.  How lucky we are, too, that The Music School of Delaware is such an acoustically inviting venue, convenient to Wilmington and Philadelphia as well as points south.

The first concert in the Festival (Friday, June 13) featured a chestnut — Beethoven's Piano Trio in E-flat major, Opus 1, No. 1 — played with daring and flawless passion by Govatos, Clancy Newman and Marcantonio Barone.  The introduction of a piece so hard it is rarely performed — Tchaikovsky's Piano Trio in A minor, Opus 50 — was a distinctive treat.

The second concert (Sunday, June 15) let the viola shine with a stellar performance of Rebecca Clarke's Sonata for viola and piano.  It also included the Lament for two violas in c minor by Frank Bridge and the Brahms' String quintet in G major, Opus 111.  This concert let us hear more of Burchard Tang's fine viola playing as well as that of Che-Hung Chen.

The third concert (Friday, June 20) was entitled Fresh Ink! as it featured the US Premiere of Clancy Newman's Collision Course for piano, clarinet and cello (2013).  Guest clarinet player Benito Meza not only put his fresh energy to work on the new piece by Newman, but also breathed new life into the Trio for clarinet, cello and piano in E-flat major, Opus 44 by Louise Farrenc.  The performance of the 2002 Broken Music for cello and piano by Kenji Bunch was also a new experience, with Bartok fretboard slapping on the cello by Newman and damping of hammers by Marcantonio Barone.  But the boyish vigor with which Charles Abramovic and Barone gleefully played the excerpts of Brahms' 21 Hungarian Dances for piano, four hands, was the freshest 'ink' of the evening.

The final concert (Sunday, June 22) was all string quartets, performed by the Festival Quartet themselves.  They coordinate so well to communicate Franz Josef Haydn's jokes, Dvorak's passion and Schubert's complex and often operatic sounding works.  Each has a special gift that is hard to describe.  Hirono Oka, so shy and quiet in person, pushes her violin bow to create a round, secure, sometimes aggressive sound.  Burchard Tang had some very high and exciting lines, sometimes in duet with the violin and sometimes with the cello.  Clancy Newman had cello notes which soared high in the range with ease and his smooth sound belied his ability to rock out for Broken Music and his own Collision Course.  DCMF Music Director Barbara Govatos, who manages everything from reception cookies to recognizing her music students from decades past, puts all those thoughts down when she bows her head to decide on her tempo and expression before each movement of the grand Schubert quartet.

How sad that we have to wait one more year to hear more!

See www.dcmf.org. 

Music 'Collides' in This Year's Chamber Music Festival

Composer & Cellist, Clancy Newman

By Guest Blogger, Chuck Holdeman

Chuck is a regional composer of lyrical, contemporary classical music, including opera, orchestral music, songs, chamber music, and music for film.

Friday evening (June 20, 2014) witnessed the American Premiere of Clancy Newman's Collision Course as part of the third program of the annual Delaware Chamber Music Festival, held at The Music School of Delaware in Wilmington. Collision is in one movement, scored for clarinet, piano, and with Newman playing the 'cello. It is a very listenable work with considerable expressive range, and the audience loved it — their applause accented by enthusiastic bravos. The intense young virtuoso clarinetist was Columbian Benito Meza, and the perpetually masterful Philadelphia pianist was Marcantonio Barone, who also read Newman's poem about the piece, a dramatic and appealing scenario about three musicians on separate ships approaching and then separating.

Newman sometimes performs in Australia, where he received the commission to write his new trio. On the long flight home over the ocean, he had the vision which provided the form for his trio. It reminded me of Charles Ives, the American original and composer of enduring music, who loved it when his bandmaster father arranged for three marching bands playing different music to converge. Some call it cacophony, but Ives made it work and composed much music with several seemingly disparate things happening at once. Newman's approach was a bit different, in that when the three musics do finally converge, the three voices gradually start playing together in a boisterous and celebratory unity. One of my favorite sections was just before the total convergence when the three kinds of music are still distinct and clashing with each other a bit as they grope toward consensus.

