CTC's Latest Show Begs the Question, "What Is Art?"

By Mike Logothetis

City Theater Company (CTC) returns to the Wings Black Box during its 2022-23 residency at The Delaware Contemporary (TDC) with the Tony- and Olivier-winning comedy ART. The 1994 play was written by Yasmina Reza and translated from the original French by Christopher Hampton.

The story is about three friends who find themselves at odds after one (Serge) purchases a very pricey, all-white painting. Throughout the show, the three characters argue viciously — amusingly — over their responses to the painting.

ART stars CTC debutant Nick Johnson as Marc plus CTC alumni Christian Deisler (Serge) and Emma Romeo (Yvan). The “deconstruction” of the central piece of artwork devolves to comic effect as the trio grapples with the larger question of how to maintain personal relationships through a (contrived) crisis. A cutting question Marc repeatedly asks Serge is, “You paid 200,000 francs for this [expletive]?” When Yvan tries to play peacemaker, she is derided by the others as a “coward” and an “amoeba,” and even suffers a minor injury when she tries to defuse a brief scuffle.

Though it makes several appearances during the play, the white painting soon becomes a MacGuffin — i.e., a catalyst for amplifying hidden tensions inside this longstanding three-way friendship. The simple question, “But is it art?” runs throughout the action, either explicitly or implicitly – moving the plot forward.

Don't be misled by the impressive pedigree of ART, as the play is almost more slapstick than subtle. But the themes run deep because true friendship is not superficial. These characters care about each other, but life has intervened – which often makes the simple more complex.

These are not esoteric personas, but ones you interact with daily. Serge is an idealist whose life has been mostly comfortable. Marc is a realist with a stern outer layer he uses for protection. Yvan is an easy-going person on the outside with insecurities swirling below the surface. All three actors imbue their characters with individuality and compassion. They are a talented trio whose banter is natural and pointed, helping the audience believe their characters are really friends – but also scathing critics.

Director Jeff Robleto allows his actors to interact and soliloquize easily and comfortably under clever lighting by Stuart Thomas. Robleto’s pacing keeps us hooked into the changes these friends are going through. After the show, it is inevitable to ponder changes in one’s own friendships and the views others may have of us. Do interpersonal conflicts just happen or are they initiated?

The funniest scene is when Yvan delivers her wedding monologue — listing all that could go wrong about her upcoming nuptials. Romeo commanded our attention and drew us into her character’s angst while humoring us with mundane decisions which are slowing driving Yvan mad. But are her concerns of any consequence to Marc and Serge? Do they even care? …a little? …a lot?

Come to the Riverfront to find out!

Artistic Director Kerry Kristine McElrone was excited before (and after) the show about this and the upcoming slate of performances by City Theater Company. The Year of Magical Thinking by Joan Didion (February 2023) and Stephen Sondheim’s Assassins (April 2023) are next on the docket. Plus there are partnership productions with TDC and Fearless Improv coming up. Check city-theater.org for more information.

CTC’s mission is to create a body of work that takes risks and breaks barriers — just as TDC’s is to take risks and push boundaries. Both institutions are invested in promoting the work of local and emerging artists, advancing opportunity and growth by and for the community, and welcoming all those looking to experience art.

ART will run for only four more performances through Saturday (December 11, 15, 16 & 17). Curtain is at 8:00pm save for the lone Sunday matinee (2:00pm). Run time is just about 90 minutes. City Theater Company’s new-ish home is at The Delaware Contemporary located at 200 South Madison, Wilmington, Delaware 19801.

Tickets ($30-45) can be purchased at the box office or online. Special ticket pricing is available for military personnel and students. Please call the box office at 302.220.8285 or email info@city-theater.org for details.

It's a great time to visit The Delaware Contemporary (and other local museums) and ask yourself rhetorically, “But is it art?”

Local Arts Administrator Tapped for National Leaders of Color Fellowship

Emari Vieira-Gunn, Director of Community Engagement at The Grand.

A portion of this post content comes from a press release from the Delaware Division of the Arts...

Delaware Arts Info sends warm congratulations to Emari (Mari) Vieira-Gunn, Director of Community Engagement at The Grand Opera House in Wilmington, on being accepted into the National Leaders of Color Fellowship program.

The first cohort of the National Leaders of Color Fellowship (LoCF) program was recently selected, representing 53 leaders from across the United States. The cohort will participate in a strategic leadership development program for Black, Indigenous, and People of Color (BIPOC) leaders who are committed to the advancement of cultural equity in the arts that emphasizes policy and data in the arts, leadership, culture of care, and strategic foresight through an advocacy lens. Using a cohort structure, the program, administered by the Western States Arts Federation, emphasizes experiential learning, community building, and service to the field. 

We sat down with Mari to chat about her new appointment and her goals ahead.

 

*Why did you want to be part of this Fellowship?

My initial interest in the fellowship, honestly, stemmed from being encouraged by my

supervisor, Pam Manocchio — Executive Director, Grand Opera House — to apply for the fellowship. After receiving the preliminary information, I quickly learned that the fellowship was focused on creating a space for BIPOC leaders, specifically working in the arts sector, to further develop professionally. 

