A Taste of "Arsenic and Old Lace" at The REP

By Mike Logothetis
Theater reviewer Mike Logothetis grew up in North Wilmington, performing in school and local theater productions. He lives in Newark, but you can find him wherever the arts are good.

Arsenic and Old Lace playing now through November 20.
Photo courtesy of The REP.

The University of Delaware’s Resident Ensemble Players (REP) kicks off its 2022-23 season with the great American farcical black comedy, Arsenic and Old Lace by Joseph Kesselring.

This enduring play, originally staged on Broadway in 1941, continues to astound audiences with its ingenious and brilliant construction. The current production at the REP carries on the grand tradition of the show and entertains from opening curtain to curtain call.

“Some of you may have heard the pandemic radio version of the play and now you can see the real thing. It’s about two older women that relieve older gentleman of their loneliness by killing them with arsenic. You can think of it as a euthanasia comedy.”

— Steve Tague, the REP's new Interim Producing Artistic Director.

The show revolves around the odd members of the Brewster family in their stately Brooklyn home. Mortimer Brewster (Mic Matarrese) is living a happy life in the large old mansion. He has a good job as a drama critic at a prominent New York newspaper and he’s just become engaged to his neighbor Elaine Harper (Erin Partin). His spinster aunts Abby (Kathleen Pirkl Tague) and Martha (Elizabeth Heflin) dote on him and are adored by the community. They even look after and protect Mortimer’s quirky brother Teddy (Lee E. Ernst) who believes he is Teddy Roosevelt.

Mortimer’s world is turned upside down when he discovers that his dear aunts have been quietly poisoning lonely old men and burying them in the basement for years. Aside from this new revelation, long lost maniacal brother Jonathan (Stephen Pelinski) returns on the night that the aunts are planning to bury their newest victim. His somewhat unwilling partner Dr. Einstein (Michael Gotch) adds ghoulish layers to Jonathan’s mysterious past. Mortimer must rally to help his aunts, foil his brother’s nefarious plans, and protect his fiancé – all while trying to maintain his own sanity. Even the local cops (Rob Hancock and John Plumpis) become part of the action, both good and bad; albeit unwittingly. Put it this way, the plot is always swirling… As Abby Brewster says, “How delicious!”

The beautiful set design and construction is the first thing that catches the eye upon entering the theater. It is a wonder of planning and carpentry that includes fine wooden details, wallpaper, portraits, animal heads, and doors…so many doors. Kudos to Stefanie Hansen and her crew.

The actors all shine, but the menace is real when Pelinski’s Jonathan looms on stage. Matarrese does a great job of looking peaceful one minute and utterly distressed the next. His physical and mental exhaustion from the escapades he faces puts the audience on his side. 

The show is funny throughout, but the comedic highlights mostly happen in the second act with many quick and clever jokes. Aunts Abby and Martha (Heflin and Tague) always aim to please and drop some great deadpan one-liners while doing so. The old women just want what’s best for everyone they meet, even believing that serving their killer elderberry wine is a neighborly service. It is, but solely for our entertainment!

My suggestion is to plan an evening out in Newark to enjoy some great theater, but watch out for the apparent kindness of elderly female strangers.

Arsenic and Old Lace will run through November 20 at Thompson Theatre inside the Roselle Center for the Arts (CFA) on the campus of the University of Delaware. Evening shows start at 7:30 and curtain is at 2 for matinees. The performance runs approximately 2 hours and 40 minutes, with two 10-minute intermissions. 

Tickets ($35-39) can be purchased at the theatre box office or online. Please call the box office at (302) 831-2204 or e-mail cfa-boxoffice@udel.edu for information. 

For more information, visit www.rep.udel.edu.

Pamelyn Manocchio Takes Over to Lead The Grand Opera House

The content of this post comes from a previous press release from The Grand Opera House...

Brian DiSabatino, chairman of The Grand Opera House, announced that the Board of Directors has appointed Pamelyn Manocchio as the performing arts center’s next Executive Director.

“We are delighted that Pam is taking the helm at the beginning of a new, post-COVID era in the life of The Grand and the arts in Wilmington,” said DiSabatino. “As a long-time senior staff leader, she will provide a measure of continuity and institutional familiarity." DiSabatino noted that Manocchio has demonstrated creativity and innovation in her previous role(s) with The Grand, and that they are looking forward to new ideas and new energy from her and the organization as she takes the helm this fall.

