Sunday, April 1, 2018

Ayreheart Makes the Lute ‘Cool’ Again in Wilmo

Ayreheart is Ronn McFarlane, lute; Willard Morris, fretless bass, violin & colascione; 

Mattias Rucht, percussion. Photo courtesy of Ayreheart.
This post is from an excerpt of Out & About magazine's April 2018 issue...

Market StreetMusic keeps its vibrant music roster going into spring with the return of Renaissance-and-modern music trio Ayreheart. The ensemble — Ronn McFarlane, lute; Willard Morris, fretless bass, violin and colascione (a kind of bass lute); and Mattias Rucht, percussion — brings the lute and related period instruments into the 21 Century with all the energy of a traditional rock band. The Friday, April 20, 7:30pm concert is the second appearance for the group in Market Street Music’s lineup.

“Ayreheart returns to Market Street Music because they are simply remarkable!” says Market Street Music Director David Schelat. “These musicians, who all have backgrounds in rock and jazz, create a level of energy that jumps off the stage and into the audience. It really is a bit like a rock concert, except the music is from the 14th to 17th Centuries.”

So, let’s back up. What’s a lute, exactly? It’s a stringed instrument (similar to a guitar, although it is plucked rather than strummed) with a long neck of frets, a round body and flat front. Descended from the Arabic oud, the lute was the most popular instrument in the Western world during the Renaissance.

The Ayreheart ensemble was founded in 2010 by Grammy-nominated lutenist McFarlane, who had long been writing and performing music for solo lute and found many of his ideas were more expansive than for just a solo instrument.

“It was a natural evolution to expand into an ensemble that could play all the parts,” says McFarlane. “There’s also an exchange of ideas and energy with an ensemble that becomes more that the sum of its parts.” 

In addition to original music, Ayreheart performs Renaissance music, “…from the time when the lute was considered the ‘Prince of Instruments,’” as McFarlane notes. “There’s a tremendous amount of music that exists from that period…that appeals to us very much.”
The last time Ayreheart played at Market Street Music, they presented an all-Renaissance music show. This time around, McFarlane says they’ll offer up a generous helping of Celtic music as well as his original music in the mix.

“I want audiences to come away happy and uplifted by our music, but also to hear the lute as an expressive instrument for modern as well as Renaissance music,” says McFarlane. “It’s exciting to break new musical ground for the lute, combining Renaissance and modern instruments, and creating a new body of music that blends elements of folk, Celtic, bluegrass and classical,” he says.

Tickets are $20 ($10 students) online at marketstreetmusicde.org and $25 at the door the evening of the show. 

See www.marketstreetmusicde.org

Wednesday, March 28, 2018

Another Grand Night with the Delaware Symphony

By Christine Facciolo
It was certainly a grand night at the Delaware Symphony Orchestra. The Grand Opera House in Wilmington was filled, one presumes, to hear Tchaikovsky’s much-loved Piano Concerto No. 1 with the young Cleveland-born pianist Orion Weiss.

The concerto was absolutely spectacular. It is a tribute to Music Director David Amado and the immensely talented musicians of the DSO that the concert came off at all — let alone as well as it did. A hefty snowstorm just two days prior forced the cancellation of several rehearsal dates not to mention delaying the soloist’s arrival in town. Amado and flutist Eileen Grycky joked about the title of the concert, “Destiny,” in light of the week’s weather events.

The concert opened, appropriately enough, with a fine rendering of the melancholy and agitation of the overture to Verdi’s opera La forza del destino.

Pianist Orion Weiss then took his place at the keyboard and showed why critics have called him one of the most sought after soloists in his generation of young American musicians.

To say that Weiss wowed in his debut with the DSO would be an understatement. His was an exceptionally thoughtful performance. There was to be sure plenty of jaw-dropping showmanship but the loud passages were well-modulated to the capabilities of the piano, the venue and the level of the orchestra. The lyrical moments between the pyrotechnics were lovingly shaped and nuanced. The finale was high-voltage and Weiss executed its bursts of virtuosity with lightning speed.

For an encore, Weiss again dazzled with a performance of the final movement of Ravel’s Le tombeau de Couperin.

After intermission, the DSO returned with one of the lynchpins of the 20th Century orchestra repertoire, Bartok’s Concerto for Orchestra. Written in 1943, a year before the composer died of leukemia, it is an unusually exuberant work given the circumstances under which it was created.

As anyone familiar with the work knows, each of the five movements a different section or sections of the orchestra and each conveys a different mood or character. The first is mysterious and “folkish,” while the second is humorous but with a solemn middle section. The third is very dark, but followed by a light intermezzo which parodies the Shostakovich Seventh, which although an enormously popular work at the time, was one Bartok intensely disliked. The finale is epic and triumphant.

