The Kids Take Over Oz at Candlelight

Logo design by Christina Wyatt

On July 30, the family atmosphere and buzz of excitement at the sold-out New Candlelight Dinner Theater in Ardentown reflected a twist: for three nights of the summer production of "The Wizard of Oz," the professional adult cast took a break, and a young cast of up-and-coming actors from the NTC's theater camp took over.

One nice thing about "Oz" is that the Summer Camp Performances could incorporate both the younger Basic campers, who range in age from 7 to 11, and the older and more experienced Intensive campers, who are aged 12-18. After three weeks of rehearsals (two weeks for the Basic campers), the result was impressively polished, with colorful costumes, tight choreography and strong vocal performances.

This stage version (Directed by Paul Goodman and Choreographed by Shauna Goodman) is based closely on the Judy Garland film, featuring the classic songs "Over the Rainbow," "Follow the Yellow Brick Road," and "Ding Dong the Witch is Dead," as well as the lesser-known "Jitterbug," based on a deleted scene from the film, that's complete with an elaborate dance sequence.

As this was my first time experiencing a NTC Summer Camp performance, I had to wonder if they always luck into enrolling campers who are such perfect fits for the roles. From the munchkins to the principle actors--Elise Brown as Dorothy, Kayla Saunders as Scarecrow, Richard Gantt as Tinman, and Chandler Smith as the Cowardly Lion-- they spot-on captured the characters we all know so well. While most of the traditionally dual roles were split between two of the 50+ youth actors, Adam Gorowara played both the title role (with the help of an impressive giant puppet head) and the mysterious Professor Marvel with humor and apparent ease. Not least of all, the two witches, Good Witch Glinda, played by Christina Wyatt, and Emma Eckert as the Wicked Witch (as well as Becca Shumosic as her alter-ego Miss Gulch), were scene-stealers, as all witches should be.

The NCT offers a full evening of dinner and entertainment for one price, with a full cash bar available. Normally, the show's actors double as servers, but on this night those duties were taken over by adult members of the staff and crew. For the Summer Camp Performances, the buffet featured kid-friendly options, including surprisingly good macaroni and cheese and, in addition to choices such as Thai-chili meatballs, tilapia in cream sauce and shrimp cocktail. The culinary highlight, for me, at least, is the show-themed cocktails. For "Oz," that means the citrus-and-cream Yellow Brick Road, the Ruby Slippers, and the green Emerald City drinks. Since I wanted to be sharp for the play, I only tried one--but I can vouch for the Yellow Brick Road and say that the cocktails are definitely worth the extra charge.

There is still time to see the adult cast perform "The Wizard of Oz," which runs through August.

Family Members’ Evening at the DCCA

The Delaware Center for Contemporary Arts was buzzing with children creating art at work tables and touring the galleries trying to spot the art on their recognition sheet. Susan Isaacs, back to fill in the gaps left by staff reductions at the DCCA, gave a compelling gallery walk lecture.

Starting in the Elizabeth Dennison Hatch Gallery, the Julio da Cunha exhibit (yes, the former UD professor has a studio at the DCCA again), Isaacs talked about the contrasts of color da Cunha used in his tribute to Baudelaire’s Les Fleurs du Mal. Each of his works has striking color contrasts, but the combinations of color make a very carefully constructed effect. Having an artist with the experience and longevity of da Cunha gives a certain gravitas to the DCCA’s membership – and Dr. Isaacs’ knowledge and lecture and writing experience puts meat on this local art table.

The Carole Bieber and Marc Ham Gallery still has most of the exhibit chosen by Carina Evangelista for June (Spectrum: Contemporary color abstraction). Isaacs pointed out that Bill Scott’s A brief moment of titillation, an abstract with a bright pink/orange background was really influenced by Henri Matisse. Dr. Albert Barnes’ acquisition of Matisse in the early 1900s brought his influence to the United States. (The Cone sisters had begun collecting Matisse but kept them in their home until the 1950s). Isaacs has added works to the exhibit: Steven Baris’ abstracts on mylar and Emily Bowser’s Radiation, a sculpture of brightly colored beanbags.

The tiny E Avery Draper showcase was painted sea blue to show off Joseph Barbaccia’s Eight currents - fanciful sea creatures decorated with brightly colored sequins.

The Beckler Family Gallery housed the bright colors of Lawrence Cromwell’s Make it bigger. His cut paper mobiles, his videos and his vivid color oil and wax works were as refreshing and restorative as the summer evening.

Exhibits will be changed July 25 and August 1. The new works will be on display for the August 6 Wilmington Art Loop.

See http://www.thedcca.org/.

Arty at the Party

Mélomanie celebrated their year at a picnic at the home of Mark Hagerty and Tracy Richardson, and Arty found plenty of musical fun and festivity to be had…

As guest Sylvia Ahramjian showed off her new Baroque violin to Philadelphia violinist Fran Berge, rich sounds emanated from the music salon. The salon houses both of Richardson’s harpsichords, which have also been busy this summer, as Mélomanie continues to record its new CD, slated for release later this year.

Mélomanie Board President Tommie Almond presented a cake adorned with a photo of flutist Kim Reighley’s Baroque instrument (taken by photographer Tim Bayard), as a celebration of Reighley’s newly announced doctorate and tenure as music professor at West Chester University. Congrats, Ms. Reighley; what a great start to the new season!

Rafael Arauco was seeking more venues to play piano in ensembles. He heard a great deal about the Vermont Music and Arts program from Margaret Darby.

Guitarist and composer Chris Braddock and his wife, violinist Jeanmarie Braddock, recently welcomed another family musician, their son Benjamin, who slept peacefully through the picnic.

During the lively conversations, Arty was surprised to hear absolutely no mention of the departure of Mark Mobley from the DSO staff. Arty wonders, is Mobley’s exit “just another” in a string of recent losses, which also touched DTC and Rehoboth Art League…Shall we pretend not to notice until the seasons start up in the fall?

Arts in Media’s Michelle Kramer-Fitzgerald proudly announced that her latest blogger at Delaware Arts Info, Holly Quinn, is truly enthusiastic about happenings south of the Canal and looks to help expand the blog’s reach. Stay tuned to this address for posts from Quinn as the Arts get back into full swing.

And Arty wonders: is it a coincidence that all the musicians and spouses at this gathering were gourmet cooks and/or gourmand eaters? If musicians create a love of food, eat on!

See www.melomanie.org.