I know it is true that part of the fun for the audience was knowing the story in advance and then being able to follow the scenario as it played out in sound. I also felt, with the wisdom of hindsight, that I would have enjoyed hearing the piece knowing nothing about it, and then trying to figure out what was going on. In that case, when the three instrumental styles/ships separate after the collision, it would not be predictable and therefore more mysterious. I also felt that the clarinet "personality" was less defined and arresting as compared with Spain-inspired ardor of the 'cello music and the cocktail charm and finesse of the piano music.

Newman is a great performer, and as a composer he has terrific stage instincts — how to grasp and hold an audience. As we leave the era of modern classical music which seemed not to care much about the listener, I applaud this composer/performer, who so warmly embraces his audience.

There is one more remaining concert in this series: Sunday, June 22, at 3:00pm, and Newman will be there with the Festival Quartet regulars, performing music by Haydn, Dvorak, and Schubert.

See www.dcmf.org.

Delaware Art Museum Calls for Artists!

CALL FOR ARTISANS: WINTER ARTS FESTIVAL

Selected artisans will join us on Friday, December 12, 2014 from 6:00 to 10:00pm for Art is After Dark: Winter Arts Festival and Saturday, December 13, 2014 from 9:00am to 4:00pm for the Holiday House Tour to sell art, jewelry, books and other creative handmade items. There will be 20 spaces available for selected artisans at the Museum.

Please email your application form and JPEG images to beckyrosen@aol.com. Label all images as explained on the application form.  Do not send slides or photographs without prior consultation, as a non-refundable processing fee will be required.  For more information, visit www.delart.org.

Click here to download the application form.  Deadline: June 30, 2014.

Local Authors & Artists Highlighted in Hockessin

The Hockessin Art & Book Fair is happening this Saturday, June 21, from 11:00am until 3:00pm at the Hockessin Community Recreation Center (7259 Lancaster Pike
Hockessin, DE 19707) in Hockessin.

The event is a first-time celebration Delaware's independent and self-published authors and local artists, with 62 authors and artists participating. Some authors/artists include Lee Anderson, Gene Castellano, Karen O’Lone-Hahn, JM Reinbold, Billie Travalini, Johnny Tucker Jr., Justynn Tyme, and Bob Yearick. Writers groups such as The Cape Henlopen Writers, Delaware Valley Sisters in Crime, The TransCanal Writers and The Written Remains Writers Guild will also be on hand.

“New Castle County is extremely excited to be a part of this free, public event, which will highlight local talent,” said County Executive Thomas P. Gordon. “This is a wonderful partnership to support small businesses. Come out to buy a signed book or piece of art.”

The Hockessin Art & Book Fair is collaboration between New Castle County’s Hockessin Community Recreation Center, Art Studio, and Hockessin Library; the Hockessin Book Shelf and The Written Remains Writers Guild.

Exalting Arden's Richard II

By Guest Blogger, Christine Facciolo
Christine holds bachelor’s and master’s degrees in Music and continues to apply her voice to all genres of music. An arts lover since childhood, she currently works as a freelance writer.
 

I have to admit: Richard II has never been one of my favorite Shakespearean plays.  Sure, it’s got all the elements: psychological interest, pageantry and beautiful verse.  But this is also a play where even a gardener talks in rhymed couplets and uses his trade as a moral allegory for good government.  And its principal theme — the divine right of kings —is a concept few, if any, Americans can grasp.  And since we almost never get to see Richard do the deeds that so many unite to oppose, the aristocrats’ complaints appear petty and trivial—much ado about nothing, except maybe greed.

Luckily, this production by the Arden Shakespeare Gild dispels all doubts with this compelling and cogent production.

