Hunter Clarke, Mark V Turner & Michael Kalmbach in the April Loop

Walking up the steps of the Mezzanine Gallery of the city’s Carvel Building, I was greeted by a small girl pushing her head through a gap in the railing and calling, “I can see you, Mommy!” I could not see who greeted her, but it was Hunter Clarke, the artist whose exhibit Aerial was opening in the Mezzanine Gallery. She had created a work especially for the small space with high ceilings: strips of vellum painted with bright acrylic silhouettes of predatory birds and what I thought were wolves, but Clarke, who seems to be an animal buff, said, “Actually, they are African dogs.” The piece is entitled Into the woods, 2010 and I hope it gets a new home after this exhibit ends on April 30. Pictured above top is an enlarged version of one of the many very small paintings Clarke grouped in nines. Clarke used bright colors to feature many animals in this exhibit – some acting on their natural predatory instincts, some enduring their fate, and some facing the viewer with a steely stare.

Was delighted by Mark V Turner’s exhibit of acrylic on paneling at the Wilmington Institute. Turner is a member of Delaware by Hand. (See 1/24/10 blog). Visiting artists tried to figure out how he achieved the tactile feel of layers and three dimensional illusion with acrylics. Turner’s vivid portrayals of doors in New Orleans have purples and other outrageous colors which blend into a realistic imagery.

Spectrum: contemporary color abstraction (open until August 1) left me with more questions than answers. I read that curation of this exhibit was started by Carina Evangelista (who is no longer at DCCA). Some local artists were included and others were selected in another way….open competition? Well worth seeing, in particular, Michael Kalmbach’s work on outdoor carpet wrapped in clear plastic and decorated with an abstract of acrylic and chains of dots. Second picture.

See http://www.hunterartist.com/.
See http://www.artsdel.org/.
See http://www.delawarebyhand.org/.
See http://www.markvturner.com/.

Teaching Through Image: September Wilmington Art Loop

Great art is often beautiful to behold: Monet’s Water Lilies, symphonies by Mozart and ballets danced by Baryshnikov are all pleasing to the senses. But art may also serve as a vehicle for political or social expression. The powerful work of artist-teachers Michael Kalmbach and Lori Crawford pulled me in off the gallery floor right into their worlds and viewpoints.

Step into the gallery of the Delaware College of Art and Design (DCAD) and you get a fabulous treat. Until October 15, the faculty and staff exhibit is on display. Jewelry, 3-D design, illustration and painting are among the mediums presented by these talented artists. Michael Kalmbach, founding member of the New Wilmington Art Association, and winner of this year’s Christi Award for Outstanding Achievement in Arts Advocacy, was there with one of his works. Presidential Auras, McCain, 2008, (pictured with Michael and son Thurman) is from his Presidential Auras series, which also includes images of Mitt Romney, Hillary Clinton, and Barack Obama. It’s hard not to laugh out loud when you see the life-sized cardboard cut-out of McCain that Kalmbach has transformed into a painting using acrylic paint, a felt backdrop, and a plastic covering. McCain stares out with what Kalmbach describes as a menacing glare, while the pattern of acrylic paint creates his “aura”: a drape resembling a Native American fur garb. Kalmbach explained how he calculated saving the creation of his least favorite candidate’s painting for last, when Kalmbach’s technique would be perfected.

For more information about Michael Kalmbach and the New Wilmington Art Association, visit: http://newwilmingtonart.blogspot.com

Lori Crawford, an associate professor of art at Delaware State University, was awarded the 2008 Individual Artist Fellowship in Works on Paper from the Delaware Division of the Arts. Her three-dimensional works on display at the Mezzanine Gallery in the Carvel Building include computer photographs of women printed on brown paper bags. Crawford explained to me how, years ago in the South, a person’s skin color might be compared to the shade of a brown paper bag. Church doors were sometimes painted that same color, so that parishioners might be assessed before being allowed to enter. Each one of Crawford’s bags shares a woman’s personal experience with race as well as her photograph. One woman speaks of the Vitiligo affecting her skin’s pigmentation. Another woman, of mixed heritage, expresses her exasperation over always having to explain and qualify her ethnic background. Crawford has interviewed women all over the world for this project she thought would end with the completion of her thesis in 1996. She also fashions reliefs of women in action poses from crumpled brown paper bags, with titles like The Bag Lady: Stomping Out Racism and The Bag Lady: Kicking out Sexism. (Pictured with Lori Crawford.) Her works are on display until September 25, 2009.

http://mysite.verizon.net/crawford-style/index.html