Just a quick note: One thing I love most about our state is that we're small but mighty. And when we "inspired folks" put our energy into our passions, great things happen. We offer suggestions for arts lovers to discover (and re-discover) established and emerging artists, musicians and performers in and around Delaware. Although we particularly like to celebrate smaller arts organizations and individuals, we cover nearly anything that strikes us or that we feel you should know about. Periodically, we welcome guest bloggers and artists to join us.
Wednesday, October 21, 2009
Blog Love to Delaware
Just a quick note: One thing I love most about our state is that we're small but mighty. And when we "inspired folks" put our energy into our passions, great things happen. DSO: Touching the Soul
Violinist Jennifer Koh wowed the audience at Wilmington’s Grand Opera House this past weekend with her performance of Samuel Barber’s Concerto for Violin and Orchestra Opus 14. To watch her play was to watch an intimate, elegant dance; each sound flowed from her caress of the instrument and was accompanied by an expression of deep emotion in her face. The first movement of the piece was trademark Barber: heartfelt and full of yearning. The last movement, Presto in moto perpetuo, gave Koh an opportunity to show her “spark”. Her virtuosic playing was splendid and brought the audience to its feet.
David Amado, Artistic Director and Conductor of the Delaware Symphony Orchestra, is a seasoned concert programmer as well as a dynamic leader. During the pre-concert lecture sponsored by the Delaware Humanities Forum, Amado discussed presenting works that may be challenging, yet still accessible for his audiences. Amazingly, the Ives’ Three Places in New England was receiving its DSO debut. This piece, written in 1935, still sounds so fresh to my ears. Ives embraced the sights and sounds around him, weaving them into three quirky, very different movements. Amado encouraged us to laugh during the second movement, which was a comical imitation of a small town marching band.
The theme of “place” was ever-present throughout the evening. Entitled “Dreams of Rivers”, the program gave odes to the Housatonic and Rhine rivers. Mark Mobley, DSO Director of Community Engagement, discussed with Amado his identification with composers and their homes. Amado noted that he placed little importance in composers’ physical roots. A powerful statement, reminding me that music transcends locale; it’s mostly about touching the heart and soul.
See http://www.delawaresymphony.org/
by Jessica Graae
Friday, October 16, 2009
Samuel Barber Centennial
Composer Samuel Barber's hometown of West Chester, Pa., intends to present a concert of his music every month through 2010. His 100th birthday is in March.Programs will be held at Chester County Historical Society, West Chester University and the First Presbyterian Church of West Chester.
The schedule from January to May is already available at http://www.chestercohistorical.org/.
Barber left lots to choose from -- particularly art songs and chamber music, as well as orchestral work and several operas. His famous Adagio for Strings is, as his biographer Barbara Heyman put it, the tip of the iceberg.
The Barber family home is on Church Street, though Sam spent his adult life in New York and Europe. He was the son of a local doctor, and was the second student to enroll in the Curtis Institute of Music. His baritone voice was good enough that he studied singing as well, which accounts for his prolific vocal literature.
His maternal aunt, Louise Homer, was an acclaimed operatic contralto and sang Barber's songs in recitals while he was still a teenager. He also played the organ at First Presbyterian.