First State Ballet Theatre Hires Molly Rooney as New Managing Director

First State Ballet Theatre has announced that Molly Rooney will be joining the company as Managing Director, effective March 15. Prior to joining First State Ballet Theatre, Molly was an Account Manager at Dandelions Digital. Molly has served as Director for the National Ballet Competition for the past three years.

As the creator of National Ballet Competition, Molly will be bringing her unique skills in communications, digital marketing, fundraising and community relations, as well as her passion for ballet, to First State Ballet Theatre. Molly is a former professional ballet dancer and a graduate of the University of Pennsylvania with a BA in Communications.

“I am beyond excited to join First State Ballet Theatre, a company dear to my heart, as their Manager Director. As a former dancer, I am excited to be on the administrative side and be a part of developing this wonderful organization,” says Molly. “We are super excited about bringing Molly on to the First State Ballet Theatre team. She shows a lot of enthusiasm and passion and we think she will bring great things to the organization,” says Kristina Kambalov, Executive Director.

“Molly is an exceptional person in all aspects of her life. She is very detailed and precise and can provide exactly what is needed,” added Paige Obara, Business Manager.

ABOUT FIRST STATE BALLET THEATRE
First State Ballet Theatre (FSBT) was founded in 1999 with the mission to present professional ballet performances throughout Delaware, offer high-quality ballet training and performing experiences to aspiring dancers, and educate the Delaware dance audience of the future. 

Founded in 1999, FSBT is Delaware's only professional ballet company and this season employs professional dancers under the artistic direction of Pasha Kambalov, a graduate of the esteemed Vaganova Academy in St. Petersburg, Russia. FSBT presents classical ballets and commissions contemporary works from both local and internationally-recognized choreographers. 

FSBT is based in Wilmington's Grand Opera House and attracts thousands of patrons to the City of Wilmington each season, in addition to performances statewide. The School of First State Ballet Theatre enrolls over 100 students ages 3 and up, and offers classes six days a week in its studios in the Grand Opera House and at its satellite location at the Dupont County Club. FSBT students have won awards in international ballet competitions, been accepted at some of the country's elite ballet schools, and danced professionally all over the world. 

Exhibit at The Sold Firm Features Works of Incarcerated Artist

Starting this month, Wilmington gallery The Sold Firm — headed by owner/gallerist, Nataki Oliver — presents a solo exhibition from artist Sakana Walls. 

Walls, 49, is a Philadelphia visual artist currently incarcerated in a Delaware correctional facility. 

Walls actually began his creative path in the culinary field. He has been incarcerated since 2006 with three years left on his sentence. Walls began drawing seriously in 2010 and painting in 2016, starting with his first piece, “Weathering The Storm,” which is featured in the exhibit.

The exhibit, entitled STORM, opened on February 19 and will run through April 24, 2021. During points in the exhibit, Sakana will be present on video from the correctional facility.

With Oliver's assistance, we were able to connect with Walls and ask him a few questions about his exhibit. Check out our discussion below...

*How long have you been creating? What is your medium of choice and why?

I've been creating for about 11 years now. I started sketching with pencil and charcoal, but I found it more liberating to work with acrylic. I use to observe other artists painstakingly mixing colors, trying to produce a hue that was considered "acceptable," and I didn't see any freedom in the practice. I treat each color as I would any individual: Accept it for its truest form/essence. If we can embrace who we really are, maybe we could come together and create something beautiful.

*Why did you choose the title "STORM" for this exhibit?

It was something that was discussed between Nataki and myself. when I told her my story, we agreed that "Storm" would best describe the exhibit. The pieces that were chosen for this exhibit represent hope, spirituality, and consciousness. All things needed in this trying time.

*What do you want your work to "say" to patrons? 

I really do not want the pieces to say anything. Rather, I want the pieces to act as a defibrillator...to allow the numbness (that has developed over the last couple of years) to diminish. I also want people to think about what happened in the last couple of years with our government, the pandemic, and within our communities.

*What is your favorite piece in the exhibit and why?

My favorite piece is the hooded man titled Weathering The Storm. It's a representation of who I've become. The searchlight in the lower right represents the prison life left behind. The rain and the lightning represent the adversity going on in the world. The jacket represents consciousness, protection from all of the elements.

*How do you feel the arts have helped you during this time and how will they serve you going forward? 

Sitting back and doing the same things day in and out does not promote growth. I refused to succumb to the "Groundhog Day effect," so it was important for me to not become institutionalized. I had to find something to do differently. Creating something new every day allowed me to do time purposefully. Going forward, I see the arts hopefully serving as a vehicle to bring togetherness and awareness within the community and beyond.

*What advice can you give to other justice-involved individuals?

Holding yourself accountable will prove to be beneficial in the growth process. If you're experiencing an injustice, educate yourself and make it a fair fight. Adding other than self to the thought process will produce different results.

*What are your goals — artistic and personal — now and post-incarceration?

As an artists, I want to continue to make people feel; personally, I want to educate self before I medicate others. After my release, I want to continue to live life with purpose. 

“We must conquer self doubt in order to weather our own personal storm; then we’ll be able to learn, understand and respect one another.” — Sakana Walls

Reservations to attend the exhibit must be made online. Due to COVID-19 restrictions, masks are required while in the gallery. For more information and reservations, visit thesoldfirm.com.

A Number of New Artist Opportunities Opening at The Delaware Contemporary

The content of this post comes from a release from The Delaware Contemporary...

The Delaware Contemporary today announced a number of exhibit and engagement opportunities for local and regional artists.  The Contemporary is dedicated to supporting the careers of emerging and established artists through exhibition opportunities and professional development. Active onsite artist studios, complemented with a vibrant and rotating exhibition program, push artists to reexamine and expand the boundaries of their practice. The organization invites and encourages artists of all stages to apply! 

Click the links below for application forms and further info...

The Gallery Shop

• APPLICATION DEADLINE: Friday, January 29, 2021
• SHOP SEASON: March 1 - August 27, 2021
• APPLICATION FEE: $10.00

Starting March 1, The Gallery Shop will display a new collection of featured artists with a curated selection of art and craft alongside new exhibitions in our gallery space. Seeking a fresh selection of products as we continue to promote contemporary craft and to support local and regional artists. Submit your work to be considered for this eclectic assortment of contemporary art, crafts, and handmade products. ALL forms of art are encouraged. If your work is sellable for Mother’s Day, Father’s Day, or birthdays, the Spring/Summer season is for you!

