Chapel Street Actor wins National Competition

DEartsinfo congratulates Chapel Street Players and Patrick Cathcart.

Patrick Cathcart won the top prize for lead actor in the American Association of Community Theatre competition. Cathcart played Edward Albee's crazy character, Jerry, who both horrifies and

fascinates Peter, the quiet businessman played by Brian Turner.

The one-act was directed by Andrew Mitchell for Chapel Street Players and won the Delaware State competition and then the Eastern States Theatre Association festival before taking the show to the national level.

This was Delaware's first national theatre prize!

Ragtime Rages in Wilmo

By Mara Goodman, PR Intern, Arts in Media
If you haven’t seen the Delaware All-State Theatre’s (DAST’s) production of Ragtime, you are missing a truly impressive performance happening right here in downtown Wilmington. It is the same company that produced such wonderful shows as Urinetown and West Side Story, although this time we’re not sent to a strange town where no one can pee or travel to 1950s-era Puerto Rican New York City. Ragtime instead features the story of three groups in America at the turn of the 19^th Century: the WASP-y family in New Rochelle, the Jewish immigrant with hopes of “dolls, dresses and apple pie” for his daughter, and the Harlem musician’s struggle for racial equality in the face in injustice.

Covering three very different ethnic groups, the cast of Ragtime was huge. With all these students on stage, it was difficult for full-cast numbers to avoid sloppiness, but it was instead the individual numbers that let the audience quickly forget the youth of the actors. Colleen Scott’s beautiful performance of Your Daddy’s Son surely sent chills throughout the entire audience as she sat and whimpered, cast in a dark shadow. Her voice was stunning, and her acting evoked the most sincere emotion. 

Culturally, this show will find most people looking back to their roots. As a Jew in the audience, I personally loved Ben Walker’s impressive performance of Tateh—with his bushy beard and Yiddish slang—and was entertained by his use of the classic Fiddler On the Roof arm swing. The Harlem Chorus’s Ragtime beats stole the show—looking wonderful in their first number wearing orange and pink dresses—I longed to hop on stage and dance with them. And Tatiana Lofton’s rousing performance at the funeral scene was spectacular; she had a phenomenal voice not to be missed.

And while this show was centered on the talent of these students, the costumes were spot-on for every character and the pit orchestra excellent. The set was solid at times—I was particularly fond of the train station set—though I wasn’t a fan of all the background images and would have rather have used my own imagination to envision the characters in settings.  

If you’re looking for something to do this weekend, definitely check out Ragtime. This musical captures a realistic range of human experiences, quickly moving from funny, sexy scenes to heartbreaking solos and back again. And while the first act may seem to last forever, the second act comes back with a bang (literally—a gunshot) so don’t give in to sleep too fast.

See www.dastonline.com.

Good Times at Shady Grove Music Fest

Brad Turner of 3EYES. Photo: Joe del Tufo

A bit of rain couldn't slow things down at the Shady Grove Music Fest on Saturday -- rather than head for the hills (and their dry cars), partiers barely blinked an eye. After all, bailing out would mean missing out on some of the day's most anticipated bands, New Sweden and Bullbuckers, who rounded out the festival's roster of ten main stage bands, acoustic performances on the Moonlight stage and live graffiti art by Brad Turner of 3EYES.

The early part of the day featured The Joe Trainor Trio, Sharon Sable and E. Shawn Qaissuanee, Smoke Signals and Frequency Bender. As the afternoon warmed up under cloudy skies (nice, actually -- the grove is shady, but without the full summer sun in the sky, the day was a refreshing change from the recent heat waves), local youth Local Chaos took the stage to a supportive crowd as they honed their skills with songs by Motley Crue and the White Stripes, among others.

I especially enjoyed Newark's Little Invisibles, fronted by the lovely Dina Degnars on piano and vocals. Shades of Within Temptation, but singularly original. And, with an audience-participation hula hoop interlude, a lot of fun, too.

Little Invisibles. Photo: Joe del Tufo

A little drizzle started to fall during Deadbeatz, Inc's politically charged set, and by the time Villains Like You took the stage, the rain was really coming down -- and the crowd was starting to dance. Nothing like an outdoor music festival to get your body moving it the rain, right?

And through it all, 3EYES created a piece of his distinctive, hand-and-stencil graffiti art, while DJ Zip kept the beat going between bands.

You'll have to wait until next year to hang at another Shady Grove Music Fest, but the Arden Concert Gild offers live original music throughout the year -- like them of Facebook to keep up with the schedule.