Greg Faber is simply splendid as Richard.  Physically slight and soft-spoken, Faber portrays a king so convinced of his own regalness that he has become completely devoid of compassion and removed from the needs and desires of his subjects.  He dismisses Gaunt’s death with a pert “So much for that” then seizes his lands.  He exhibits a callousness borne not of intended malice but of breeding, which makes his deposition all the more engaging.  We see him gamely trying to bear the crown’s responsibilities in the first half, but find him having much more fun when forced to relinquish it. Throughout the entire performance, Faber never loses a center — every utterance and gesture is well-conceived.

In a play with so few women, Melissa Kearney as the Queen and Linda Kimmelman as the Duchess of Gloucester make strong impressions with their limited stage time.  Kimmelman as the widowed Duchess of Gloucester delivers a fiery and impassioned condemnation.  Patti Allis Mengers strikes a fine balance between humor and horror as the Duchess of York.

The production features many noteworthy performances.  Henry Moncure III is convincing as the tormented Duke of York, a traditionalist who is loyal to the crown and deeply upset by any treason against it.  Dan Tucker is a standout condemning Richard as the dying John of Gaunt then doubling as the Richard loyalist Bishop of Carlisle.  The dispute between Bolingbroke (David Hastings) and Mowbray (Lee Jordan) is sharp and fiery, giving us insight into Bolingbroke’s political machinations. The juxtaposition of his character with Richard’s striking.

The costuming is traditional and the accompaniment by the Shepherd’s Pipes reinforces the medieval atmosphere.  This is a powerful production reveling in some of Shakespeare’s most vibrant and intellectually stimulating verse.  The strong, capable cast under the direction of Tanya Lazar engages the audience from the play’s uneasy opening to its sudden and bloody end.

See www.ardenshakespearegild.org.

Jeremiah the Bullfrog Needs A New Look

CALLING ALL ARTISTS and creative people...Frank's Union Wine Mart needs your help! Frank is looking for the next face of Jeremiah the bullfrog, Frank's longtime store mascot...(an homage to the Three Dog Night classic, Joy to the World).

Anne Riley of North Star Design has been the creator of each and every Jeremiah.
Now, Frank wants a Jeremiah created by YOU! So here's the deal:
1. Create your own interpretation of Jeremiah
2. Post it on your Facebook wall and SHARE it to the FranksWine.com Facebook page
3. Tell your Facebook friends to LIKE your posted pic

Don't have Facebook? Really? Okay... email Frank the graphic and he'll post it for you!

$100 — The Jeremiah with the most LIKES wins a $100 FranksWine-DiBruno Bros Gift Card!
$50 — If Anne Riley chooses your creation, you win a $50 FranksWine-DiBruno Bros Gift Card!
$25 — If Frank chooses your creation, you win a $25 FranksWine-DiBruno Bros Gift Card!

Not the creative type? Forward this info to all the creative peeps in your address book!

See www.frankswine.com. 

Celebrating Summer Love & Music with The Rainbow Chorale

By Guest Blogger, Christine Facciolo
Christine holds bachelor’s and master’s degrees in Music and continues to apply her voice to all genres of music. An arts lover since childhood, she currently works as a freelance writer.

The winter gear is packed away. The sun is shining. And the beach is just a drive away. Summer is a-comin’ in, and The Rainbow Chorale of Delaware welcomed the season on June 30 at the Arden Gild Hall with a program that swept away any lingering memories of the winter we thought would never end.

There was something for everyone in this concert — and that’s before mentioning the raffle, the food and the goodies for sale. What better way to start the program than with a medley of summer anthems from the Beach Boys. The ensemble had Fun, Fun, Fun with In My Room and California Girls (or Guys, depending).  Delaware Baby Boomers probably recalled the first time they heard those tunes played on the radio station of their youth: 1380 WAMS.

Fans of Disney’s Oscar-winning animated film Frozen got treated to a performance of In Summer, as “Olaf” merrily danced along, eagerly anticipating summer but blissfully ignorant as to what the heat had in store for him.

