Warm hats and notes for Mėlomanie

Mėlomanie invited guest composer Kile Smith for the premiere of his work The Nobility of Women for harpsichord, ‘cello, viola da gamba, violin, flute and oboe. The work is a series of dances which have both a baroque inspiration and a modern treatment– especially the fanfare of the Overture. Smith’s mastery of detail (his years as librarian of the Fleischer collection made their mark) was evident in his his careful consideration of each instrument as a soloist.

As is their wont, Mėlomanie mixed it up and presented a more modernist work by Mark Hagerty, Variations on a theme by Steely Dan which came out surprisingly well using harpsichord as the keyboard. Priscilla Smith and Kim Reighley were able to trade styles and melodic lines as they followed Hagerty’s merry romp through the gamut of baroque to bop. Doug McNames was also at ease letting loose with his ‘cello acting the dancing double bass and bringing a surprising twentieth century rock style to the fun grouping of baroque players.

Long-time member Donna Fournier played one of her best concerts with her performance of the Suite in D Minor by Joseph Bodin de Boismortier. She has really become a master of the viola da gamba and it was an exhilarating experience to hear her play.

Priscilla Smith brought a very fresh and unadorned mastery of baroque oboe to the fore as she played the beautiful, quiet and almost vibrato-free melodies of Telemann and Couperin. Her youth and talent promise a great deal for her future. She already has an impressive resume of performances as a baroque player.

Mėlomanie accepted donations of gloves, scarves and hats in lieu of tickets to benefit Friendship House.

See www.melomanie.org

Delaware Valley Chorale at the Newark United Methodist Church

Jeffrey Manns has taken on the daunting role of assistant conductor of the Delaware Valley Chorale while David Christopher is on leave and he is putting all of his energy into the task. The concert began with a haunting organ solo of O come, o come Emmanuel. The fifteen male choristers were in position as the ladies marched forward from the back of the church to join them. The antiphonal echoes in Terry Schlenker’s arrangement sometimes made it appear that various sections were starting a beat late. Schlenker’s arrangement of Let all moral [SIC] flesh keep silence had some very interesting effects with parallel fifths which evoked an intriguing oriental flavor. The organ bass line helped guide the male singers in their fugue but the high pitches from the sopranos were a bit shaky. Of the father’s love begotten went more smoothly as the choir settled in, but the final phrase by Gus Mercante came out far too loudly.

In the bleak midwinter featured Fa Lane Fields’ pure yet fully rounded soprano voice which carries well and yet retains the delicacy of a child’s voice. Lloyd Shorter’s English horn and Kimberly Doucette’s strong soprano voice had no trouble standing out above the chorus, organ and piano in Maurice Besly’s The shepherds had an angel. Witnessing the magic of laser-like musical focus by Ms. Doucette and Mr. Shorter reminded me of what making music should be.

The Giovanni Gabrielli Hodie was ruined by the singers’ efforts to sing more loudly than they could comfortably manage. Kurt Collins’ brilliant organ accompaniment had sparkling glissandi and the brass chorale (George Rabbai and Jonathan Barnes, trumpet, Timothy Soberick, tenor trombone and Barry McCommon, bass trombone) had great verve, bounce and clarity. Organ and brass were allowed to show their lively musicality as soloists in the Gabrielli Canzona per sonare No. 4.

For me the highlight of the concert was the Daniel Pinkham Christmas Cantata. It was clear that Mr. Manns had focused all of his rehearsals on this difficult piece. The pitches were accurate, the diction was outstandingly clear and the dynamic he demanded of the chorus was soft enough to allow the muted brass chorale at the end of the O magnum mysterium to be heard as a whispering shimmer.

See www.delawarevalleychorale.org

See delawarevalleychorale@comcast.net

A Dose of Family Holiday Fun at Reedy Point

By Blogger Charles "Ebbie" Alfree III

The Reedy Point Players' production of holiday-themed one-acts, The Toys Gift & Stocking Stuffers, at the Delaware City Community Center is a perfect show for small children and their families. This unique production, directed by eight directors (seven of which are first-time directors and five of them under the age of 18), could even give Scrooge a little Christmas spirit.

Many favorite toys from our youth come to life during the magical production. Guess who's cheating on Ken with G.I. Joe and guess who is despised by the longing-to-liberated baby dolls? That's right...Barbie! I always thought she was to good to be true! Stuffed animals that come to life to make Christmas presents are also a lovely part of this program.

And what's a Christmas show without a few overworked elves and two underappreciated, surfer-dude reindeer? They all make appearances in the production, along with Uncle Sam, Cupid, the Easter Bunny, Ezekiel the Pilgrim & Hagatha the Witch. In one of the acts, the group of holiday icons come together to discuss their frustration with the most famous holiday icon, Santa. By the way, the "big guy" also makes an appearance, to the amazement of all the children in the audience. Between each act The Hahn Family is on-hand to perform Christmas carols and keep everyone in the holiday mood.

This production can warm hearts for kids of all ages. The show closes Sunday, December 18, For tickets ($10 for adults and $8 for students, seniors and active military), visit reedypointplayers.com or call 302.650.4054.