Two Chances to Hear Extraordinary Choral Music

Next weekend will be bursting with song, courtesy of two area choral groups offering two very different, yet equally enjoyable, programs.

In the first, the Delaware Valley Chorale (photo at left) performs Roy Ringwald's God's Trombone's in two venues in Newark and Wilmington. Based on the poetry of James Weldon Johnson, this powerful spiritual piece is often performed by African-American choruses. DVC condcutor David Christopher wanted to challenge the ensemble this season with more ambitious choices of repertoire. The performances will feature guest conductor C. Lawler Rogers, narrators Tina Betz and Joshua Martin, and soloists Angelyn Robinson, soprano, David Anderson, tenor and Jeffrey Chapman, baritone. Additional pieces will be Mass in G by Franz Schubert and On Green Mountains by Steve Danyew.

Saturday, November 21, 2009, 7:30 p.m.
Newark United Methodist Church, 69 E. Main Street, Newark
Sunday, November 22, 3:00 p.m.
The Episcopal Church of Saints Andrew & Matthew, 719 N. Shipley Street, Wilmington

Tickets: $20; $16 seniors (60+) & students; $8 children under 12.

To order, call 302.325. 4110 or see http://www.delawarevalleychorale.org/.

The next choral program is from CoroAllegro (photo at right), led by Jack Warren Burnam. The program, entitled A Musical Banquet, is a whimsical repertoire meant to entertain audiences with a celebration of pleasures of food, drink and merriment. The repertoire includes the music of Felix Mendelssohn, Bob Chilcott and others. Chilcott's piece, Fragments from his dish, displays moving and humorous lyrics in a food theme. Another piece, Play with Your Food! by composer Paul Carey, serves up a satisfying yet unusual love story that might surprise you!

Saturday, November 21, 2009, 8:00 p.m.

Immanuel Church, Highlands, 17th & Riverview, Wilmington

Tickets: $15.

To order, call 302.652.3997 or visit http://www.coroallegro.com/.

Anthony Eastlering: A Cop with a Camera

Art on the Town organizer Jeni Barton told me during the re:FRESH afterparty at Kooma: “People get on the Loop bus as strangers, and step off as friends.” Once again, we were lucky to have Shawn as our bus-driver/tour guide. One friend asked him to be flexible and give us more than the allotted 15 minutes per stop. Always congenial, he agreed, and treated us like the celebrities he so often transports. It was a blast to trek around the downtown portion of the Loop with complete strangers, all of whom have an interest in art, culture and the city of Wilmington.

We met artist Amy Orr at the DCCA who “quilts” with bits of old credit cards, creating brilliant, gleaming works. We made it to the Delaware College of Art and Design for some short, animated movies. Pahl Hluchan, area coordinator of animation, pointed out one of the “controversial” movies to me. As our group watched some graphic moments, one of my new friends quipped, “We are too old for this. We don’t know what is happening.” I laughed and remembered that art not only binds us together as humanity, it also provides a bridge of understanding between young and old (most of the time).

Anthony Easterling, photographer and 14-year veteran of the Wilmington Police Department, was my loop pick artist of the month. His bold, sometimes raw photographs are displayed at Veritas Wine and Spirits through the end of November. A tall, soft-spoken man, Easterling is a Master Corporal in the Special Operations Division. Some of his photographs depict the grueling training at the Police Academy, where he is a certified instructor. When asked why the men in one photo were covered in mud, he smiled, noting they “got into a little trouble” and were doing push-ups. He also captures moments of swat teams in action, officers on the beat and other gritty scenes. Though the photos grip you with action-packed motion, the vulnerability of his subjects’ faces is moving and even heart-wrenching.

Greg Barkley at the DCCA

Tired, dragging myself upstairs at the DCCA and feeling rather hungry after a long day’s work, I spotted two red objects: one, a tempting bowl of salsa and two, a large painting of something very red and a train in the top third – a train with vivid detail mixed into the steel-grey colors of its pistons and driving axle with a little bit of rust and wear mixed in.

Feeling grateful for both the salsa and the vivid color, I wandered in to Greg’s studio and found out he is from Delaware and studied at the University. His teachers, Stephen Tanis, Julio DaCunha, and Charles Rowe – gave him soft realism, romantic and surrealistic models. He has had a studio in the DCCA for a few years now and had a book of Francis Bacon he is perusing.

He genially posed for the piece that I was so taken with of a man in a business suit with a fishbowl for a head and tipped a diptych of a dog with a violin head so I could get a picture without too much glare. The dog is so black and the bright green beneath him makes his dark coat even more striking. The violin seems to be a weapon of sorts – incongruously intriguing in the bullring setting.

Barkley has one thought about his art: ‘I wish had more time to do it. ‘He and Ken Mabrey are scheduled to have an exhibit in the downstairs gallery at the DCCA in January.

I look forward to an uncluttered display of Mabrey’s farms, birds, trees and whimsical pastels as they stand their ground against Barkley’s biting Magritte-esque visions.

See http://www.thedcca.org/.