Submission Requirements:

• Submit the following information as a single document (.DOC, .PDF) to lhoward@decontemporary.org with the email subject line "Gallery Shop Submission":
• Short Bio: Brief summary of your artist resume
• Product description and pricing
• 5-10 images to showcase variety of artwork attached to submission email Optional: Artist digital links (Instagram, Etsy, artist website, Facebook, etc.)
• Pay submission fee and include the order receipt number in the body of the submission email.

Call for Exhibit Entries - Natural Movement: Unapologetic Conversations of Hair & Nonconformity

• APPLICATION DEADLINE: February 15, 2021
• APPLICATION FEE: $25

The Contemporary is accepting submissions for a group exhibition based around the central ideas of hair and the CROWN Act, a law that prohibits race-based hair discrimination; namely the denial of employment, recreational, and educational opportunities because of hair texture or protective hairstyles. How has rhetoric and politics alienated people of color? How does public discourse about hair and micro-aggressions play out in opportunities of advancement? How can contemporary artists and museums move this dialogue forward? 

Summer 2021 Exhibition Opportunity

• APPLICATION DEADLINE: February 15, 2021

What does it mean to assimilate within accepted cultural norms? How is conformity questioned in contemporary society and what does it mean to “fit in”? The Delaware Contemporary seeks applicants to showcase works that engage in conversations about identity, acceptance, and conformity or non-conformity. Submissions may consider concepts such as religion, ethnicity, culture, gender, and race. Artists are encouraged to discuss any range of these topics as appropriate to them and their work. Artworks submitted may be any media, but must be prepared for museum exhibition.

2021 Artist-in-Residence

• APPLICATION DEADLINE: February 15, 2021

The Contemporary's redesigned Residency Program extends to all types and forms of creative producers for a 12-month residency. Residents will have the opportunity to fully engage with the community and produce a comprehensive body of work for exhibition and documentation. In support of the museum’s ongoing efforts to promote diversity, equity, and inclusion in our community as well as the organization, The Contemporary has placed emphasis on providing the Residency Program to Black, Indigenous, and People of Color (BIPOC) and is driven to provide equitable access to career development and capacity-building opportunities for underserved populations and strives to contribute to diversifying the nonprofit and museum industries.

THE STUDIOS @

• Applications are now open

Join the community of creative individuals at The Studios @ The Delaware Contemporary! Currently, The Contemporary has two vacant studios available. The 26 artist studio spaces are a place where proactivity, public engagement, diversity of ideas, perspectives, and artistic practice are honored, respected, and achieved.

2021 Individual Artist Fellowships Awardees Announced by the Delaware Division of the Arts

This post content comes from a press release from the Delaware Division of the Arts...

The prestigious Individual Artist Fellowships from the Delaware Division of the Arts recognize artists in a variety of disciplines for their outstanding quality of work and provide monetary awards.

This year 121 artists applied and 25 were awarded fellowships in the following categories: one Masters; 14 Established; and 10 Emerging. Because of limited programing due to COVID in some of the Division’s regular grant categories, the Division was able to allocate additional funds to the Fellowship categories, thereby enabling the Division to recognize more artists this year. 

Awards are given in three categories: $10,000 for the Masters Award, $6,000 for the Established Professional Award, and $3,000 for the Emerging Professional Award. Fellows are required to offer at least one exhibit or performance during the upcoming year, providing an opportunity for the public to experience their work. Additionally, the work of the Fellows will be featured in a group exhibition, Award Winners XXI at the Biggs Museum tentatively set for June 4-July 25, 2021.

“Individual Artist Fellowship grants provide the recognition and exposure that artists need to successfully promote their work,” said Paul Weagraff, director of Delaware Division of the Arts. “The financial award allows them to pursue advanced training, purchase equipment and materials, or fulfill other needs to advance their careers. The Division was pleased to be able to allocate some additional funds to the Fellowship categories this year, thereby enabling the Division to recognize more artists this year.”

Masters Award ($10,000)

• Jennifer Margaret Barker, Newark, Music: Composition

Established Award ($6,000)

• Fostina Dixon (Bear), Jazz: Performance
• Howard Eberle (Lewes), Visual Arts: Painting
• Knicoma Frederick (Wilmington), Folk Art: Visual Arts
• Mara Gorman (Newark), Literature: Fiction
• Eliezer Gutman (Wilmington), Music: Solo Recital
• Harold Kalmus (Arden), Visual Arts: Crafts
• Kim Klabe (Rehoboth Beach), Visual Arts: Works on Paper
• Jack Knight (Long Neck), Visual Arts: Sculpture
• Cassandra Lewis (Wilmington), Literature: Playwriting
• Jame McCray (Smyrna), Dance: Choreography
• Terry Miller (Milton), Literature: Creative Nonfiction
• Jane C. Miller (Wilmington), Literature: Poetry
• Richard Raw (Wilmington), Folk Art: Music
• Eric Zippe (Wilmington), Visual Arts: Photography

Emerging Professional Award ($3,000)

• Ann Marie Brzozowski (Wilmington), Literature: Fiction
• Shari Dierkes (Clayton), Visual Arts: Crafts
• Siobhan Duggan (Lewes), Visual Arts: Works on Paper
• Denise Eno Ernest (Newark), Visual Arts: Painting
• Jason Jellick (Wilmington), Visual Arts: Photography
• Carrie Sz. Keane (Milton), Literature: Creative Nonfiction
• Todd Kilgoe (Bear), Jazz: Composition
• Jack Mackey (Rehoboth Beach), Literature: Poetry
• Theresa Taylor (Dover), Folk Art: Visual Arts
• Njideka Wiggins (Wilmington), Literature: Playwriting

Not Your Grandmother’s Nutcracker: Wilmington Ballet Announces Virtual Nutcracker Experience

Information in this post comes from a press release from The Wilmington Ballet Academy of the Dance.

While COVID-19 and socially distant restrictions have shut down the majority of arts organizations around the world, the Wilmington Ballet have been pirouetting full force into the new – a new philosophy, new staff, and a new way to bring the holiday tradition of The Nutcracker to families across Delaware for the 53th year. 

From December 7-12, sugarplums will dazzle, mice and soldiers will battle, and snowflakes will swirl as the Wilmington Ballet presents their completely virtual Nutcracker Experience. This five-night, online event will feature a mix of pre-recorded and live videos. The ballet will be performed in venues across the Greater Wilmington area, including The Delaware Art Museum and The Playhouse on Rodney Square.