Denise Conner, Evan M. Malin, Chris Phelan and Barbara Williams extolled the powers of strychnine and cyanide, ably demonstrating the black humor in Tom Lehrer’s Poisoning Pigeons in the Park.

The imagery in the Tepper-Bennett penned Summer Sounds was rendered all the more nostalgic by the a capella quartet of Tony Adubato, Michael A. Bareham, Anthony M. Condoluci and Michael Hovendick. Their voices were smooth and melodic, and blended remarkably well.

The mood got a bit more serious when sopranos Anne Shuman Urban and Cynthia E. Robinson stepped into the spotlight for their solos. Shuman Urban applied her crystalline voice and expansive range to Gershwin’s Summertime, while Robinson delivered a powerful interpretation of Summer Me, Winter Me.

The ‘60s were again represented with selections like Under the Boardwalk, Those Lazy, Hazy Crazy Days of Summer and Dancing in the Street. And what summer concert would be complete without a performance of Alan Sherman’s classic, Hello Muddah, Hello Fadduh? This one did not disappoint!

Yanaka Bernal assumed the role of the jilted lover in her rendition of Runaround Sue. Her loyal and faithful friends offered support and backup vocals, until “Sue” in the person of Robinson strutted by taking one as conquest.

The Great American Songbook got its due with a performance of Irving Berlin’s Blue Skies. Spirited performances of Summer Nights from the legendary Grease soundtrack and the B-52's Love Shack rounded out the program. Collaborative pianist Andre Vermeulen capably handled accompanist duties and revealed talents on the accordion as well.

The Chorale’s volunteer coordinator, Josh Yoder, served as “lifeguard/emcee,” sauntering onstage between selections, bantering with the audience and reading with utmost expression water-safety tips from the American Red Cross and The Onion—while never passing up the opportunity to supply a well-placed double entendre or observation.

See www.therainbowchorale.org. 

DVC Celebrates a Legacy

By Guest Blogger, Christine Facciolo
Christine holds bachelor’s and master’s degrees in Music and continues to apply her voice to all genres of music. An arts lover since childhood, she currently works as a freelance writer. 

You don’t have to be an Anglophile to know that the Western choral tradition owes an enormous debt to Britain. From the Renaissance to today, works by British composers have become the mainstay of the world’s choral repertoire.  

The DelawareValley Chorale dipped into the vastness of this centuries-old tradition to close its 2013-14 season on Saturday at The Episcopal Church of Saints Andrew& Matthew in Wilmington with a concert titled “The English Choral Legacy.” The sound was so glorious and the program so well-chosen that one only hopes the group will revisit this literature in the not-too-distant future.

Two works by composer C. Hubert H. Parry bookended the concert. Hear my words, ye people, was composed for the Festival of the Salisbury Diocesan Choral Association and was first performed in the Salisbury Cathedral on May 10, 1894. This extended anthem was meant to be sung by a gathering of parish choirs so the choral parts are within the reach of most choirs. The more technically demanding music is reserved for the soloists and organ. Soprano Lauren Conrad Giza, baritone Bill Gross and organist David Hearn did not disappoint. The final section of the quarter-hour work featured the SsAM Choral Scholars, with the resulting contrast of choral sonorities suggestive of a choral “concerto.”

Blest pair of sirens, Parry’s rip-roaring setting of John Milton’s poem Ode to a Solemn Musick concluded the concert. The highlight of the piece is the “big tune” to the words "O may we soon again renew that song” which spreads from the sopranos to the whole choir, then turns into fugue on "To live with him," which again reverts back to a homophonic texture of the final bars. The performance was one magnificent arch of music, bringing the audience to its feet with calls for an encore.

The other major piece of the first half was Come ye, sons of art, Ode to the birthday of Queen Mary II in 1694, by Henry Purcell, arguably Britain’s greatest composer. Soprano Conrad Giza and baritone Gross were joined by countertenors Augustine Mercante and Daniel Moody, whose superb voices, diction and style were a delight.

