Thursday, June 10, 2010

Jumping into the Loop

The Wilmington Art Loop means something different to so many people. For some, it’s an opportunity to have a different crowd come through their bar or restaurant. For others it’s a chance to exhibit new work, or even exhibiting for first time. For many, it’s a social event or a networking extravaganza. I took the downtown loop bus, with the fabulous Shawn at the helm. He always makes sure it’s a fun time, even though he sometimes has to play the part of Shepherd, corralling stray art-lovers back onto his bus. As usual, I met some fascinating people on the ride — a photographer, a board director of a new local dance troupe, a mathematician, and a retiree.


Colourworks is a photographic and digital imaging lab on Superfine Lane. A converted sugar mill, the exposed brick interior made a rustic backdrop for Heather Siple’s fish-eye lens photography. The magical windows she created each held their own worlds. She told me a friend had showed her how to mount the fish-eye lens onto her zoom lens, but then she discovered interesting effects when mounting it directly onto the camera. Siple loved the shadows and round “frames” this created. In her photo “Golden Mushrooms” she experimented with expired film, and got a very rich, earthy result. Her book, Through the Crystal Ball, a collection of her fish-eye lens photos, was available.


See http://www.sipleart.com.

I was especially moved by Danielle Hamilton’s paintings and mosaics. Mounted in the Wilmington Library, the work of this self-taught artist is full of themes of nature, Africa and womanhood. Hamilton told me she dreams of Africa, but knows she will never visit. Her mosaic/painting “Jewels of Africa” is filled with stones, beads and rubber netting. When I asked her how she knows when a work is done, she told me the work lets her know when to stop. A friend of hers, who works at the library, suggested she submit her art for the loop exhibit. I am so glad she did! Welcome to the Loop, Danielle!

Wednesday, June 9, 2010

2010 Italian Festival Gala Concert

It was Jean Scalessa who really started the Gala Concert eight years ago – and it has become a more professional and polished concert each year. But how can we appreciate those who have the courage to start a concert series and who accept the risk that a new series might fail? And after the grueling work of convincing everyone to join in, they then hand it over to the lucky successor who has a ready-made tradition.

The first performers on the Gala Concert this year were the Wilmington Children’s Chorus, another group founded by a pioneer. David Christopher founded a chorus for kids living in the Wilmington area hoping to mix kids from city and suburbs and create a free, quality choral program. Kimberly Doucette, an active participant from the start of the project and current artistic director, prepared the kids well, showing how she has truly created an atmosphere of discipline administered with a smile. The kids came on quietly, sang well, watched the conductor, had the lyrics down pat (and they sang in Italian). Afterwards I complimented one of the singers who responded with a warm and sincere ‘thank you’ – no teenage squirming or dodging, which shows the program will give them music and mature poise.

Joe Soprani played an outstanding arrangement he created for accordion of Carnival of Venice. The accompaniment on piano by Jordan Irazabal was a great foundation for the piece.

The program also included excerpts from operas, and I was impressed with the round bass voice of Martin Hargrove in Verdi’s Te Lodiamo.

I enjoyed the traditional Italian numbers like Va pensiero from Verdi’s Nabucco, which I like to sing with the chorus and I was delighted that Dr. Brian Stone brought more discipline to the conducting than I had seen in the past. The chamber orchestra also had a great sound for Preghiera from Cavalleria Rusticana by Mascagni – again rounded out by piano.

Would that there had been more orchestral accompaniments than piano reductions! Piano reductions are great, but why use them when you have a full chamber orchestra for the afternoon? If they use the chamber orchestra for all of the solos next year, the concert will have developed in a way that would make Jean Scalessa proud.

See http://www.stanthonyfestival.com/.

Tuesday, June 8, 2010

A Night Supporting Arts for All

By Guest Blogger, Jennifer Gunther
Jennifer is the Executive Director of VSA Arts of Delaware and an advocate for appropriate and fulfilling access to the Arts for all. Artwork by Ryan Griffin, age 5.

Once referred to by a funder as “a well-kept secret that everyone should know about”, VSA Delaware (VSADE) is a statewide organization that promotes expression through the Arts, with particular focus on opportunities for individuals with disabilities. The evening of Friday, June 4, delivered an experience in “our world of Art”, with an exceptional exhibit: the Celebration of Creativity (COC) 2010 Friends Reception at the Arts Center/Gallery at Delaware State University.

The exhibit is a collection of more than 65 works by artists with disabilities who have participated in VSADE Artist-in-Residency programs. For participants, the program provided the chance for their work to be professionally recognized. In addition, the reception provided a musical performance by the Delaware Young Soloist awardee, Jeffrey Wu. Jeffery, a 15-year-old student at the Brennan School in Newark, noted that creative and artistic accomplishments are possible when opportunity is provided. The COC 2010 exhibit will continue through Wednesday, June 30, at the Arts Center/Gallery; in September, it will travel to additional exhibition sites throughout the state.

Perhaps I am a bit partial, but I believe VSADE is one of those organizations that should never be a “well-kept secret”! We at VSADE hope that everyone will acknowledge the Arts as a powerful education tool for everyone, regardless of ability or disability!

See http://www.vsadelaware.org/.

P.S.: As I write this, I have just returned from the opening ceremonies of the VSA International Festival at the Kennedy Center in Washington DC (www.vsarts.org). I was enthralled by the conceptual dance of artist Bill Shannon, the amazing vocals of Prudence Mabhena and the delightful talent of Patti LaBelle. It was a great night for the arts and disability.