Thursday, June 21, 2012

Live in Wilmo: Gable Music Delivers to Chris White Gallery


By Guest Blogger, Sydney Schumacher, Public Relations Assistant, Arts in Media

[Author's Note: Elephant's Gerald did not perform this evening.] Arriving at the basement of the Chris White Gallery in Wilmington, I run into Jeremy Hebbel of Gable Music Ventures, one of the two masterminds behind the concert. He tells me to make myself comfortable and wanders off to shake hands and usher more people down to the performance space. Both Jeremy and Gable Co-Founder Gayle Dillman do a lovely job of making you feel welcome and have obviously put a lot of planning into the concert. Bravo, Gable!

I’m left to people-watch, and I take note of a group of four, friendly-looking guys who could easily be your next-door neighbors. They are The Way Home, the first band in the line up. The guys look casual, but sharp; they’re funny, a bit self-deprecating and quick-witted, mentioning that Wilmington brought them in contact with “the biggest picture of George Thorogood [they] have ever seen.”  Band members are guitarist James Hearne, keyboardist Henry Nam, drummer Nick Hughes and bass player Dan Drago.

Their first two songs are originals full of loud crescendos, instrumental interludes that showcase each members’ talents, and four-part harmonies that blow you away. They use these moments to their advantage, stopping the music to use only the power of their voices to move the tune along — a smart choice, in my opinion, since they are brilliant singers, individually and as a group. Next are songs off their album, On So Thin a Line, and they’re equally fantastic. There’s feeling behind the lyrics and the instrumental accompaniment is spot on. The guys even find time to squeeze in a mellowed-out version of Michael Jackson’s “Billy Jean” for a minute. Their lyrics draw from anything they have an opinion on— the hate-able hot weather; the guitarist’s town that felt like its houses would slide down the hills from all the icy winters; relationships they’ve had; even life-affirming sentiments like “do or die” — all were intro stories to the tunes. As their set wound down (and Jeremy repeatedly gives them time-checks), they demonstrated their humor again by telling us this show “feel safe, where the monsters can’t get them,” and promise to return and work with Jeremy and Gayle again. Hopefully, they keep that promise!

The next band comes on in bright, traffic cone-orange shirts. They are called Crossing Oceans, which they explain is because of the lead guitarist, Walter Van Geffen, having crossed the ocean from Ireland to play with them. The drummer, John Clough, describes their sound as, “A little bit sloppy, a little bit bombastic…Delaware style.” When they perform, it’s the opposite of The Way Home — slow and soulful. The lead guitar melody and smooth beats recall a slow dance at a party, club, or long-ago school dance. John intros the next song with a big grin: “Now, let’s do one we stole from somebody…,” proving they’re funny guys, as well. They followed with an original, upbeat rock song that let the guitarists show off. Their next, “Lazy Afternoon,” featured guest singer, Sophie, as back up. Her voice cut a lovely harmony to the drummer’s, and allowed for something a different and definitely striking. They kept pace with what they labeled, “something a little jazzy.” Less vocals and a thumping tune made everyone clap along and made this song one of my favorites for the night. Sadly, they never told announced song’s name, making it impossible for me to hunt it down on the Internet and listen again.
           
Walter started up the next song, calling it “…something with a story to tell.” It’s definitely rock but has strong Irish roots, especially in the guitar’s melody line. They seemed to stick with the storytelling theme from there. They’re a smooth rock group, for sure. In the end, the audience called for an encore, and they gladly complied, saying, “This is our angry song.” And rightfully so. It was the loudest, fastest-paced one they’d done, changing my mind about talent that lies in the slow and powerful; loud, strong, and powerful works just as well. The lead guitarist took off running with the melody, and the bassist and drummer clearly loved being able to pick up the pace, dancing and grinning their way through the last sounds of the night.
           
Rock on, Wilmo!