The balance of the concert included four madrigals ably executed by the SsAM Choral Scholars. The Chorale returned after the intermission with three songs by Arthur S. Sullivan, perhaps better known for writing a few operettas with a partner named Gilbert. The 20th Century got its due with Jubilate Deo, one of Benjamin Britten’s best known and most often performed short choral works. Hearn provided a rhythmically spirited organ accompaniment to the chorale’s direct vocal phrases and the piece bubbled with the joyous mood of the words.

See www.delawarevalleychorale.org.

The Reedy Point Players Stay Gold with "The Outsiders"

It's not often that I venture south of Wilmington for theater. I go see the Chapel Street Players in Newark on occasion, and I've enjoyed productions at Middletown's Everett Theatre now and then, but one Delaware community theater I had yet to check out was the Reedy Point Players in Delaware City. When I heard they were doing "The Outsiders," based on the book by S.E. Hinton (one of my favorites in any medium), I decided it was time to make the short trip. Just under 30 minutes from Wilmington, RPP is tiny (never a bad thing in my book), utilizing the community center space in the Delaware City Library. "The Outsiders," directed by Erin Miller, centers on Ponyboy Curtis, a bookish 14 year old in 1960s Oklahoma who also happens to run with a gang of greasers -- the poor kids in town who are in a seemingly never-ending battle with a gang of "socs" (rich kids). For Ponyboy, the gang is really just the guys he knows from the neighborhood who look out for each other. He keeps out of trouble, not just because he's a good, honest kid, but also because trouble would mean he'd be removed from the custody of his older brother Darry, who had taken the responsibility of raising him and middle brother Sodapop after their parents' deaths. Unfortunately, trouble finds Ponyboy and his best friend Johnny, a broken boy with a surprisingly old soul. As Ponyboy, Middletown High sophomore Brandon Dawson conveys the character's juxtaposition as the exceptionally intelligent, kind of nerdy kid in the slicked-back hair and blue jeans that defined him as a hoodlum in his time. Any good Ponyboy needs a Johnny who is just as convincing, and Sean Wagner is spot on in what is probably the most challenging role in the play. It's crucial that the audience cares about Johnny, and he, without a doubt, pulled it off. Kevin Austra's Dallas, the bad-boy greaser who would do anything for his friends, hit the right notes, and Dan Davis captured the wisecracking Two-Bit perfectly. Matthew Furman as Darry towers over Dawson, making him an especially imposing figure, especially when he's angry -- but the love he has for his youngest brother came through. Derek Pinchot as Soda and Heather Mickles as Sandy round out the greasers. The socs are a less sympathetic gang, but Cherry Valance (Lauren Bailey), Marcia (Molly Kiefer) and Randy (Max O'Neill) show that they're not monsters, just kids who for the most part are tired of fighting too. They don't really grasp that their upper middle class struggles aren't equivalent to the struggles of the disadvantaged greasers, but Randy points out that the sadistic soc Bob (John Bolduc) was probably the way he was due to being overly spoiled by his parents. It's fair to say there are issues all around. "The Outsiders" combines coming-of-age with tragedy, a story of violence, consequences, heroism and hope that continues to move young readers (and watchers) -- and it translates remarkably well to the stage. RPP's take on it was worth the trip.

It Ain’t Yo’ Mama’s Shakespeare: CTC Straight Killin’ it with 'Bomb-itty'

By Guest Blogger, Amanda Curry

Amanda is the Director of Communications for the Delaware College of Art & Design in Wilmington.

