I have seen her collages of Americana using Dick, Jane and Sally, her hand-made paper table settings, and so many lost buttons done in brilliant red (the piece I want to buy when my ship comes in) – not to mention her Barbie legs and measuring tapes in a constructed work with MISS AMERICA emblazoned at the top.
Luchansky shows more than style in her metamorphosis – she shows her Weltanschauung. Her works for the December show are part of a commentary on old technology which she makes in creative art. She has taken two piano rolls of old songs and created a horizontal etching (See detail above). Each perforation is represented by intricate lines. Luchansky added spheres in graphite – each shaded to a different degree and accent.
The starkness of Luchansky’s rolls is a perfect foil for Andrew Wapinski’s Nature Drawings whose boldly colored abstracts are actually his experiments with letting weather have its way with ice and watercolor left to melt on paper.
The DCCA also gathered impressive crafts for the Alternatives Holiday Craft Show for the art loop. I was struck by Peter Saenger’s porcelain. His pieces are both decorative and useful. The interlocking starkly designed salt and pepper shakers, teapots and cups are reasonably priced and fascinating.
Two exhibits near Rodney Square merit a visit - Barbara Proud’s nature photographs on display at Gallery 919 are surprising in detail and provocative in subject – reminiscent of O’Keefe but clearly a century beyond. Maria D. Cabrera’s photographs at the Wilmington Institute have one work which stopped me in my tracks: her over-exposed photograph of a vivid sunset by the sea in South America resulted in vivid magenta and blue tones mimicking watercolor.
At the end of the evening, oldies and youngies crowded into the New Wilmington Art Association’s exhibit at 4 West 5th Street after most of the other exhibits had closed for the night – proving that the NWAA is succeeding in their efforts to put the nightlife back into downtown Wilmington. I wondered why the inflatable sculpture was mute and deflated and stopped to ask Michael Kalmbach about the Beardsley-style meticulous pen and ink sketches by April D. Loveday.
The Art Loop: all local, all inspiring. We are rich, Wilmington!