Tuesday, June 19, 2012

Why You Shouldn't Miss the Shady Grove Music Fest (Next Year)

The Shady Grove Music Fest in Arden has come and gone rather quietly, as it tends to do, despite being one of the top music festivals in Delaware. (Of course, with Firefly this year, it's hard to compete -- but what is Firefly doing for the local music scene?) The event is surprisingly low-key -- though it does kick up a bit as the day progresses into evening -- and, even more surprisingly, not very crowded. It seems a lot of folks are missing out. So, looking forward to next year's festival, here's why you shouldn't miss Shady Grove:
 
  • It's easily one of the best ways to sample the Wilmington/Newark and Tri-State music scene.  
  • When else can you see most of these bands during the day with your family? If you rarely get out to bars and clubs for shows, you'd be crazy to miss it. Even if you do see live music frequently, it's a nice change of pace to see band like The Bullets, The Keefs, and Deadbeatz, Inc. outdoors in the afternoon or early evening. And if you have kids (who get in free if they're under 12), they rarely have the chance to see some of these bands play live.
  • The variety: the 2012 Shady Grove festival featured rock, indie pop, punk, rockabilly, jazz and funk. There's even live visual art, as a festival billboard is painted on site during the event -- in recent years, it has been done by Wilmington graffiti artist 3EYES.
  • It really is shady! The canopy of trees in the grove behind Arden Gild Hall cools off a sunny June day, and even make light rain tolerable.
  • It benefits the Arden Gild Hall, ensuring that the arts in Delaware continues to flourish.
Missed 2012's Shady Grove Fest? You can still check out the bands:


Deadbeatz Inc. www.reverbnation.com/deadbeatzinc
Still Moon Servants www.reverbnation.com/stillmoonservants
Spontaneous Underground www.reverbnation.com/spontaneousunderground
The Bullets www.reverbnation.com/theoriginalbullets
The Paper Janes www.reverbnation.com/thepaperjanes
The Keefs www.reverbnation.com/thekeefs
AlyCat www.reverbnation.com/alycat
Bullbuckers: www.bullbuckers.com/


Be sure to get all of the news about next year's Shady Grove Festival by liking their Faebook Page: www.facebook.com/WSTWArdenShadyGroveMusicFest

Monday, June 18, 2012

Wilmington Drama League Brings Back Birdie!


The Wilmington Drama League’s The Chrysalis Players (the League’s youth program) has brought Birdie back! Most people know the story of Bye Bye Birdie (BBB). BBB has been a popular musical for both high schools and community theater companies to produce since the 60s. However, for the few who haven’t appeared in it or haven’t seen a stage production or a film adaptation, the BBB’s story is very basic and a little outdated. But, it’s a perfect show for young adults to explore and stage.

Set in the late 1950s, Conrad Birdie (Jeff Gorcyca) , an Elvis Presley-like signer, is being drafted to fight in the war. Birdie’s New York agent/songwriter Albert Peterson (Adam J. Wahlberg) is convinced by his secretary and sometime girlfriend, Rose Alvarez (Ashley Butler), to give up the music business, go to college and become an English teacher. Before he’s able to give up his family’s music business, Almaelou, he must make $50,000 to afford his tuition and his new life in academia. Rose comes up a genius idea; Albert will write a song for Birdie, “One Last Kiss,” to not only perform on television, but to also serenade one of his lucky female fans - 15 year-old Kim MacAfee (Erin Foltz) of Sweet Apple, Ohio - and give her his “last kiss” before the whole nation. Of course this plan will propel the song into the hit-making stratosphere; making enough money for Albert to enter the next chapter of his life – husband and English teacher. Albert, Rose, Birdie, and Mae (Laurene Eckbold), Albert’s overbearing mother who despises the thought of Albert dissolving the family business and marrying Rose, travel to Kim’s hometown where comic mayhem ensues.

BBB is as American as apple pie and baseball. The show features some of the most identifiable Broadway tunes including, “The Telephone Hour” and “A Lot of Livin’ to Do.” It’s hard not to get sucked into Charles Strouse and Lee Adams’ playful score, as well as the love story between Albert and Rose and Kim and her jealous steady, Hugo Peabody (Jameson May); even if it’s the standard fair – boy meets girl, boy loses girl, boy gets girl at the end.
  
Tina Sheing’s boisterous production boasts enthusiastic performances by its young cast. Mr. Wahlberg (one of the few adults) is a standout as Albert. His sinuous body is perfect for the slapstick-physical humor required for the part (Dick Van Dyke originated the role in the Broadway production). He’s also a fantastic singer with great charisma. I particularly loved his scenes with Eckbold. They have perfectly captured the relationship between a mother who “can’t cut the apron strings” and a son who’s not sure if he’s ready to have them “clipped!”

Tommy Fisher’s inspired choreography keeps the large cast in step with the popular dances of the period. At times I thought some of the audience members were going to jump up and dance with the actors!

Bye Bye Birdie runs through June 24th. For information and tickets, visit www.wilmingtondramaleague.org or call 302.764.3396.