The Delaware Chamber Music Festival Quartet. |
The Friday, June 21 Virtuosos
concert was no exception. I must admit
that I lingered over my lo mein too long at the Chinese Festival and missed the
Rachmaninoff piano trio, but the rest of the program more than made up for it.
Clancy Newman was brave to take on the well-known Brahms Sonata for Cello and Piano in E minor, Op.38, but seemed up to the
task. He gave a lyrical performance
filled with stunning musical contrasts and emotional energy. He plays the cello high up against his body
almost like a bass and — surrounding the cello with his arms and head — becomes
almost one with his instrument.
The two Paganini pieces which followed, while well performed
by Barbara Govatos and Christiaan Taggart, seemed slight and restrained by
contrast, as though the musicians were warming up for the jazzy, tango-based
Piazolla work which was next on the program.
This first movement of the History
of the Tango gave Govatos and Taggart more opportunity to show the range
and versatility of their instruments.
Smetana’s Piano Trio
in G Minor, Op.15 was a fitting finale to this virtuoso evening. Newman
told the sad story of the composer dedicating the work to his daughter, who
died at age 7, but it wasn’t really necessary.
The passionate work is filled with sadness, anger, tenderness, and joy
and needs no back story to amplify its power. It is a beautiful ensemble piece
that enables all of the instruments to perform as one, as well as shine on
their own. Govatos’ firm control of her instrument and her head of unmoving
tight curls were in sharp contrast to Newman’s dramatic poses and flying locks
of hair, but, visual styles aside, they make beautiful music together and were
ably complemented by Marcantonio Barone on the piano.
By the end of the evening, I was shaken and stirred and
slightly tipsy from the brilliant concoctions of music that wafted from the
stage of the Concert Hall of The Music School of Delaware. Bravo and salud!