“Pack it up, Pack it in/ Let me begin…”

Yo’ Mama jokes. Adidas track pants and sneaks. Rappin’ and beatboxin’… Shakespeare?! Walking in to CTC’s production of The Bomb-itty of Errors, you’re in for an atmosphere more reminiscent of a strip club/disco than a theater, complete with a DJ droppin’ beats throughout and four poles on stage (and yes, they are used for that purpose...hilariously misused, but you’ll see). This four-actor + DJ production is a fast-paced, high-energy, “add-raptation” of Shakespeare’s Comedy of Errors.  The show is campy, raunchy, fun and hilarious, but, you want to go in with some understanding of Comedy of Errors, otherwise you’ll get totally lost and miss a lot of the funny. And there is a lot of funny.

That said, check out a run(DMC)-down of the plot here. The gist is two sets of identical twins — one pair both named Antipholus and one pair both named Dromio — born to a legendary MC of his time and his wife.  They are forced to give the kids up for adoption and the twins are split — one Dromio and Antipholus grow up in Syracuse and the respective pair in Ephesus — each unaware of their counterpart until the end of the show. The plot gets more complicated as the show goes on, but that’s part of the fun.  As the confusion escalates, so too does the hilarity, as a variety of zany characters are introduced, all played by the same four actors.

The show is an interesting mix of Shakespearean rhyme and modern hip-hop references, set in present day NYC.  Admittedly, I was skeptical at first.  However, I was pretty much won over and thoroughly impressed with all four of the performers’ skills on the mic, as the entire show is rapped/sung.  Shakespeare alone is tough enough to spit out, but rapping Shakespeare?  Impossible.  And these guys really do tackle it like pros.  All four performers play multiple characters, signified by a simple wig/costume piece change. The stage itself — designed by Richard A. Kendrick — is pretty simplistic: the DJ in the middle and two screens on either side.  But the atmosphere is complemented well with occasional strobe lights and red gel cutouts that light up to signify three important locations: home, bar and church (lighting design by Vicki Neal).  Actors move in and out of the playing space to change behind screens, pretty much in view of the audience, so there’s quite a bit of meta-theatre happening. The staging and choreography is fun and funky complete with a whole lot of booty shakin'.  I especially loved the homage to N*Sync with a little “Bye, Bye, Bye” dance.  Mad props to Kerry Kristine McElrone and Lauren Peters for their dope costume design (i.e., choosing the track pants and sneaks that the twins wear).

The first pair of twins we meet are Dromio of Syracuse (played by Chris Banker) and Antipholus of Syracuse (played by Dyan Geringer).  Patrick O’Hara and Brendan Sheehan play the respective pair of Antipholi and Dromio(i?) of Ephesus. It was hard to choose a favorite performer/scene, as all four do a pretty commendable job of keeping you laughing for nearly two hours.  DJ Swizzul (Trent Marsh) on the turntables during the entire show provides the perfect accompaniment for these four.  Dylan Geringer (a CTC "regular") shines as the one female cast member, especially as the character of Hendelberg, a Jewish rapper/jeweler with a knack for hilariously awful “yo’ mama” joke telling.  She’s such a versatile performer and her comic timing is spot-on, as was consistent with all four actors. Patrick O’Hara plays a cross-dressing Luciana, and his interchanges with the super-funny Brendan Sheehan as a sassy Adriana, wearing a yellow sports bra and donning a red wig, are phenomenally witty, silly and fun.  More characters are introduced, including an Irish cop, a Rastafarian herbal doctor, a nerdy bike messenger, and a stripper named Desi, just to name a few.  Under Michael Gray’s direction, assisted by Tommy Fisher-Klein, the speed and seamlessmness with which the performers switch characters is nothing short of impressive.

Bomb-itty is totally irreverent and although maybe not appealing to your grandmum — unless she's a sassy, rappin’ grandma, a la The Wedding Singer — it would be entertaining to the teens in your life.  Or, looking for a fun date night? Then, get-thee-to-Bomb-itty-and-you-will-see-some-hilar-ity.  Just be sure to read that synopsis first…ya heard?!  Check it: Bomb-itty runs now through May 17 at the Black Box at OperaDelaware Studios.

See www.city-theater.org.