Viewers can expect to be blown away by this year’s guest stars:
• Akua Parker - Alvin Ailey American Dance Theater, Academy of the Dance alumna
• Georgina Pazcoguin - New York City Ballet Soloist
• Lateef Williams – Royal Ballet of Flanders, Wilm Ballet Alumni
• Amanda Smith - Dance Theater of Harlem
• Anthony Santos – Dance Theater of Harlem
• The Voloshky Ukranian Dance Ensemble

“We really had to test our creativity this year and expand the performance to fit the current times we find ourselves in,” said Benjamin Cannon, Wilmington Ballet’s new Executive and Artistic Director. “It was important to us to keep this tradition alive for our community. Now more than ever, a sense of ‘normal’ and familiarity is so needed, and our hope is that by presenting The Nutcracker in a new and innovative way, we can help families hang on to a holiday tradition they may have otherwise had to forego.” 

This year’s ballet will be presented virtually on new virtual events platform Markee – created locally in Downtown Wilmington. Since quietly launching in June 2020, Markee has hosted more than 100 events, including the New Castle County Chamber of Commerce Annual Dinner, EasterSeals Delaware and Maryland’s Easter Shore Annual Caregiver Conference, and an event for The Future Party.

Other local organizations involved in this year’s production include:
• DelawareArt Museum
• Pieces of a Dream Academy of Dance
• McAlleer-Paulson School of Irish Dance
• Stage Lights Dance Academy
• The Playhouse on Rodney Square

“Including and becoming more a part of our local community was imperative to us,” said Christopher Davis, the ballet’s Associate Artistic Director. “We were floored when we were introduced to Markee and could not sign up fast enough when we learned it was built just a mile from our studio! The Delaware Art Museum has been an incredible partner, and we fully intend to include as many community organizations as possible in our programming going forward.”

Cannon and Davis, both with impressive backgrounds featuring Broadway and professional dance companies, are hoping to use this year’s performance as an introduction to the new Wilmington Ballet and Academy of the Dance. The long-term plans for the dance company include adding more diverse class options, community programming, extensive building updates, and an exciting rebranding project with local branding agency BrandSwan.

The Tuttleman Foundation Presents: The Nutcracker Experience
• Monday, Dec. 7 – Wednesday, Dec 9: 7pm
• Thursday, Dec. 10: 8:30pm (Special presentation in conjunction with Delaware Art Museum)
• Friday, Dec. 11: 7pm
• Saturday, Dec. 12: 2pm (Special matinee with guest stars from the historic Playhouse on Rodney Square)

Tickets ($75 per single household) are on sale now at https://events.wilmingtonballet.org/the-nutcracker-experience.

(The Wilmington Ballet asks that viewers continue to follow the Delaware State of Emergency guidelines that have been put in place. They have priced tickets per household to encourage social distancing. Once purchased, ticket links are unique and cannot be shared.)

About The Wilmington Ballet at the Academy of the Dance
Founded in 1956, as the Academy of the Dance, Wilmington Ballet has the longest-standing tradition of excellence in dance training in the region. Wilmington Ballet’s professional faculty is dedicated to providing exceptional ballet training to students of all ages. Wilmington Ballet students have advanced to the world’s top companies, including American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theatre, Martha Graham Company, Royal Ballet Flanders, Boston Ballet, Dance Theatre of Harlem, as well as Broadway and more. Since 1967, the annual performance of The Nutcracker at the Playhouse on Rodney Square has provided our students the opportunity to perform with world-class professional artists and live orchestra. Wilmington Ballet is conveniently located in the Trolley Square neighborhood at 1709 Gilpin Avenue. The Wilmington Ballet is supported, in part, by a grant from the Delaware Division of the Arts in partnership with the National Endowment for the Arts.  More Information: www.wilmingtonballet.org.

Arts in Media Clients Create Virtual Music This Fall

By Morgan Silvers
Morgan is a high school senior who enjoys playing sports like field hockey and soccer, and loves spending time with friends. She notes she's happy to have a chance to help write about events and media! In the future, she hopes to pursue a career in either Fashion Merchandising or STEM.

BRANDYWINE BAROQUE
Delaware's ensemble where "early music lives" has shifted performances into the virtual realm. Currently in the middle of their 2020-2021 Virtual Concert Series, their "Concerts at the Flint Collection" can be viewed virtually. 

Their series includes performances by ensemble and guest artists and features works from their recently released CDs. All performances premiere Sundays at 3:00pm (EST) on Brandywine Baroque's new Vimeo channel.

The ensemble schedule premieres new performances approximately every two weeks. Each performance is about 30 minutes in length and is free to view.

The next concert will premiere Sunday, November 22 at 3:00pm and will feature Brandywine Baroque Artistic Director Karen Flint, performing Pieces in G minor by Jean Henry D’Anglebert on the 17th-Century French Ruckers harpsichord.

To join and view this (and each new) performance, visit https://vimeo.com/475203801. All of Brandywine Baroque’s virtual concerts are available to watch anytime on Vimeo throughout the 2020-2021 season about a day after they have premiered. Be sure to watch!

MARKET STREET MUSIC
Downtown Wilmington's most diverse musical series, Market Street Music, has moved to an online platform as well. Three performances will be offered this fall, each in a two-part concert on their new YouTube channel.

Part One of the first performance has already premiered this weekend (Saturday, November 14) and featured cellist Ovidiu Marinescu — a seasoned player of the beloved Bach solo cello suites. In this concert, patrons can enjoy some of those suites along with new music from Ovidiu himself. Part Two premieres Tuesday, November 17 at 7:45pm.

Later this month, Market Street Music presents Marlissa Hudson, soprano and Marvin Mills, piano. These brilliant Baltimore-area musicians perform a program of remarkably beautiful and timely music by Black composers. Part One of their concert premieres Saturday, November 21 at 7:45pm, and Part Two premieres Tuesday, November 24 at 7:45pm.

Finally in December, viewers can celebrate the beloved-by-all Market Street Music tradition — the return of the Cartoon Christmas Trio! This fun-loving trio performs Jazz music from A Charlie Brown Christmas and so much more. Part One of the Cartoon Christmas Trio premieres Saturday, December 12 at 7:45pm; Part Two premieres Tuesday, December 15 at 7:45pm.

