Maiss Hussein is Poetry Out Loud's Delaware Finalist

The content of this post comes from a release from The Delaware Division of the Arts...

Senior Maiss Hussein (pictured at right) from Paul M. Hodgson Vo-Tech High School has been named the Delaware State Finalist for the national Poetry Out Loud competition. Maiss will represent Delaware and advance to the Poetry Out Loud: National Recitation Contest, National Finals in Washington, DC on April 30-May 2, 2024, where $50,000 in awards and school stipends will be distributed.

Hussein is currently in the dental program and plans to attend Dental Hygiene school. She loves poetry and has always had an interest in literature. Recently, she has started to write her own poetry. Hussein also works with her school's Diversity, Equity, and Inclusion (DEI) program, which correlates with her interest in literature and culture. She has great pride in her Palestinian heritage and loves to find connections between her culture and poetry.

Photo by Sam Wilson, Moonloop Photography

REP Delivers Multilayered Story with Stark Examination of Race in Play "Pass Over"

By Mike Logothetis

Theater reviewer Mike Logothetis grew up in North Wilmington, performing in school and local theater productions. He lives in Newark, but you can find him wherever the arts are good.

Justin William Davis (Moses) and Jeffrey Rashad (Kitch) in
The REP's performance of Pass Over by Antoinette Chinonye Nwandu.

Photo by Evan Krape.

The Resident Ensemble Players (REP) deliver
a stark examination of race with the play, Pass Over, by award-winning American playwright Antoinette Chinonye Nwandu. Pass Over is a loose amalgamation of the classic Waiting for Godot (Samuel Beckett) and the Book of Exodus told in a modern urban setting. 

The play spotlights two young black men who pass each day on a city street corner talking trash, killing time, and dreaming of the “Promised Land.” Then, a (white) stranger wanders into their space and disrupts whatever plans they may have…or wish for.

“It’s a spiritual and existential story,” says Hassan El-Amin, REP company member and director of Pass Over. “It’s a story of love, joy, hope, despair, longing, friendship, family, social conditioning. Pass Over is multilayered.”

Nwandu began writing Pass Over after the 2012 killing of 17-year-old Floridian Trayvon Martin and the outcome of the ensuing George Zimmerman murder trial. Nwandu channeled her feelings of anger, sadness, and frustration into this compelling, unfiltered play.

Word of caution: This is a mature show with adult language and scenes of violence, including gun shots. While the bawdy talk sometimes feels gratuitous, there is contextual relevance in the vernacular Moses (Justin William Davis) and Kitch (Jeffrey Rashad) use to describe their seemingly never-ending situation.

Moses and Kitch appear to exist in a state of purgatory, where their days are fruitless and tedious due to their lack of initiative and impulse. Police choppers fly over their corner of Martin Luther King and Freedom Drives while the two pals make top ten lists of what their dream lives would entail.

But an odd white man (Mic Matarrese) in a suit and boater hat interrupts their usual discussions. Mister (or “Master”) disrupts whatever semblance of constancy the two black men had in their patch of the city. Challenges of norms by Mister and verbal provocations by both sides take the action to heightened levels. Matarrese (as Mister) is excellent at pushing Moses’ buttons while Kitch somehow sees positives in what the visitor represents, even though there are cultural chasms and significant distrust between them.

Visiting actors Davis and Rashad do a beautiful job of switching from wistful to defensive to brotherly to defiant. The roles must be fully embraced to spew the sorts of emotions Moses and Kitch feel throughout the show. REP company member Matarrese plays his roles of Mister and Ossifer — a policeman — with a certain menacing poise. He must walk a thin line between the huckleberry lost stranger Mister and the no-nonsense Ossifer.

To reveal dialog and plot direction in this review would be a disservice to the writing and performance of the company. During this play, both the journey and destination are worth deep evaluation. The ending was affecting and sudden. Many remained in their seats absorbing what had just happened.

Nwandu has embraced revising Pass Over’s ending to continue to engage with the current events and audience. “Each time I go back with this play, I ask, ‘What’s happening in the world? Who’s actually going to be in those seats?’”

Acknowledging that having multiple Pass Over scripts offers multiple interpretations, Nwandu encourages theaters to use the version that fits the needs of the specific community. “I now have three versions of this play from this era of American history,” says Nwandu. “If your community needs the angry version, then do that. Present whichever version you need.”

“To be able to put this play on stage in 2024 when it was born in 2012, shows you the power of the story,” says director Hassan El-Amin. “But it also shows you how far we have to go to overcome whatever this sickness is, this disease, we have when it comes to the value of life for African Americans in the United States.”

