Showing posts with label Jeffrey Santoro. Show all posts
Showing posts with label Jeffrey Santoro. Show all posts

Tuesday, June 25, 2013

The Delaware All-State Theatre Takes a Walk on the Dark Side with “Jekyll & Hyde The Musical”

Now in its 6th year, Delaware All-State Theatre (DAST) brings together the “best of the best” student performers from Delaware elementary, middle and high schools to put on a professional level production. From stellar casts to exceptional sets and costumes, DAST’s shows are of the highest caliber. After the group’s 2012 production of the boisterous musical comedy Hairspray, this summer DAST has taken a darker turn with its production of Frank Wildhorn and Leslie Bricusse’s musical thriller Jekyll & Hyde based on Robert Louis Stevenson’s novel The Strange Case of Dr. Jekyll and Mr. Hyde.

Every year I attend the DAST show, and every year I am amazed by the talents of the young adults. At times I forget I’m watching youth and teenagers, not professional performers. This year’s exceptional cast transports the audience to Victorian England where the newly engaged Dr. Henry Jekyll (Chad Michael Jervis) wants to create a remedy to remove the evil that he believes inhabits his catatonic father. After presenting his idea to the Board of Governors of St. Jude’s Hospital and requesting a human subject for testing, the Board quickly dismisses what they consider is a blasphemous proposal. Not having the backing of the Hospital, Dr. Jekyll decides to continue with his project and using himself as his subject.

Dr. Jekyll becomes obsessed with his work, which takes precedence over spending time with his fiancée Emma (Kristina Biddle) and his best friend/lawyer Gabriel John Utterson (Ben Walker). He becomes addicted to his elixir and the evil it brings out of him (Mr. Hyde). His addiction takes over causing him to shun Emma and Gabriel and cause terror and mayhem in the city. Mr. Hyde also begins a lurid affair with a prostitute Lucy Harris (Kayla Saunders), whom Dr. Jekyll befriended at a slum bar (The Red Rat) that he and Gabriel visited for Dr. Jekyll’s bachelor party.   

The stunning production directed by Jeffrey Santoro is dark and harsh, yet lively and engaging. The exceptional sets by DAST’s Technical director, Ryan Stofa and costumes by Lorraine Anderson create the spirit of the 1800s. From the streets of England to Dr. Jekyll’s laboratory to a sordid bar, the sets evoke a time passed by, while the costumes exemplify the divide between sophisticated members of society to prostitutes and peasants.     

However, it’s the cast that drives this musical, led by the captivating Mr. Jervis as both Dr. Jekyll and Mr. Hyde. Mr. Jervis magnificently captures both sides of his character, finding and peeling away the layers of the enigmatic Dr. Jekyll and his alter ego, Mr. Hyde. He easily transforms from a loving and compassionate doctor to a vengeful and sadistic man. He best exemplified his capabilities during the Confrontation number when Mr. Hyde finally confronts Dr. Jekyll before taking over.  

Mr. Jervis shares the stage with equally talented leading ladies. Ms. Biddle as Dr. Jekyll’s high society fiancée, Emma, and Ms. Saunders as Mr. Hyde’s street tough mistress, Lucy, are brilliant! Both ladies have stunning voices that make it very hard to believe they are high school students. Their vulnerability that comes through their sumptuous duet In His Eyes is more than what is expected from high school students. Don’t worry, not every song is dark or sad, Ms. Saunders’s exuberant number Bring on the Men adds some light-hearted FUN to the production.  

The three leads are supported by a strong cast of students who electrify with their acting, singing and dancing talents. With precise musical direction by David Snyder and choreography by Tamara Paulino, this production is a sure fire hit!

Jekyll & Hyde runs through June 30 at the Laird Performing Art Center (Tatnall School). For additional information and/or to purchase tickets visit  

Tuesday, November 2, 2010

Chicago at the Wilmington Drama League

The orchestra was perched on a rooftop in a brilliant set design by Kurt Kohl which let the audience see them and made them part of the show. As soon as we were seated, Chris Tolomeo and his jazz orchestra started some warm-up numbers from his CD to set the feeling of 1920s speak-easy. Then Kitty (Leeia C. Ferguson) came out in a gangster’s raincoat to do the house announcements in a well-written 1920's patois – letting those dancer legs peak out through the thigh-high slits.

Lights down, then up again showing back of a dancer who starts 'All that jazz' using the brilliant choreography created by Jody Anderson - whose 2007 Candlelight Theatre production of Chicago won the Philadelphia Theatre Alliance Barrymore Award. Not only were all the dancers top quality, but the production on opening night was as tight as anything I have seen in Delaware. Yet it was Barbara Wright's perfect cold stare/warm smile combination as Velda Kelly that made the show for me. I had seen Catherine Zeta-Jones in the film but I was even more captivated by Ms. Wright's dancing and her ability to give that "I'll-smile-when-I-murder-you" look throughout the show.

Watching a few clips of the movie showed me that although the fade-ins and technical gloss give it polish, there is a dimension missing on film that you get with live theatre that I could hardly describe. When Billy Flynn, the shyster lawyer (Jeffrey Santoro) does his shtick with the dancing girls and feathers - your mouth is still hanging open and asking: can this be Delaware? The well-seasoned musical backbone of the Tolomeo orchestra gave a tremendous boost to the smoothness of entrances and dancing.

Music Director Steve Weatherman and Choreographer Jody Anderson deserve much praise for this well-rehearsed show, but credit for coordinating the entire production goes to Director Matt Casarino who said he had never had a show so ready on opening night. The casting, the music and the dancing are so good that I highly recommend you catch a show during the run concluding November 13.