Patrons who join at the premiere times can chat live with Market Street Music and fellow patrons during the performance! CLICK TO WATCH!

MÉLOMANIE
For their 2020-2021 season, the ‘provocative pairings’ ensemble presents a series of five 30-minute streamed concerts, called Mélomanie's Virtual Series, putting fans in the 'virtual front row'! Their performances will include the ensemble's signature baroque and contemporary repertoire as well as interviews with guest composers.

The first concert premieres Saturday, November 21, at 3:00pm via their new Vimeo channel. The first program will include Mélomanie performing Telemann’s Paris Quartet in A Major and Aegean Airs by Robert Maggio; a cello solo by Ismar Gomes of Abraham's Sons - In Memoriam: Trayvon Martin, composed by James Lee III; and brief interviews with composers Robert Maggio and Mark Hagerty with guest percussionist Chris Hanning. Patrons need only click on the Vimeo link on November 21 to view the premiere performance!

Their follow-up concert is scheduled for Saturday, December 12, at 3:00pm.

All concerts will include post-performance "virtual receptions" via Zoom with the artists, and fans can also participate in live chat with each other during performances. After each performance, fans can also enjoy access to full-length, in-depth interviews with guest composers by clicking here.

Wilmington’s Cultural Street Art Program Opens with Art Installation at Peter Spencer Plaza

The content of this post comes from a City of Wilmington press release...

The City of Wilmington, which supports Black lives and the ongoing effort to promote racial justice reforms locally and nationally, today (Monday, August 24, 2020) opened a community designed and executed cultural street art program. Organized by community activist and artist Vanity Constance and managed by City Cultural Affairs Director Tina Betz, the first of a series of cultural street art installations is underway beginning this morning at the King Street entrance to Peter Spencer Plaza.

“This new art program is a community expression that comes from people’s feelings about the current state of racial justice and racial relations,” said Mayor Mike Purzycki. “This effort has the wholehearted endorsement of City government because it is also about supporting better things to come for all of us who live in, work in, and visit Wilmington. Council President Hanifa Shabazz and I, respectively representing the Executive and Legislative Branches of government, embrace the colors, images, themes, and individual artistic efforts of this program and thank Vanity and all of the participating artists for helping us appreciate art while we learn and heal.”

Monday’s opening cultural street art installation was organized by the Local Street Art Group, a non-profit founded by Vanity Constance. The lead designer and artist facilitator on Monday’s project is local artist JaQuanne Leroy who created the image to be painted entitled “Freedom and Justice.” The work, pictured at the beginning of this news release, features African tribal patterns and symbols. It is expected that this initial artwork will be completed by Tuesday.

The section of sidewalk that is being decorated crosses the western entrance to Spencer Plaza, named for Peter Spencer (1782-1843), who founded the Mother AUMP Church (African Union First Colored Methodist Protestant Church) on the site of the plaza in 1813. The church was the first independent Black denomination in the country. The plaza was also the site of the first Big Quarterly (or August Quarterly), which was started by Spencer in 1814. The plaza statue, "Father and Son," was erected in 1973 and depicts a Black male figure cradling a sleeping child in his arms. Larger-than-life and dressed in a t-shirt and jeans, the man is not a direct representation of the religious leader but rather a symbol of the hope for the future that he inspired. The remains of Peter Spencer, his wife Annes, and ten of his followers are interred in a vault beneath the statue. After Spencer’s death in 1843, there was a split in the church. The African Union Methodist Episcopal Church (AUMP) and the Union American Methodist Episcopal (UAME) both trace their history to the original church at 819 French Street.

Vanity Constance and Tina Betz said the first art installation site that was originally selected — crosswalks at 4th and Market Streets — could not proceed because of a series of technical problems such as needing to prep the asphalt for a few days before paint could be applied. Instead, it was decided that the Spencer Plaza sidewalk artwork would be an appropriate way to start the program.

Betz and Constance said other art installation sites will be announced soon, which will include a new mural in Freedom Plaza, the courtyard and public meeting space in between the Louis L. Redding City/County Government Building and the Elbert C. Carvel State Government Building on French Street. The mural will replace a sky and cloud patterned mural that graces a side wall of the Redding Building and serves as the backdrop for a stage that is used for music performances and other community-related events.

On August 13, a community-led ceremony was held in Spencer Plaza to unveil the permanent home of the Pan African RGB Flag. The date of the flag-raising — August 13 — is significant because it marked the 100th anniversary of the signing in 1920 of the Declaration of the Rights of the Negro People of the World by the United Negro Improvement Association (UNIA) chaired by Marcus Garvey. This document is one of the earliest and most comprehensive human rights declarations in U. S. history.

Delaware Artist TAHIRA Set to Release First Single, "Freedom Call"

Delaware-based songwriter and storyteller TAHIRA is excited to release her first single, Freedom Call, which will be available worldwide on Wednesday, August 5.

Freedom Call is an anthemic song written by TAHIRA and executive produced by Darnell K. Miller. This single is sure to become a part of the soundtrack of this time period of protest and demand for social justice. 

TAHIRA and Miller gathered the First State's premier soulful vocalists to come together on this rousing single, in a artistic collective known as The Delaware Artists for Change.

In addition to TAHIRA (yup, her legal name is spelled in all capital letters) and Miller, The Delaware Artists for Change include:

• Maya Berlardo
• Nihkee Bleu
• Jahiti
• Nadjah Nicole
• Noelle Picara
• Jea Street, Jr.
• Donna Tucker

Better known for her national work as a professional storyteller, TAHIRA wanted her first song to be the byproduct of the talents within the Small Wonder state. Subsequently, all components of the single were created in Delaware, including the engineering, which was done by Ishmail Abus Salaam at King Creative, a studio which opened in Wilmington last year.

Members of the funky, soul band The Soulidaires make up the rhythm section on the song, joining TAHIRA on guitar and Miller on lead guitar. 

TAHIRA, says, "Tapping homegrown talents was imperative. Do not sleep on Delaware. This group of artists is not only gifted but each is dedicated to using their craft to speak to the times they live in and uplift their community."

Look for the single released online wherever music is available.

The Sold Firm Art Gallery Celebrates Grand Opening in Wilmington's Creative District

Content of this post comes from a City of Wilmington press release...