After Fields announced his retirement, the Board and its executive committee met promptly to develop a transition plan, and it reached a quick consensus on the best course of action. DiSabatino explained, “the Board felt there was no reason to conduct a search regionally or nationally when it has the talent it needs on staff already.”

“I am thrilled and grateful for the opportunity to take on this leadership role for The Grand,” said Manocchio. “Having worked side by side with both Mark Fields and Steve Bailey over the past 16 years, I feel well-prepared to guide this institution into its next chapter. We have lots of room to grow in our community, and we’ll do so in the most impactful and creative ways imaginable.”

“I’m very excited to continue working with the incredible team that’s in place here. We have an amazing board, dedicated Show Corps, passionate Trustees, and the most talented staff and crew – not to mention our wonderful patrons and donors. It’s going to be a lot of work ahead, and a lot of fun!”

Manocchio first came to The Grand in 2006 as Director of Development and segued into the role of Director of Community Engagement in 2009. In that position, she oversaw all of The Grand’s outreach and education programs with the community, including Stages of Discovery (school matinees), Summer Explorers, and The Grand Galleries (rotating visual art exhibitions). These programs serve more than 30,000 youth and adults annually.

She also launched several impactful new programs including Summer in the Parks, celebrating 10 years of arts programing in partnership with the City of Wilmington, and sensory-friendly performances specifically designed to serve children and adults with autism spectrum disorder. The Sensory Friendly program twice received funding from the National Endowment for the Arts, as well as a visit from then-NEA Director Mary Anne Carter in 2019 to learn more about the innovative program.

She was named Managing Director in Fall 2021 when Steve Bailey stepped away from that position.

In addition to Manocchio’s work at The Grand, she has held leadership positions with several arts-related organizations in the state, including the Delaware Arts Alliance, the Arts Consortium of Delaware, and the Arts-Culture-Heritage collective.

Prior to her Grand tenure, Manocchio had worked in development positions for The Curtis Institute of Music, American Symphony Orchestra League, Alvin Ailey American Dance Theatre, and Hartford Symphony Orchestra.

Manocchio holds a BM in Music Management from the University of Hartford’s Hartt School of Music. She also trained as a classical flutist, and keeps up her musical side as leader of her church’s bell choir. She lives in North Wilmington with her husband Steve, who also works in the arts, and enjoys an active life with their two teenage children.

For more information about The Grand, visit TheGrandWilmington.org.

DelShakes' Festival Roars Back into Rockwood with "The Tempest"

By Mike Logothetis
Theater reviewer Mike Logothetis grew up in North Wilmington, performing in school and local theater productions. He lives in Newark, but you can find him wherever the arts are good.

Stephano tugs at a covered Trinculo as Caliban looks on. Photo by Alessandra Nicole.

After a two-year hiatus due to the pandemic, Delaware Shakespeare’s revered Summer Festival is back at historic Rockwood Park in Wilmington with a spirited production of The Tempest. Producing Artistic Director David Stradley points out that the play is “...about what happens when you encounter chaos. And that certainly is apt. We’ve all been through quite a tempest in the last few years.” Agreed.

But what happens on stage is neither chaos nor merely a tale to “cure deafness.” The classic story centered on vengeance is put together quite nicely with a flowing style that is paced to perfection.

Also the show’s director, Stradley states: “The play asks us to consider what we do when someone has wronged us and also how we respond when we have wronged someone else. These are powerful questions to consider as a community.”

The Tempest is a tale of forgiveness and family. The show begins with the titular storm that Prospero conjures to bring his seafaring enemies to the island where he lives. The sorcerer and former Duke of Milan was usurped by his treacherous brother, Antonio, who took his dukedom with help from the Queen of Naples. After escaping by boat with his infant daughter Miranda, Prospero plots his revenge and uses his magical powers to keep the island’s only inhabitant (Caliban) as a slave and a local spirit (Ariel) as a servant. He torments the shipwreck survivors by separating them into groups which he can manipulate as he fancies. 

But now that his enemies are within reach, will Prospero exact his long-awaited revenge? Can forgiveness be found in recognizing the blossoming love between Miranda and the Prince of Naples (Ferdinand)? And, in the end, what should become of Ariel and Caliban?