All of these qualities came through strongly and convincingly in this well-executed rendering. From piccolo to tuba, the musicians turned in first-rate performances, presenting further evidence that the DSO is one of the finest regional orchestras on the scene.

See www.delawaresymphony.org.

Monday, March 26, 2018

Spotlight: Singer/Songwriter/Actress, Hayley Orrantia

Singer/songwriter/actress Hayley Orrantia will soon be visiting Wilmington in her first headline tour, the "Strong, Sweet & Southern Tour." She'll appear at The Queen on April 26. Delaware Arts Info sat down with Hayley to talk music, touring, what she misses most about Texas and more. Check out our interview below...

*You began as a singer, but y
ou've also had great success starring in ABC's The GoldbergsWhat made you choose singing initially?
Truthfully, music was just something that I did the same way a kid would choose soccer or volleyball. At 9 years old, I didn’t think about it as a full-blown career, but it’s something I enjoyed doing and was good at. So it was very natural to transition to doing it full time when it was all I had ever known. 
Hayley Orrantia. Photo by Diana Ragland.

*Do you feel both aspects of your career complement each other, or that you may have to choose one over the other? 
I truly believe I wouldn’t be anywhere in music if it wasn’t for The Goldbergs. [The show] has opened so many doors for me and allowed me to connect with people I wouldn’t have without it. We're signed up for Season 6, which we will begin filming in August. It takes up a lot of the year, but I don’t feel I have to choose. I find a good way to balance my music and acting careers alongside one another or during hiatuses. 

*Since this is Women's History Month, tell us about some of the women who inspire you. So many women I look up to! My mother is the main one. She is so strong and hard-working and doesn’t take no for an answer. But I also look up to two of my girlfriends from Nashville, Lindsay James and Emily West. When you meet good, talented people, you’re just drawn to their energy. They are the epitome of supporting and encouraging other women and artists, and I love that.

*Is there anyone you've modeled your career after? 
I have always admired Sara Bareilles for her writing ability and how she strives to do so much with her music — whether as an artist, writing for movies or the musical, Waitress. She’s a dreamer and an achiever. 

*Congratulations on your first headlining tour. Is there anything you're particularly excited about experiencing? I have no idea what to expect from this tour! I really look forward to introducing some new music and meeting fans of the show. It’s 
all going to be very new to me. 

*Do you feel it's more impactful to do single releases today or do you plan to eventually release a full-length album?
I used to think that I needed to have an EP or full album to do anything, but that’s just not the case anymore. Artists are so focused on singles now.  I believe it makes more sense as a new, independent artist to do that for financial reasons as well as really exploring my sound. A single can represent itself, but with an album, everything has to be so defined or consumers get confused. I enjoy taking this time to feel out what is right for me.

*How long will this tour be? Do you record while you're on the road? I'm touring for about two months. I will definitely be writing on the road, but not necessarily recording. I have so many new ideas for songs, a lot that won’t even be shown on this tour because they’re so fresh. But that just gives me more to look forward to.

*Strong, Sweet & Southern is a fun, playful song, while your new track Give Me Back Sunday is more poignant, almost wistful. Tell us about writing those. 
I co-wrote both songs with different people, which is probably why they have such different vibes. Strong Sweet and Southern was the fun, upbeat song I was wanting. I wrote it with Mark Bright and Kevin Kaddish, and we really just wanted something catchy and swingy. Give Me Back Sunday, however, I wrote with Jason Saenz and Todd Clark. This song was about my personal experience moving to Los Angeles on my own and really missing the simplicity of my hometown in Texas.

*Going back a bit, your song Hasta Verte you sing entirely in Spanish. Why did you choose to record in Spanish?
I wrote Hasta Verte (originally Until Then in English) with Mark Bright and Emily Shackleton. It was a song we wrote about my friend who had passed away from cancer. I cried through the entire writing process. I decided I wanted to try a song in Spanish as a tribute to my grandfather’s side of the family who are Hispanic. It was a challenge for me since I don't speak Spanish fluently, but I was so proud of the end result.

*You're a proud Texan. What do you miss most about home when you're away? Honestly, the fried chicken! You can’t get food like that in L.A. But I also do miss my friends, family and boyfriend, who are all back home in Dallas.

*Are there any singer/songwriters or bands that you enjoy or follow? I listen to so many things — from country to singer/songwriters to 70s funk to hardcore rock. But if I had to narrow down the bands or artists I listen to most, they would be John Mayer, Sara Barielles, Ingrid Michelson, Kacey Musgraves and Dan+Shay.