Wilmington Mayor Mike Purzycki and City Cultural Affairs Director Tina Betz congratulate Nataki Oliver, owner and operator of The Sold Firm, on the modern art gallery’s official grand opening held Saturday, August 1, 2020. 

The gallery, located at 800-B North Tatnall Street in the City’s Creative District, was founded by Oliver in 2019 to exhibit emerging modern and contemporary artists who tackle diverse subjects such as beauty, sexuality, emotions, and current culture.

“We are very happy to officially welcome Nataki Oliver and The Sold Firm to the Creative District,” said Mayor Purzycki. “This intimate space is an important addition to Wilmington’s cultural life and we are a better, richer City for the incredible talent assembled here. With Art Loop on hold for the foreseeable future, Oliver’s gallery provides a welcome refuge for art lovers from all over the City and the surrounding region.”

“The Sold Firm adds a contemporary newness to its surroundings,” said Oliver. “Fine art, culture, love, and support are our core elements to injecting vibrancy into Wilmington. Residents and visitors are welcome to immerse themselves in this modern art gallery. The collections of modern art displayed here have been carefully curated to represent multiple creative styles that complement our bright, simplistic aesthetic.”

At Saturday’s event, which included a ribbon-cutting and timed gallery tours, two black youths with an interest in the visual arts were presented with complete art kits and private art lessons at The Sold Firm this fall by local artist, James Wyatt. This initiative was funded by proceeds from the sale of OVOW (Our Voices Our Way) T-shirts. The grand opening was also celebrated by Council President Hanifa Shabazz and 4th District Council Member Michelle Harlee.

The Sold Firm’s current group exhibit, “Pendulum Swing,” also kicked off with the gallery’s sold-out grand opening ceremony on Saturday. The exhibit brings together 15 black artists from as far away as Florida to allow their voices about the current climate to be heard through visual art, each with a unique expression that conveys pain, triumph, and optimistic views of their feelings.

All of the “Pendulum Swing” artists will receive a 100% commission on any artwork sold during the public exhibit, which continues until October 30, 2020.

Tickets are available on the gallery’s website at www.thesoldfirm.com. You can also follow @thesoldfirm on Facebook and Instagram for updates.

Pacem in Terris To Host Virtual Youth Art Exhibit

Pacem in Terris is continuing their annual Visionary Peace Youth Art Exhibition -- with a virtual gallery! If you work with children or know others who would be interested in participating, please share this information.

Deadline extended to August 31, 2020!

 

Youth in Grades K-12 are invited to CREATE ART by painting or drawing images that answer the questions: What does peace look like? What does peace mean to you? 

These “Visions of a Peaceful World” will be displayed in an online gallery (take a look at last year’s submissions here). A number of pieces will be selected and framed to join their Traveling Peace Youth Art Exhibition, which goes on display at various locations throughout the state, including a scheduled exhibit at The Grand Opera House in downtown Wilmington!

 

Here are the general guidelines:

• Artwork can be created on any type of paper or canvas, any size up to 12” x 16”
• Each piece must be accompanied by a 1-3 sentence statement describing the artist’s vision.
• The artist’s name, age, group, and statement should be written on a separate paper (index card) and attached to the artwork by paper clip.

Your organization will be recognized in the gallery. They will accept up to 30 pieces per site. Include contact information for a teacher/counselor to receive future updates about the exhibition, and coordinate artwork pickup and returns at the end of the year. 

To submit your artwork, or ask any further questions, please contact Carolyn Bitzer at submissions@depaceminterris.org.

Delaware's Poets Laureate (Twin Poets) Receive $50K Award for Community Poetry Project

The content of this post comes from a press release from the Delaware Division of the Arts...

The Academy of American Poets announced today that the Delaware Poets Laureate, Representative Nnamdi Chukwuocha and Al Mills, also known as the Twin Poets, have received $50,000 to launch Write Now!, an art-based community building and engagement series, including workshops, readings and service projects, focused on youth in communities impacted by gun violence and fellow veterans diagnosed with PTSD. The series will culminate with the Write Now! Poetry Festival and will take place in April 2021.

The brothers and identical twins are Licensed Master Social Workers and founders of Art For Life – Delaware, a non-profit youth and community development organization rooted in the arts. The Twin Poets were the subjects of award-winning documentaries: Why I Write and Art For Life; which chronicle their artistic social change efforts. Al is an Iraq War veteran suffering from PTSD and Nnamdi is a State Representative and professor at Delaware State University.

The Delaware Poets Laureate are two of the 23 individuals that were announced as 2020 Poets Laureate Fellows. These 23 individuals serve as Poets Laureate of states, cities, counties, and the Navajo Nation and will be leading civic poetry programs in their respective communities in the year ahead. They will each receive $50,000 (the Twin Poets will receive $50,000 in total) for a combined total of $1.1 million. In addition, the Academy will also provide $66,500 to 12 local 501(c)(3) non-profit organizations that have agreed to support the fellows’ proposed projects.

“As we face the crisis of the COVID-19 pandemic, more and more people are turning to poetry for comfort and courage. We are honored and humbled in this moment of great need to fund poets who are talented artists and community organizers, who will most certainly help guide their communities forward,” said Jennifer Benka, President and Executive Director of the Academy of American Poets.

Through its Poets Laureate Fellowship program, the Academy has become the largest financial supporter of poets in the nation. The fellowship program is made possible by The Andrew W. Mellon Foundation, which, in January of this year, awarded the Academy $4.5 million. The award will fund the program in 2020, 2021, and 2022.

“We are gratified to support the poets laureate fellows as they engage their communities around the unprecedented challenges of our moment, making work that provides meaning, brings beauty, and helps us, in Lucille Clifton’s words, ‘sail through this to that,’” said Elizabeth Alexander, poet and President of The Andrew W. Mellon Foundation.

The 2020 Poets Laureate Fellows and the communities they serve are: Honey Bell-Bey (Cuyahoga County, OH), Tina Cane (Rhode Island), Tina Chang (Brooklyn, NY), Nnamdi Chukwuocha and Al Mills aka Twin Poets (Delaware), Rosemarie Dombrowski (Phoenix, AZ), Beth Ann Fennelly (Mississippi), Angelo Geter (Rock Hill, SC), Margaret Gibson (Connecticut), Rodney Gomez (McAllen, TX), Elizabeth Jacobson (Santa Fe, NM), Stuart Kestenbaum (Maine), Susan Landgraf (Auburn, WA), Maria Lisella (Queens, NY), Porsha Olayiwola (Boston, MA), Alexandria Peary (New Hampshire), Emmy Pérez (Texas), Mary Ruefle (Vermont), Janice Lobo Sapigao (Santa Clara County, CA), John Warner Smith (Louisiana), Laura Tohe (Navajo Nation), Amie Whittemore (Murfreesboro, TN), and Assétou Xango (Aurora, CO).