Stradley emphasizes: “Everybody [on the island] either has either done something wrong or had something wrong done to them, and they’re all on this journey about how to move forward together as a community. That’s also something that we’re wrestling with maybe more now than we were — when things go wrong, how we reconnect and move forward together.”

Ariel threatens Queen Alonsa, Sebastian, and Antonio.
Photo by Alessandra Nicole.

Prospero is played by Jolie Garrett, who makes his DelShakes debut this summer. Garrett is able to successfully move from moments of serenity to those of anger convincingly, effectively showing Prospero’s mood swings and on-edge personality.

Lexi Thammavong is captivating as the fairy Ariel, who does Prospero’s bidding in hopes of one day earning her freedom from servitude. Thammavong is lithe and spritely – flitting between the disparate groups to cause mayhem or mend rifts.

The physical Gerrad Alex Taylor brought empathy to the “monster” Caliban. The dehumanized character only wants what’s rightly his, but is never fully acquitted the dignity he deserves. Only the drunkards Stephano and Trinculo – exceptionally played by Rachel O’Hanlon-Rodriguez and Jack O’Neill – give Caliban some modicum of respect. Plus, they delivered all the best jokes from their pieces of the script. 

The stage is a multi-angled space with a round flat center, which allows for dynamic action for all of the audience seated around it. Movements are easily followed and the innovative lighting set the various moods well.

If Shakespeare intimidates you, there is a pre-show orientation. Forty minutes prior to curtain, two actors from the production offer insight of the play. Plus, several of the actors out on an engaging comedic pre-show utilizing themes from The Tempest.

The Summer Festival will be employing “Pay-What-You-Decide” ticket pricing this year. The three price options are $10, $20, or $30. There is no student or group pricing in 2022. Children age 5 and under are free. Every Sunday is “Family Night,” with special activities before the performance and free admission for children 12 and under when accompanied by a paying adult. 

To buy tickets, go to www.delshakes.org or purchase at the door. Curtain is at 7:30pm from Wednesdays through Saturdays and at 6:00pm on Sundays. Gates open at 6:15pm for pre-show entertainment and picnics Wednesday through Saturday and at 4:45pm on Sundays. The festival concludes its run on July 31.

Attendees are invited to bring their own chairs, blankets, and picnic baskets to Rockwood Park. Alcoholic beverages are allowed on the grounds for those of legal age. If you have a particularly lush spread, let the staff know and be entered to win the Janssen’s Market Picnic Contest. DelShakes will take a picture of your picnic and post it on social media with other entries each week. At the end of the run, a favorite picnic will be selected as champion. The winner will receive a gift certificate to Janssens’ Market, tickets to the 2023 Summer Festival, and all-important bragging rights.

A limited number of reserved lawn chairs are available at each performance. These “Saved Seats” are set up in premium locations in the first row of the “lawn chairs” section, behind blankets and low-backed beach chairs. Reservations must be made in advance and cost $42.

The Delaware Shakespeare VIP Tent provides a place for groups of 10 or more to gather with clients, colleagues, and friends before the show. VIP Tent packages can be customized to include catered picnics, wine, reserved seats, and more.

Concessions tents will feature picnic-appropriate sandwiches and snacks from Janssen’s Market as well as soft drinks, candy, Delaware Shakespeare t-shirts, wine from Swigg, and beer…specialty beer.

New sponsor Stitch House & Brewery has crafted a Belgian Saison named “Strange Bedfellows” specifically for the Summer Festival. (The beer is named after Trinculo’s line in Act 2: “Misery acquaints a man with strange bedfellows.”) Enjoy a pint at the show! Note: Strange Bedfellows is now on tap at Stitch House, where $1 from every sale will go to DelShakes.

The 2022 Delaware Shakespeare season will include two full productions – the current Summer Festival (The Tempest from July 15-31) and a fall Community Tour (a bilingual musical adaptation of Twelfth Night). The dates for the Community Tour are yet to be determined.

As an outdoor event, no masks or vaccine status will be required for audience members. Policies may change based on public health conditions at the time of the event. DelShakes artists will be fully vaccinated and engaged in testing protocols.

Don’t be a hater (see Prospero) and go experience the show. Remember: “The rarer action is in virtue than in vengeance."

See delshakes.org.