I believe the intentionality of this fellowship is what truly intrigued me. Having the opportunity to participate in a program, specifically focused on the experiences and professional development of BIPOC leaders in the arts sector was something I deeply saw value in and wanted to be a part of. I feel both humbled and honored to have been accepted as the fellow to represent the First State in this inaugural cohort.

*What does this fellowship entail and what does it mean to you?

This is an eight-month fellowship being held online from October 2022 through May 2023.Having the opportunity to learn and dialogue openly with colleagues and faculty who share similar experiences and/or are able to offer me advice/feedback, is an immensely prodigious opportunity. In the short two months since the program has begun, I feel that I’m more equipped to dialogue and advocate for diversity, equity and inclusion in our arts-focused work. I am deeply excited about this opportunity to further develop professionally as a millennial, black, female leader in the arts community.

*What are your goals as a member of this Fellowship and how do you see it reflecting in your role at The Grand?

As a member of the fellowship, I hope to further develop my skillset as it relates to being intentional in my work, collaborating with others, and conducting reoccurring analysis on the work we do. One lesson I learned early on from one of my primary school teachers was to “lean into discomfort." Leaning into what initially feels “uncomfortable” has always proven to provide me with deeper understanding and comfort in that I tried something unfamiliar to me and grew because of it.

*What are you focusing on with regard to your new role at The Grand?

In my new role as Director of Community Engagement here at the Grand, I hope to continue the community-focused work that’s already being done and add to it, based on what our community tells us it’s in need of. I feel the best way to serve a body or community of people, is to reach out and ask what the needs are.

*What are your immediate and longer-term professional/personal goals?

My immediate goal is to continue listening. I think it would be less than productive for me to start in this new position and implement change immediately. I plan to continue having discussions with community partners, patrons, members of the community, even those who’ve never stepped foot inside the Grand and discuss what they need from us as an organization.

I think then, long-term, intentional and strategic goals can be developed and implemented. I am confident that we continue the 150+ year legacy of the Grand its work in the Wilmington community and beyond.

Irving Berlin’s "White Christmas" is a Holiday Spectacular!

by Charles "Ebbie" Alfree, III

Based on the beloved Paramount Pictures film, Irving Berlin’s White Christmas follows two friends and performers, Bob Wallace (Chris Fitting) and Phil Davis (Bryan Jeffrey), from their time serving in World War II in 1944 with General Waverly (Paul McElwee) to appearing on The Ed Sullivan Show in 1954, and eventually ending up at a Vermont inn after meeting Betty and Judy Haynes (Rebecca Schall and Deirdre Treacy), a sister nightclub act.

Complicated romances ensue, and a slew of Vermonters and show people from New York City are introduced. A series of comical and heartwarming situations lead to the grand, happy finale that leaves the audience ready to enjoy the holiday season!

The show is full of Mr. Berlin’s most iconic songs, sumptuously performed by the stellar cast under the fine music direction of Julia Kershetsky and stirring choreography by Jody Anderson. With numbers including Happy Holidays, Sisters, Snow, and of course, the title song, it’s hard not to smile, tap your toes, and dare I say — sing along! The show includes an exciting, seven-minute tap number; I Love a Piano, choreographed by Scott Jacobs and led by Ms. Treacy that brings down the house!

Director Rebecca May Flowers' pacing is perfect for the delightful show. She’s assembled a great group of artists both on and behind the stage. The four leads are fantastic! Mr. Fitting and Mr. Jeffery are charming and they expertly play off of each other.

Bob is the more serious, business-minded of the two, while Phil is a fun-loving go-with-the-flow kind of person. Both men bring much enjoyment to their songs, especially when performing together during Happy Holiday/Let Yourself Go.

Ms. Schall and Ms. Treacy are superb. Both are fabulous as the sisters who steal the men’s hearts. Ms. Schall’s rendition of Love You Didn’t do Right by Me is heartbreakingly beautiful.

Ms. Treacy is exceptional as the feisty Judy. Her dancing is exquisite. Once she steps on top of the piano and continues tapping during the I Love a Piano number, she becomes a star!

The cast is rounded out by a great ensemble, including the wonderful Mr. McElwee as the general who now owns the inn and hysterical Trudy Graboyes as Martha Watson, the inn’s front desk clerk and one time Broadway performer.

With the work of Lighting Designer, Matthew J. Kator; Scenic Designer/Scenic Artist, Jeff Reim; and Props/Set Designer, Amanda Gillies, the stage becomes an enchanting winter wonderland with a Christmas tree and snow! Since The Candlelight Theatre is housed in the former Harvey Barn, the whole space seems to be a part of the show!

The cast is beautifully dressed by costumer Timothy Lamont Cannon. Ms. Schall’s and Ms. Treacy’s final gowns are breathtaking! Wig, Hair, and Makeup Stylist, Clayton Stacey brilliantly complements Mr. Cannon's costumes. His wigs are gorgeous! Both men perfectly capture the 1950s time period with their work.

Get into the holiday spirit by seeing White Christmas in an actual barn at The Candlelight Theatre! The show runs through December 23. Visit www.candlelighttheatredelaware.org for information and tickets.