Additional information about the Academy of American Poets 2020 Poets Laureate Fellows and their projects is available on the Academy’s website.

About the Delaware Poet LaureateDelaware’s Poet Laureate is an honorary position appointed by, and serving at the pleasure of, the Governor. The Poet Laureate serves as an advocate, educator, and presenter of poetry throughout the state. Delaware’s Poet Laureate program is managed by the Delaware Division of the Arts. The Division promotes the Poet Laureate’s events and activities and manages the calendar of appearances and provides a stipend to the Poet Laureate for appearances at nonprofit organizations. More information about the program is available at: https://arts.delaware.gov/poet-laureate/.

Art Museum Announces Major Reinstallation of Permanent Collection

The content of this post comes from a Delaware Art Museum press release...

The Delaware Art Museum is excited to announce the reinstallation and reinterpretation of eight main-floor galleries housing its permanent collection. This project encompasses the Museum’s spaces dedicated to American art and illustration, Howard Pyle, John Sloan, and the Bancroft Collection of Pre-Raphaelite Art. Between April and November 2020, over 8,000 square feet of exhibition space will be renovated and rehung. Working with community and professional input, gallery layout and interpretation have been completely reimagined to connect better with today’s visitors and conserve the collections for future generations.

According to Chief Curator and Curator of American Art Heather Campbell Coyle, “This isn’t just fresh paint! We’ve been working behind the scenes for over two years. There are new works to show and new stories to tell. Entire collections are being relocated to improve visitor experience.”

This will be the first comprehensive rehanging since the Museum opened its renovated building in 2005. Since then, thanks to significant study and audience feedback, the collections have grown to include key pieces by women and artists of color that introduce new narratives and tell a more inclusive story of the visual arts. 

These new works, including a bust of Frederick Douglass by Isaac Scott Hathaway, and Botticelli’s Studio, a painting by Eleanor Fortescue Brickdale on loan to the Museum, will join masterpieces by Edward Burne-Jones, Dante Gabriel Rossetti, Raphaelle Peale, Frederic E. Church, George Inness, John Sloan, Howard Pyle, N.C. Wyeth, Violet Oakley, and Frank E. Schoonover. This reinstallation will also bring focus to the role of local artists and collectors in the narrative of national art.

As part of the Museum’s strategic vision for community engagement, the Museum embarked on this project with an inclusive and visitor-centered approach. Community collaborators who participated in focus groups and left responses in our galleries have been integral to helping design a better Delaware Art Museum.

“Our local community’s input at every step was critical to this project,” says Amelia Wiggins, Assistant Director of Learning and Engagement, who worked closely with curators on gallery reinterpretation strategies. “We are grateful to those who helped guide us in early focus groups, as well as to visitors who responded to the prototyping of new ideas in our galleries. Direct feedback from our audiences helped us create bridges between the collection and the contemporary experiences of Delawareans. We look forward to learning what fresh connections our visitors make with the art as galleries reopen later this year.”

The Museum will remain open during these changes, with galleries closing and reopening on a rolling basis. Starting in early April and running through mid-July, a limited selection of works by Howard Pyle and his students will be on view; these galleries will be closed entirely from July through late November. Galleries dedicated to American art before 1900 will be closed from April 20 through the end of June. The Pre-Raphaelite Collection will be off view from July 6 through mid-August. Please check delart.org for details and updates.

The Museum’s reinstallation is fully funded by generous foundations including an anonymous donor, the Starrett Foundation, the Richard C. Von Hess Foundation, and the Sansom Foundation. To transform the galleries, the Museum is working with exhibition designer Keith Ragone Studio and local and regional fabricators.

See www.delart.org. 

Student Playwrights Honored in Playwriting Competition at Delaware Theatre Company

This post's content comes from a release from Delaware Theatre Company...

Delaware Theatre Company (DTC) is pleased to announce the five finalist plays and playwrights in the 2019-2020 Delaware Young Playwrights Festival (DYPF):

• Distant Shores by Melody Fritz (Appoquinimink High School)
• Fortunes by Zach Hitchens (Cab Calloway School of the Arts)
• Coffee Shop by Nikolas Mandalas (Dover High School)
• The Lost Kids by Lauren McAllister (St. Elizabeth School)
• The Mind's Eye by Bridgette A. Rivers (St. Elizabeth School)

The five finalists will participate in a series of playwriting workshops with professional theatre artists to further refine their writing and ready their works for a public showcase performance on March 12, 2020 at 7:30 p.m. on the DTC stage.

This year's DYPF began in September 2019 with a kickoff workshop for Delaware teachers and students in Grades 8-12. From there, 55 students representing nine schools from all three counties throughout the state submitted their original plays for the first round. 

Each playwright received feedback about his or her play from a teaching artist of the DTC staff. Student playwrights then had the opportunity to revise their plays. Playwrights resubmitted their work for the second round, also known as the "competition round." From these entries, the five finalist plays were selected for additional development under the guidance of DTC’s team of theatre artists and educators.

Though not selected as finalists, six other plays and their playwrights are recognized with an honorable mention for the merits of their work. They are: The Vinyl by Asjah Brown (MOT Charter High School); Composition by Kylie Daisey (Cape Henlopen High School); Coffee and Confidants by Skylar Hass (Smyrna High School); A Glass Mask by Trinity Hunt (Cab Calloway School of the Arts); More Than an Eye by Hylea Lisenby (Cape Henlopen High School); and Wondering Goodbye by Katelyn Mock (Sussex Central High School).

Now in its ninth year of the relaunch of this acclaimed program, DYPF invites students in Grades 8-12 to write a play based on a theme inspired by one of Delaware Theatre Company's productions. This year's theme was inspired by a quotation from the Patrick Barlow adaptation of Charles Dickens’ A Christmas Carol, produced by DTC in December 2019. 

The quotation reads, “And so I say ‘Open Sesame,’ Bob. To all the real treasures of the world. All the true treasures!” These words, spoken by the character of Ebenezer Scrooge after his transformative night, served as a springboard for the DYPF theme: Write a play in which a character seeks, finds, or identifies his or her version of treasure as a result of life circumstances.

