Tuesday, May 29, 2018

DSO's Final Performance of Season Spotlights Mahler

By Christine Facciolo
For a work that for many years was regarded as the “ugly duckling” of Gustav Mahler’s nine completed symphonies, the Seventh is turning up with greater regularity just about everywhere in the classical world.

On Friday, May 18, night it was David Amado’s turn to lead the Delaware Symphony Orchestra (DSO) in its first-ever performance of this most enigmatic and fascinating work.

Amado prepped the audience in a pre-performance that pointed out the orchestral and rhythmic subtleties as well as the advanced harmonic language that presaged the Second Viennese School, making an indelible impression on a young Arnold Schoenberg.

The Mahler Seventh has always been considered a problem piece. Entire musicological conferences have been devoted to its analysis but agreement remains elusive.

Amado’s reading of the mercurial first movement, with its hauntingly beautiful tenor horn solos, offered a bit of everything: power, brilliance, mystery, even dreaminess. He was mindful of details — every instrumental solo stood out in relief — but he never lost track of the overall trajectory and architecture. Indeed, the performance was such that Mahler’s careening shifts in tonality and mood made perfect and logical sense, serving as a foundation for the “night” movements that followed.

Amado and the DSO were most impressive where Mahler is most impressive, that is, in the symphony’s three central movements. The second movement is a kind of nocturnal march, introduced by a call and response motif in the horns. Colorful elements such as cowbells and warbling woodwind bird calls instilled a pastoral atmosphere throughout. But not quite as the march theme remained eerily unsettled, vacillating between a major and minor key.

The second Nachtmusic was more successful at evoking an Alpine, folksy charm with a subtle but effective mandolin and guitar accompaniment.

The third movement Scherzo was downright strange with its mix of waltz tunes and Landler. There seemed to be an oddity at every turn. One of the most striking gestures was a pizzicato in the cellos and basses, which were instructed by Mahler to pluck the string so hard that it rebounds against the fingerboard.

The performance concluded triumphant rendition of the complex Rondo finale. What in lesser hands would come across like a bizarre mash-up of Wagner’s Die Meistersinger and Lehar’s The Merry Widow, here exuded the feel of exuberant rejoicing. A guest appearance by The Bells of Remembrance aided in the joyful culmination of a tentative journey from dusk to dawn.

See www.delawaresymphony.org.

Friday, May 25, 2018

Summer Jazz from Market Street Music & Creative District Wilmington

Market Street Music and Creative District Wilmington collaborate this summer to bring you live music in a tranquil cityscape setting...welcome to Jazz Nights at the Rock Lot!

Leading up to the Clifford Brown Jazz Festival, the two organizations team up to bring well-known jazz musicians to this green space in the heart of the district for three Wednesday evenings in May and June.

"Market Street Music's partnership with the Creative District has been a dream collaboration," says David Schelat, Music Director and organist for Market Street Music. 

"Both organizations are deeply committed to the city of Wilmington and to expanding its arts presence and vitality. The Rock Lot space is ripe for this kind of programming, and I hope our regular [Market Street Music] audiences will take a chance on something new in a space they may not even know exists." 

Schelat also hopes the programming will alert new audience members to the annual programs Market Street Music has historically presented. 

Featured in the series will be the music and stylings of Alfie Moss and Dexter Koonce Project (May 30), the Sharon Sable Quartet (June 6) and The Terra Soul Project (June 13).  

"We booked three jazz ensembles with whom Market Street Music has worked in the past, and who always deliver a dynamite concert experience," says Schelat. "All of these artists are the best at their craft, and we're excited to welcome them to The Rock Lot!"

The Rock Lot is located at 305 W. 8th Street (on 8th between Tatnall & West Streets) in downtown Wilmington. All of The Rock Lot events are free and open to the public, so bring a basket of snacks, a chair or blanket and settle in for a night of jazz under the stars and in the heart of Wilmington!
  • Wednesday, May 30, 5:30-7pm | Alfie Moss/Dexter Koonce Project
  • Wednesday, June 6, 5:30-7pm | Sharon Sable Quartet
  • Wednesday, June 13, 5:30-7pm | The Terra Soul Project

Wednesday, May 23, 2018

NEA Announces Grants to Support Delaware Arts

This post content comes from a press release from the Delaware Division of the Arts...

As the only funder in the country to support arts activities in all 50 states and five U.S. jurisdictions, the National Endowment for the Arts (NEA) announced that three Delaware organizations, including the Division of the Arts, will receive $729,100 in federal grants.

“The variety and quality of these projects speaks to the wealth of creativity and diversity in our country,” said NEA Chairman Jane Chu. “From Atlanta, Georgia to Sparks, Nevada, NEA funding reaches thousands of communities, assisting local organizations and providing access to the arts to all.”

The Delaware Division of the Arts will receive a Partnership (State & Regional) grant in the amount of $689,100 to support activities associated with carrying out its NEA-approved State strategic plan.

“Representing 17% of the Division’s budget, NEA funding is critical in supporting arts programming that directly reaches more than 30 communities throughout Delaware, serving more than 1 million youth and adults annually,” says Paul Weagraff, director of the Delaware Division of the Arts. “This investment in Delaware’s creative sector contributes positively to vibrant communities, comprehensive educational opportunities, and robust economic activity.”

The Delaware Art Museum will receive an Art Works - Presenting & Multidisciplinary Works grant in the amount of $25,000 to support its Bridging Perspectives series of multidisciplinary performances addressing the history of the Civil Rights Movement and contemporary issues related to social justice and equity.

“The NEA and Art Works grants support the arts and its ability to change lives and impact communities,” says Delaware Art Museum Executive Director and CEO, Sam Sweet. “Bridging Perspectives is a new initiative at the Museum reflecting our vision to engage our community, promote conversation, and foster understanding. We are so pleased that this initiative has earned support that will enable the Museum to better serve our community.”

The Grand Opera House will receive an Art Works - Presenting & Multidisciplinary Works grant in the amount of $15,000 to support its sensory-friendly family performances series which welcomes children of all ages with autism or other sensory, social or learning disabilities to experience live entertainment. These performances have been made possible by Next Generation North of the Delaware Community Foundation, DFRC and in partnership with Autism Delaware and Easterseals.

“The Grand is proud to continue our new sensory friendly programming thanks to this generous gift from the NEA. Our mission urges us to be accessible to all residents of the Brandywine Valley, and this gift, our second NEA grant in two years, allows us to further develop this valuable and much-needed program, says Mark Fields, executive director of the Grand Opera House.

The full NEA grant descriptions:

State and Regional Partnership AgreementsThrough partnership agreements, the NEA translates national leadership into local and regional benefit. States and U.S. jurisdictions have their own arts agency that together receive 40 percent of the NEA’s grantmaking funds each year to support their programs and leverage state funding. In addition to these 55 agencies, six regional arts organizations are funded to manage programs across state, national, and international borders and across all arts disciplines.

Art Works II

Art Works is the NEA’s largest category and focuses on funding the creation of art that meets the highest standards of excellence, public engagement with art, lifelong learning in the arts, and strengthening of communities through the arts.

About the National Endowment for the ArtsEstablished by Congress in 1965, the NEA is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the NEA supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. For more information, visit www.arts.gov.

About the Delaware Division of the ArtsThe Delaware Division of the Arts is an agency of the State of Delaware. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. Funding for Division programs is provided by annual appropriations from the Delaware General Assembly and grants from the National Endowment for the Arts, a federal agency. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.