Pass Over is an emotionally charged and powerfully impactful story that brilliantly blends modern poetry, Biblical verse, and funny modern refrains. Kudos to the creative team at the REP: El-Amin (Director); Stefanie Hansen (Scenic Designer); Jo Fulmer (Costume Designer); Eileen Smitheimer (Lighting Designer); and Ryan P. McGinty (Sound Designer).

Performances of Pass Over run from February 8 through 18 with Opening Night being February 9. Informal talkbacks with the cast take place following the evening performances on Saturday February 10 and Thursday February 15. Tickets prices are only $20 with discounts available for students. Tickets can be purchased online at www.rep.udel.edu; by contacting the REP box office at (302)831-2204; or visiting in person at 110 Orchard Road Tuesdays through Fridays from 12 to 5 PM. The show runs approximately 85 minutes.

The Thompson Theatre at the Roselle Center for the Arts is located on the University of Delaware’s Newark campus and is ADA-compliant. It is equipped with a hearing loop system, which works with hearing aid t-coils, cochlear implants, and in-house hearing devices. Wheelchair and other seating requests can be made prior to the performance by calling 302.831.2204 or emailing cfa-boxoffice@udel.edu.

“You are men and you are free to go.” – Kitch

Delaware Shakespeare Announces New Leadership

The contents of this post comes from a press release from Delaware Shakespeare... 

Delaware Shakespeare will begin 2024 with two dynamic arts leaders heading up the state’s largest professional Shakespeare company:

• Mariah Ghant, now the artistic associate and literary manager for the Wilma Theater in Philadelphia, will become Delaware Shakespeare’s artistic director.
• Robert Tombari, now the program director of Goshen Theater in Goshen, Indiana, will step into the role of managing director.

DelShakes' new Managing Director, Robert Tombari,
and new Artistic Director, Mariah Ghant. 

“After a months-long search, the board and I are incredibly excited to welcome Mariah and Robert to Delaware, and to introduce our audiences to them,” said Julie Russ, president of the board of Delaware Shakespeare. “Individually, they impressed us with their talent, their passion, and their drive to continue the work that David Stradley has pursued over the last decade. Together, they’ll be unstoppable.”

Delaware Shakespeare audiences will recognize Ghant as having played Hippolyta/Titania in the company’s A Midsummer Night’s Dream at Rodney Square, and last summer as the title role in Macbeth. She has served a term on the Delaware Shakespeare Artistic Squad and has held various arts administration roles in Philadelphia, as well as being a former Arden Theatre Company Apprentice (Class 26), a member of Theatre Contra, and an improviser with ComedySportz Philly. Originally from the suburbs of Chicago, she is an alumna of Vassar College.

"I have a strong desire to continue making meaningful art for the Delaware community, a vibrant collection of folks and organizations who have embraced me and my artistry,” Ghant said. “This is a team and an organization that has an incredible opportunity to develop theatre for everyone in the community, and I look forward to the journey ahead!"

Tombari has been the program director of Goshen Theater since 2022. Robert and his partner, Peter, are both from Spokane, Washington. While living in Washington, Robert co-founded The Spokane Shakespeare Society, served as board president of Stage Left Theater, and was the executive director of Spokane Ensemble Theatre. He has previously served on the board of Goshen Pride, and is a current board member/production team member of The Cursed Players based in Los Angeles. He received his BA in Performance from Boise State University, and his MFA in Acting from The Royal Birmingham Conservatoire.

“It’s exciting to be joining such an amazing organization as Del Shakes,” Tombari said. “The work that previous leadership, board members, artists, creatives, and volunteers have done for this organization shows me how community minded and forward thinking it is, and I am excited to continue to work for and with my new community.”

David Stradley has led Delaware Shakespeare as the company’s producing artistic director since 2011, spearheading a period of exponential growth that saw the creation of the Delaware Shakespeare Community Tour and art programming throughout the state. He will step down from his role at the end of the year.

"I'm elated that Mariah and Robert have said 'yes' to leading Del Shakes during its continued evolution as a community-centered theatre company,” Stradley said. “It's been an honor to work with Mariah as a member of the Artistic Squad and watch her lead a wide variety of programs that spoke to a broad mix of Delawareans. And I can already tell that Robert is going to be a force upon his arrival in Wilmington, embracing the opportunity to provide theatre for as many of his new neighbors as possible. I look forward to supporting them both, and joining you all as audiences for the thrilling experiences that are coming our way."

Ghant and Tombari will announce plans for the 2024 season of Delaware Shakespeare early next year.

About Delaware Shakespeare
Now in its twenty-first season, Delaware Shakespeare creates year-round professional theatre and learning programs for residents and friends of the State of Delaware. At Del Shakes, people from all walks of life celebrate and explore their shared humanity through the lens of Shakespearean work.