An Afternoon with Distant Voices

The young man's words conveyed a range of feelings, from confusion to anger, and, sometimes, momentary happiness. His name was Hiroaki Nishimura, an American citizen interned in the Japanese American Internments camps during World War II. He is also the father of Julie Nishimura, who co-founded Distant Voices Touring Theatre her husband, Danny Peak, who turned Hiroaki's journals into a moving live performance. "Distant Voices" is presented as a reading by Peak with details from newsreels and historical documents read by David Stradley and Michelle Jacob adding context to what was happening. The 15-minute excerpt from the 70-minute piece simply told Hiroaki's firsthand story -- parts of it -- without commentary. It's a powerful piece that begs many questions; and in all presentations of "Distant Voices," whether at a school or library or museum, includes a question and answer session.

At the DVTT Salon on November 21, the discussion was largely centered on anger. Hiroaki's journal entries showed disappointment and resentment, but no anger and little despair. Guest Hiro Nishikawa of the Japanese American Citizens League shared more stories of young interned men revolting, sometimes leading them to harsher, high security camps, and of men -- Americans, remember -- refusing service when their draft numbers came up even though it meant giving up more freedom for prison. Yet many men did serve, even while their families remained in camps. It's easy to see how the discussions can cover days, as it does when DVTT brings the show, along with pre-preparation sessions, to schools.

The second part of the show brought us into the 2000s, with an excerpt from the post 9/11 piece "September Echoes." The full show explores the aftermath of the attacks from several points-of-view; the 15-minute excerpt focused almost exclusively on a young Syrian in Seattle named Nadin. Nadin's family's home was raided by Immigration and Naturalization Services after 9/11 and she and her parents were held for nine months. Her story was taken from a speech she had given, delivered powerfully by Michelle Jacob. There are some obvious parallels between Nadin's and Hiroaki's stories, as well as contrasts.

Distant Voices offers educational programs for middle and high school, including workshops and a 45-minute show. often free of charge. To help fund these educational programs, DVTT will be holding a wine tasting benefit on Sunday, December 19 from 1:00 to 4:00 pm at Deerfield Fine Wines in Newark. The event will include a selection of 25 wines, entertainment, free child care and a discount on wine purchases for a $10 suggested donation. For more information on the benefit or to find out more about the outreach programs, contact Danny Peak at dpeak@udel.edu.

Comic Potential at the Chapel Street Players

From the moment the lights go up, you can’t help but notice Jacie (Courtney Wallace) give a broad but quiet smirk as she plays the nurse on a hackneyed production with the unctuous doctor, the sobbing mother and the son who is being told he will have to lose his foot.

And suddenly, the doctor is not only unctuous, but full of ‘u’s, reassuring the mother and son that he will ‘umputate just below the unkle’….and then the exasperated director rants that his techs must fix this actoid, a robotic actor. And make sure he stays away from the fax!

Wallace’s Jacie is the light that keeps the stage going as she plays an actoid with a heart – a heart that begins to warm to the company director’s nephew. She is wonderful, spewing past scripts on cue for any event she had not been prepared for, and the results are fantastic – like pushing a button on a Chatty Kathy.

This futuristic comedy had a slow start on opening night but everyone seemed to warm up to the enthusiastic audience. Courtney Wallace has that rare ability to act like an actoid and really act within her spurts of role – including outrageous hamming and miming.

Mike Freeberry as Adam Trainsmith had perfect pacing – first keeping a shy and quiet demeanor as he visits his uncle’s production set and then blossoming into an inventive writer as he falls for Jacie the actoid and realizes his own Comic Potential.

Dina Bogino and Bill Starcher not only provided excellent comedy in the smaller roles, but their synthetic actoid acting was perfectly done – with exact repeats and total freeze motion.

The set was brilliant. Joseph Pukatsch built a great backdrop of moveable pieces that converted into different sets in seconds with excellent work by Robert de Remigio’s crew. This absolutely made the second act – allowing us to zip back and forth between scenes as if we were watching the sort of futuristic television production playwright Alan Ayckbourn envisioned.

See www.chapelstreetplayers.org.

Allergen Brings Hi-Tech, Fine Art Together

Back when (or, possibly, where) I studied art in the early '90s, there was a clear division between the technical and what is considered "fine art." Fine art students like myself didn't take computer classes. Not even Photography students -- and this was at one of the top art schools in the country. I thought it was pretty silly, even then. I didn't have my own computer, but, it seemed to me, what could be more "modern" than using computers in modern art? I took a computer class and was one of only two students who were not graphic design majors in the room. I felt over my head -- programs were more complicated 1992, and I didn't even know how to use a mouse -- and I never created anything memorable in that class. Still, I believed that computers and art were meant to be together.

Today, of course, computer technology is more accepted in the arts than it was 20 years ago, but I still get excited when I see an art show with work created with the computer as a medium.

"Allergen," an exhibition of illustrations by Patrick "PDub" Warner now on display at Union City Grille, is one of those shows. You wouldn't necessarily know it when you first walk into the gallery -- some of the pieces are huge, much larger than a typical physical digital piece. Warner explained that, to create pieces that large, they had to be printed by a sign company, who essentially made giant color copies on a special poly canvas. The result is striking, with bright, bold colors and a glossy finish. Warner is a commercial artist, and some of the pieces were converted from his own commercial work, giving it a genuine "pop" feel.

Several pieces represent flowers (a lily, a rose and an orchid) floating over a background of vintage war imagery. Other pieces feature a zip-gun, a frog, a rattlesnake and a spectacular larger-than-life parrot. My favorite pieces are one appropriately titled "Sunflower Galaxy" and the show's title piece, "Allergen," a violet explosion of flora and splashes of "ink" and "paint." The image on the opening postcard doesn't do it justice -- this is one worth stopping in to see in person.

"Allergen" runs through December 31.