OMG…It’s Legally Blonde!

OH. MY.GOD! OHMYGOD! The national tour of Legally Blonde is at the DuPont Theatre this week through December 6, and it’s totally entertaining. Feminism and empowerment are served up with a Chanel suit and pink spiked heels in this snappy, witty musical based on the 2001 hit movie. Elle Woods, played by the adorable Becky Gulsvig, leaves California for Harvard Law School to follow her ex-boyfriend, only to discover she herself has brains and talent. Though the main message of the show may be about women using their strength, instinct and power, broader themes of self-acceptance and integrity are also powerful elements.

The cast pulls off an unbelievably high-energy performance---from the adorable Sigma Nu “Greek” chorus, who constantly appears to give Elle Woods advice and support---to the company dancers who weave hilariously in and out of the scene. At times trite and overly “pop”, the score is boosted by wonderfully witty lyrics and some expert singing, as Elle worries her ex-boyfriend’s preppy new girlfriend might practice some “debutante J-Crew kung fu” on her.

Sleek and eye-catching are the sets, which move in a flash around the actors, setting the scene for a Harvard classroom, a hair salon, Elle’s fluffy “pinkified” bedroom and an ominous, striking prison hallway. The choreography is pure delight, with cheerleaders, law students and inmates always in perfect, and often humorous, step.

Professor Callahan (Ken Land), who later proves to be a shark himself, sets the Harvard Law School scene beautifully with his “Blood in the Water”, one of the more classic-sounding Broadway numbers from the score by Laurence O’Keefe and Nell Benjamin. As Paulette, Elle’s hairdresser friend, Natalie Joy Johnson is a powerhouse singer. Her earnest delivery of her sometimes silly lyrics and her story of a beloved dog left behind in a trailer park is moving and keeps the show rooted in reality.

See http://www.duponttheatre.com/.

Jessica Graae

Taggart-Grycky Duo at UD

On November 21, the Taggart-Grycky Duo of Christian Taggart, guitar and Eileen Grycky, flute, played a concert at Gore Hall on the UD campus. Eileen Grycky and Christian Taggart are gifted, gracious and have the magic coordination of a duo that comes only after the decades of practice and performance.

Taggart’s arrangement of the Valse from the Suite de trois morceaux, Opus 116 by Benjamin Godard and a selection of orchestral pieces from the ballet Gayane by Aram Khachaturian showed his ability to transform both piano and orchestra to guitar without compromise.

Since they are always looking for new repertoire, the Duo commissioned a Delaware native to write a piece for them. In his composition, Double-Speaking, Peter Flint used a medley of styles that dovetailed smoothly. The piece starts with a jazzy South American theme that Flint says was inspired by the Vallanato style of Columbia. The piece moved into a modern atonal section—the syncopation of which the duo handled clearly and securely. They worked hard, though, and I was delighted to hear Grycky’s accented flute lines and a sort of “Leadbelly-effect” on the guitar, with which Taggart played unpitched rhythms for a percussion line. The recapitulation brought the listener home again with a happy landing.

Flint’s group, The Avian Orchestra, will be playing at The Barn at Flintwoods (the home venue to Brandywine Baroque) on Saturday, December 5 at 205 Center Meeting Road in Centerville, with a program entitled ChamberRock! A Modern Mash-Up. His new music organization, Avian Music, was founded to promote joint projects between emerging and established composers.

It is a privilege to hear new works played by accomplished musicians!

See www.music.udel.edu/faculty/ensembles/fluteguitar.html and www.avianmusic.com

Old-time religion in 'God's Trombones'

The Delaware Valley Chorale's concert Saturday night at Newark United Methodist Church was terrific -- good enough to hear again on Sunday, Nov. 22, in Wilmington.

"God's Trombones" -- a sermon in verse by poet James Weldon Johnson -- is a tribute to the fiery black preachers of the old South, arranged against traditional Negro spirituals by composer Roy Ringwald. Guest conductor Lawler Rogers and the chorus caught their visceral energy and emotional conviction.

With narrators Tina Betz as the prayer leader and Joshua Martin as the preacher, it was thrilling to hear. Betz spoke with the passion of belief, and Martin had a sonorous dignity in retelling the Creation and Last Judgment stories.

Franz Schubert's Mass in G was gorgeous, with lovely interplay in the Agnus Dei between the soloists Angelyn Robinson, soprano; David Anderson, tenor; and Jeffrey Chapman, baritone. Nancy Chronister was the conductor.

"On Green Mountains" by Steve Danyew won the chorale's 2009 composition contest. Danyew set a simple lyric praising nature to sweeping melody. The choir, led by artistic director David Christopher, rendered the mood with seamless cohesion.

Danyew, a graduate student at the Eastman School of Music in Rochester, N.Y., will attend Sunday's concert too. The program will be at Saints Andrew and Matthew Episcopal Church, 719 N. Shipley St., Wilmington.

Tickets are $20, $16 for seniors and students, $8 for children under 12. Call (302) 325-4110. Or see http://www.delawarevalleychorale.org/.