Showing posts with label Kirk O'Riordan. Show all posts
Showing posts with label Kirk O'Riordan. Show all posts

Friday, January 15, 2010

Born in the 20th Century

On a very cold and dull January Sunday, musicians were busy preparing for a most unusual concert – a gathering of composers, some performing their own pieces, in a church. As our blog has reported before, Calvary Episcopal Church has invited musicians, actors and other artists to show their creativity to their congregation and to the community.

All of the composers on the program were born in the twentieth century, all but Miles Davis are still living. Three of the composers were present and two played in their own works.

Christopher Braddock’s piece, All the days he has seen, was inspired by Winterthur’s Hippocampus and Box Scroll Garden. The guitar, flute and violin trio is a baroque-inspired work but with modern harmony – a muse on what Hippocampus sees during the changing seasons in his reflecting pool.

Chuck Holdeman’s Avant, adage, après for bassoon and piano is a piece in three movements – the first and last movements having a very jazzy and syncopated style and the middle movement made up of sustained chords which the composer used to create an effect of dreamy contemplation.

Kirk O’Riordan’s Pressing forward, pushing back was perhaps a bit too amorphous for my taste – the wild beginning felt like ambulances off to an emergency – with Melinda Bowman, flute and Richard Gangwisch, piano giving it a great run for the money. But O’Riordan told me later that his piece was his expression of how people resist new ideas…and I guess I am guilty of resisting.

Andrea Clearfield (not present) wrote a trio called Spirit Island and two movements were offered, showing off Hiroko Yamazaki’s amazing energy and technique on the piano. Her playing provided a great basis for Jennifer Stomberg’s cello and Melinda Bowman’s flute lines. I found Rowing much more of a structured piece than Variations on a dream.

Hats off to Zachary Crystal for a startlingly surprising soft beginning of Michi by Keiko Abe for solo marimba. Crystal played with four mallets and started and ended so softly that he drew the audience’s attention with a pianissimo and said adieu the same way.

Next month’s community event is a photography contest. Entry forms and rules are on their web site.

See http://www.calvaryhillcrest.org/.