Through the use of a standards-based writing rubric, students created and shaped their original plays with regard to characters, conflict, dialogue, theme, and other dramatic criteria. Delaware Theatre Company celebrates the work of all 55 students in adding 51 new plays to the world of theatre through their participation in the 2019-2020 Delaware Young Playwrights Festival.

The mission of Delaware Theatre Company's DYPF is to provide students with an authentic audience for their creative writing and teachers with an innovative literacy program. Guided by passion and professionalism, DYPF uses educational resources, interactive workshops, personal feedback to every playwright, and public performances to engage students in the art of theatre through the act of writing a play. Both competitive and cooperative, DYPF fosters, respects, and celebrates the voices of young writers.

Serafin Ensemble Welcomes Cellist Jacques-Pierre Malan

Newest Serafin Ensemble member, cellist Jacques-Pierre Malan.

This post content originates from a release from Serafin Ensemble...
The Serafins add Jacques-Pierre Malan, South African cellist, soloist, chamber musician, teacher and music entrepreneur, to the roster of artists. 

Malan has received international acclaim for his unparalleled performances and innovative projects. Malan joins the Serafins for performances in January and April this year, as well as Serafin Summer Music festival in June.

“Joining the Serafin Ensemble roster is a thrilling addition to my musical path,” comments Malan. “We have more exciting opportunities this season to create magic together for the audiences we encounter, and I am confident we will enjoy a long and healthy partnership.”

City Theater Company Takes You in Search of "The Real" with "Passing Strange"

Passing Strange at City Theater Company runs through December 21.
Photos by Joe del Tufo/Moonloop Photography.

By Holly Quinn
Holly is a longtime reviewer of Delaware theater; in addition to Delaware Arts Info, she has contributed to The News Journal and Stage Magazine. She is the lead reporter for Technical.ly Delaware.

Passing Strange, the layered rock musical by Stew, is a Christmas show. At least tangentially. I'd never looked at it that way, but as it's City Theater Company's December production, I wondered if they were simply being alternative in a season when a lot of arts lovers need a break from the Christmas Carols and Nutcrackers.

After seeing it, it occurred to me how well it fits during this turbulent holiday season. It tackles race and revolution, but it all comes down to love.

Even viewed as a (tangentially) Christmas show, Passing Strange is about as far from traditional as possible. It's the story of a young African American man trying to figure himself out in the suburbs of Los Angeles in the 1970s, and, later, in Europe in the 1980s. It has an all-Black cast that includes a small ensemble that plays multiple characters with wildly different personalities, from members of the protagonist’s childhood Baptist church to members of his teenage punk rock band to his "found families" in Amsterdam and West Berlin.

Youth often found himself — quite by his own choices — part of white spaces, but the ensemble doesn't shift to white actors for those roles, a detail of the show established before the show hit off-Broadway. As such, it’s a story about Black experience that never centers on whiteness, even when Youth exists as the only Black person in a space.

Dominic Santos, a respected veteran of Delaware theater at this point, plays Youth from the age of 14 to his early 20s, and does a terrific job of developing the character on stage as he tries to find his identity. Youth feels out of place in Black spaces — a crush tells him he needs to be “more Black” (but not so much that he can’t follow a path to suburban comfort), while his choir leader shows him the misery of not being your real self.

Eventually Youth does act “more Black” — for Berlin radicals who fetishize oppression and lavish him with the attention he craves.

Meredith Bell, former lead singer for Palaceburn, hits the right emotional notes as the vivacious and long-suffering Mother; Chris Banker, last seen at CTC in Pub Plays, is almost simply part of the soundtrack for much of the show. As the tension in the story builds, so does the Narrator’s place in it.

This show requires an extremely tight ensemble, and this production has it in Jared Chichester, Dana Hoffman, Kyleen Shaw and Philip Anthony Wilson. A mix of newcomers to the Wilmington stage and familiar faces (Shaw was last seen at CTC in Lizzie), the casting couldn’t be more on point. Each plays three to four distinct roles, and each shine in all of them. Part of the fun — and this show is definitely fun, even while dealing with some heavy emotional subject matter — is waiting to see how the ensemble actors will change from arc to arc as Youth goes on his journey.

So, how is this story about a young, sometimes misguided man navigating a world he struggles to fit into a Christmas show? I won’t give too much away, but a pivotal moment in the story that centering on family and the holidays is the catalyst to the emotional climax about love, loss and forgiveness. But don’t let that deter you if you’re avoiding traditional holiday shows. This is one not to miss.

See city-theater.org.

A New Play ‘Lands’ at Delaware Theatre Company

By Charles "Ebbie" Alfree, III

Harry Hamlin & Stefanie Powers play three roles
in Joshua Ravetch's play, One November Yankee.
Photo by Matt Urban.

The second production of the 2019-20 Delaware Theatre Company (DTC) season is Joshua Ravetch’s engrossing new play, One November Yankee. The playwright, who also directs the two-person production, explores the unique relationship between three sets of siblings through three interwoven stories.

Stefanie Powers and Harry Hamlin play the siblings. Maggie and Ralph contemplate their respect and loyalty toward each other as they prepare a major art exhibit; Margo and Harry confront a life-and-death situation as they travel to a family wedding; and while on a hike, Mia and Ronnie come to terms with a past family tragedy that has fractured their relationship. Through the stories, Ravetch skillfully writes of the love and rivalries that typically occur between siblings and the joys and tribulations that come with being in a family.

Although Powers and Hamlin are best known for their film and television work, both are superb on stage. Playing multiple roles requires both actors to demonstrate a range of emotions during the 90-minute performance. Powers plays a staunch art museum curator (Maggie) and a strong-willed amateur pilot (Margo); Mr. Hamlin plays an eccentric artist (Ralph) and an aspiring author (Harry); and they both play bereft hikers (Mia and Ronnie). Powers and Hamlin exquisitely convey vulnerability and strength, making their performances heartbreaking and powerful. However, they also find humor in their characters, helping alleviate the play's heavy subject matter. Scenic designer Dana Moran Williams has created a startling and effective set. A small yellow plane 'crashed' into the middle of the stark stage serves as a constant reminder of not only the situation that binds the characters, but also a symbol of when their lives are crashing down, they must depend on each other. In addition to some other minor set pieces, a screen on the side of the stage projects videos and pictures of the characters’ current setting and state-of-mind between scenes, which prepares the audience for the next act.

