Catch Free Live Music Every Thursday at the Wilmington Farmer's Market

The Wilmington Farmer's Market at Cool Spring Park is back every Thursday from 4 to 8 pm through October 3rd, with lots of local produce, baked goods, jams, honey, sausages, hot prepared food, artisan gifts, and, of course, entertainment. Stop over at six for dinner and live music in the park --  last week, the market opened for the season with rockabilly from The Green Mountain Valley Boys.

The Green Mountain Valley Boys at the Wilmington Farmer's Market.

This week, bring the kids out for Nature Jams! For a complete list of the weekly entertainment, see the entertainment schedule.

The Wilmington Farmer's Market is part of the Food Bank of Delaware CSA Program and the Senior Citizen 60+ Program. For more information, see coolspringfarmersmarket.org.

Another Festival Visit...More Excellent Music!

Guest blogger Maxine Gaiber is Executive Director of the Delaware Center for the Contemporary Arts and founding board director of the Delaware Arts Art Alliance. Her high school art teacher wrote in her yearbook, "be gentle as a critic," and she is finally following his advice!

The Delaware Chamber Music Festival Quartet.

Each time I attend the Delaware Chamber Music Festival, I am overwhelmed both by the quality of the performances and the enthusiasm of the audience.  And each time I gaze over the variegated sea of shades of gray hair around me, I worry about the future of classical music in the U.S.  Maybe each classical musical group should have a mandatory “bring your grandchild for free” day, so that a new generation can get “turned on” to this rewarding musical genre!

 

The Friday, June 21 Virtuosos concert was no exception.  I must admit that I lingered over my lo mein too long at the Chinese Festival and missed the Rachmaninoff piano trio, but the rest of the program more than made up for it.

 

Clancy Newman was brave to take on the well-known Brahms Sonata for Cello and Piano in E minor, Op.38, but seemed up to the task.  He gave a lyrical performance filled with stunning musical contrasts and emotional energy.  He plays the cello high up against his body almost like a bass and — surrounding the cello with his arms and head — becomes almost one with his instrument.

 

The two Paganini pieces which followed, while well performed by Barbara Govatos and Christiaan Taggart, seemed slight and restrained by contrast, as though the musicians were warming up for the jazzy, tango-based Piazolla work which was next on the program.  This first movement of the History of the Tango gave Govatos and Taggart more opportunity to show the range and versatility of their instruments.

 

Smetana’s Piano Trio in G Minor, Op.15 was a fitting finale to this virtuoso evening. Newman told the sad story of the composer dedicating the work to his daughter, who died at age 7, but it wasn’t really necessary.  The passionate work is filled with sadness, anger, tenderness, and joy and needs no back story to amplify its power. It is a beautiful ensemble piece that enables all of the instruments to perform as one, as well as shine on their own. Govatos’ firm control of her instrument and her head of unmoving tight curls were in sharp contrast to Newman’s dramatic poses and flying locks of hair, but, visual styles aside, they make beautiful music together and were ably complemented by Marcantonio Barone on the piano.

 

By the end of the evening, I was shaken and stirred and slightly tipsy from the brilliant concoctions of music that wafted from the stage of the Concert Hall of The Music School of Delaware. Bravo and salud!

See www.dcmf.org.

A Smooth Beginning of the Delaware Chamber Music Festival

Barbara Govatos and Marcantonio Barone

From the first thirty-second note of the Grave in the Beethoven Opus 16, Barbara Govatos, Marcantonio Barone, Che Hung Chen and Priscilla Lee were glued together – making that treacherous journey through the beginning of the quintet with ease and confidence which is rarely managed,  even on recordings.  Mr. Barone even added a short and melodic bridge between the  Grave  and Allegro movements – keeping a Beethoven tradition but making it a fleeting and well-matched bridge to the faster movement.    

The theme of the first evening of the Delaware Chamber Music Festival was Classical Influences.  The Poulenc Sonata for flute and piano, Opus 164 may seem at first to be an incongruous fit for the Mozart and Beethoven, but the extremely soft dynamics of Ms. Guidetti’s flute in the Cantilena movement evoked the quiet of the second movement of Bach’s Italian Concerto.  The Presto giocoso cleared any lingering baroque feeling as the duo gave a brilliant rendition of the modern, dance-like movement.

The Mozart Piano quartet in G minor, K 478 was played with twenty-first century vigor – sometimes letting the modern piano dominate with the sudden fortes.  Yet Mr. Barone made the piano sing the theme of the second half of the first movement and Ms. Lee’s cello lines could be clearly heard as his accompaniment.  The vocal quality of the high notes of Che Hung Chen’s viola – especially in the Rondeau movement, was delightful. 



Pyxis rehearses with Barbara Govatos

The classical beginnings of the Festival will make way for romantic and even blues influences on Sunday, June 16 when the Pyxis Piano Quartet joins the Festival.  The quartet will also play a Delaware premiere by composer Kathryn Mishell, the winner of the 2010 Sylvia Glickman prize of the International Alliance for Women of Music.  On Friday, June 21, Christian Taggart will be a featured guest playing the Paganini Cantabile for violin and guitar, the Sonata concertante for violin and guitar and some Piazzola.  There will also be a fest of romantic trios played by Marcantonio Barone, Clancy Newman and Barbara Govatos.

The Festival will present a fourth and final concert with a Delaware premiere: String Quartet No. 2 by local composer Ingrid Arauco.  The theme Chip off the old Bach and the Bach Duet for violin and viola in C minor,  the Mozart  Adagio and Fugue in C minor and the Mendelssohn String Quintet in B-flat Major hint that Ms. Arauco’s string quartet will also be a classically structured piece. 

See www.dcmf.org.