Coping with the pressures of working together, comforting each other during a catastrophic time, and reconciling a strained family relationship, Ravetch does a remarkable job conveying the ups and downs siblings face during a lifetime. It’s not often we have such a distinguished playwright and director work on a new piece in the First State -- and have two extraordinary actors bring it to life every night, so get your tickets today before One November Yankee closes on November 10!

For tickets and additional information, visit www.delawaretheatre.org or call 302.594.1100.

DelShakes' "Romeo & Juliet" Community Tour Commences

Wilfredo Amill plays Romeo in Delaware Shakespeare's Community 

Tour of Romeo & Juliet. Photo courtesy of Delaware Shakespeare.

By Mike Logothetis
Mike Logothetis grew up in North Wilmington, performing in school and local theater productions. He lives in Newark, but you can find him wherever the arts are good.

The Delaware Shakespeare Community Tour returns this autumn with a touching performance of Romeo and Juliet, William Shakespeare’s classic tale of teenage love gone horribly wrong.

Community Tour productions play in non-theatrical settings such as multipurpose rooms, homeless shelters and gymnasiums. The production values are scaled for those spaces with live music, minimal sets and whatever lighting is available. In this way, the tour exposes live theater to many people who’ve never experienced it.

Producing Artistic Director David Stradley looks for spaces that can hold a seated audience between 40 and 120 people in a four-sided arrangement. Stradley says that the audience will “...never feel the power of Shakespeare’s vital romantic tragedy more immediately than in our Community Tour production, where every audience member is within ten feet of the performers.”

Stradley stressed that Delaware Shakespeare searches for communities which may be underserved by the arts and whose residents might find difficulty traveling to Rockwood Park for its annual Summer Festival. The Community Tour performs for very diverse audiences and the cast reflects that diversity. African-American actor Wilfredo (Freddy) Amill plays Romeo opposite Argentine Sol Madariaga as Juliet. The two have real chemistry as “star-cross'd lovers” whose feuding families make their budding romance taboo.

Romeo and Juliet is a well-known tale of two dreamers awakening to love in a world trying to tear them apart. Director Lindsay Smiling has instructed his cast to be passionate and physically show their feelings, while speaking Shakespeare’s famous words. He has extracted stellar performances from all the actors without them appearing to overstep their roles.

The excellent Cameron DelGrosso plays a spirited Mercutio – riding a crest of bawdy independence until his best friend Romeo settles him down with tales of his budding love. DelGrosso expertly shows that fraternal loyalty and elan are imbued in Mercutio.

Tai Verley also shone as the wise, but dutiful, Nurse to Juliet. Verley was stern when required, but ultimately loving and devoted to her charge.

As previously mentioned, Amill and Madariaga display tenderness toward each other while showing resolve to make their future together a reality. Both are easy to watch and place the audience quickly on their side – the side of true love.

The multiple fight scenes were well choreographed (Jacqueline Holloway) on the small set with only two pieces of scenery. The audience felt right on top of the pithy swordplay. In the same vein, the dance during the party at the house of the Capulets made it feel like the stage was a bigger space than it was. Both were clever illusions.

Cassandra Alexander, Newton Buchanan, J Hernandez, and Maria Konstantinidis round out the top-notch cast, who often play multiple roles.

The Community Tour of Romeo and Juliet takes place in venues throughout Delaware from October 23 through November 17. (Performances at Baylor Women’s Correctional Institution, Howard R. Young Correctional Institution, Sussex Correctional Institution and Ferris School are not open to the public.) 

Admission is free with RSVP at info@delshakes.org or 302.415.3373. There will be two ticketed performances ($18-25) on November 16 and 17 at The Siegel Jewish Community Center. These performances have only 125 tickets available for each show. The running time is approximately 2 hours and 15 minutes with one 10-minute intermission. 

Information can be found at https://delshakes.org/community-tour/.

“A thousand times good night!”

Christina Cultural Arts Center Opens Concert Season with World Music

Photo by Shervin Lainez.

Live @ Christina, Christina Cultural Arts Center’s (CCAC’s) annual concert series held in its intimate Clifford Brown Performance Space, will kick off this season on Saturday, Nov. 9 at 7:30 p.m. with noted world music ensemble Ajoyo. 

Each season, CCAC has been fortunate to welcome performances by noted artists like Gregory Porter, Delfeayo Marsalis, Snarky Puppy and Christian Sands.

Headed by French-Tunisian saxophonist, clarinetist and composer, Yacine Boularès, Ajoyo blends sounds of African tradition, jazz and soul with the silken vocals of Sarah Elizabeth Charles. Tickets for the performance are $23 and are available at ccacde.org.

“Our music stems from West and North African rhythmic traditions — Fela Kuti, Salif Keita, Oum Kalthoum and many more,” says Boularès. “But we also bring a lot of our individual experience as musicians. The sum of it all is an upbeat, eclectic brew of jazz, soul, African rhythms and indie rock.”

Last appearing at CCAC in May 2018, Ajoyo happily returns to downtown Wilmington for a repeat performance. “On tour, we tend to develop special relationships with certain audiences, and CCAC was definitely one of them,” Boularès says.

Ultimately, he says, Ajoyo is about creating music for the mind, for the heart, and for the body. “You’ll definitely want to stand up and dance,” he says.

This engagement is made possible through the Special Presenters Initiative program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts and the Delaware Division of the Arts.

ABOUT CHRISTINA CULTURAL ARTS CENTER
The mission of Christina Cultural Arts Center Inc. (CCAC) is to make affordable arts, education, career training, exhibitions and live performances accessible to youth and adults in a welcoming learning environment. For more than 70 years, CCAC has been an anchor in the Delaware arts community and Wilmington's Creative District, focusing on the tenets of Hope, Knowledge, Inspiration & Passion by providing instruction and performance/exhibition opportunities in music, dance, drama, visual arts and poetry. Christina offers one of the only integrated arts and academic programs in Delaware, utilizing the power of arts to promote school success, career training, and positive social behavior. We collaborate with local and national partners — business, educators, and artists — to promote the creative industry and advocate for the socio-economic impact of the arts in our community. Christina Cultural Arts Center is a member of the Mid Atlantic Foundation Jazz Touring Network. 

For more information visit ccacde.org.