Monday, March 26, 2018

Spotlight: Singer/Songwriter/Actress, Hayley Orrantia

Singer/songwriter/actress Hayley Orrantia will soon be visiting Wilmington in her first headline tour, the "Strong, Sweet & Southern Tour." She'll appear at The Queen on April 26. Delaware Arts Info sat down with Hayley to talk music, touring, what she misses most about Texas and more. Check out our interview below...

*You began as a singer, but y
ou've also had great success starring in ABC's The GoldbergsWhat made you choose singing initially?
Truthfully, music was just something that I did the same way a kid would choose soccer or volleyball. At 9 years old, I didn’t think about it as a full-blown career, but it’s something I enjoyed doing and was good at. So it was very natural to transition to doing it full time when it was all I had ever known. 
Hayley Orrantia. Photo by Diana Ragland.

*Do you feel both aspects of your career complement each other, or that you may have to choose one over the other? 
I truly believe I wouldn’t be anywhere in music if it wasn’t for The Goldbergs. [The show] has opened so many doors for me and allowed me to connect with people I wouldn’t have without it. We're signed up for Season 6, which we will begin filming in August. It takes up a lot of the year, but I don’t feel I have to choose. I find a good way to balance my music and acting careers alongside one another or during hiatuses. 

*Since this is Women's History Month, tell us about some of the women who inspire you. So many women I look up to! My mother is the main one. She is so strong and hard-working and doesn’t take no for an answer. But I also look up to two of my girlfriends from Nashville, Lindsay James and Emily West. When you meet good, talented people, you’re just drawn to their energy. They are the epitome of supporting and encouraging other women and artists, and I love that.

*Is there anyone you've modeled your career after? 
I have always admired Sara Bareilles for her writing ability and how she strives to do so much with her music — whether as an artist, writing for movies or the musical, Waitress. She’s a dreamer and an achiever. 

*Congratulations on your first headlining tour. Is there anything you're particularly excited about experiencing? I have no idea what to expect from this tour! I really look forward to introducing some new music and meeting fans of the show. It’s 
all going to be very new to me. 

*Do you feel it's more impactful to do single releases today or do you plan to eventually release a full-length album?
I used to think that I needed to have an EP or full album to do anything, but that’s just not the case anymore. Artists are so focused on singles now.  I believe it makes more sense as a new, independent artist to do that for financial reasons as well as really exploring my sound. A single can represent itself, but with an album, everything has to be so defined or consumers get confused. I enjoy taking this time to feel out what is right for me.

*How long will this tour be? Do you record while you're on the road? I'm touring for about two months. I will definitely be writing on the road, but not necessarily recording. I have so many new ideas for songs, a lot that won’t even be shown on this tour because they’re so fresh. But that just gives me more to look forward to.

*Strong, Sweet & Southern is a fun, playful song, while your new track Give Me Back Sunday is more poignant, almost wistful. Tell us about writing those. 
I co-wrote both songs with different people, which is probably why they have such different vibes. Strong Sweet and Southern was the fun, upbeat song I was wanting. I wrote it with Mark Bright and Kevin Kaddish, and we really just wanted something catchy and swingy. Give Me Back Sunday, however, I wrote with Jason Saenz and Todd Clark. This song was about my personal experience moving to Los Angeles on my own and really missing the simplicity of my hometown in Texas.

*Going back a bit, your song Hasta Verte you sing entirely in Spanish. Why did you choose to record in Spanish?
I wrote Hasta Verte (originally Until Then in English) with Mark Bright and Emily Shackleton. It was a song we wrote about my friend who had passed away from cancer. I cried through the entire writing process. I decided I wanted to try a song in Spanish as a tribute to my grandfather’s side of the family who are Hispanic. It was a challenge for me since I don't speak Spanish fluently, but I was so proud of the end result.

*You're a proud Texan. What do you miss most about home when you're away? Honestly, the fried chicken! You can’t get food like that in L.A. But I also do miss my friends, family and boyfriend, who are all back home in Dallas.

*Are there any singer/songwriters or bands that you enjoy or follow? I listen to so many things — from country to singer/songwriters to 70s funk to hardcore rock. But if I had to narrow down the bands or artists I listen to most, they would be John Mayer, Sara Barielles, Ingrid Michelson, Kacey Musgraves and Dan+Shay.

Friday, March 23, 2018

Spotlight: Singer-Songwriter, Marie Miller

Singer-songwriter Marie Miller recently visited Wilmington, opening for Five for Fighting at The Grand Opera House on March 10. Delaware Arts Info sat down with Marie to talk music, touring, a charity she loves and more. Check out our interview below...

Singer-Songwriter Marie Miller. Photo by Sarah Barlow.
*Since March is Women's History Month, tell us about some of the women who've inspired or mentored you early on.
Yes! So many wonderful women have influenced and inspired me. My female heroes are Joan of Arc, Mother Teresa, Sheryl Sanberg and my mom.

*Is there anyone -- female or male -- you've modeled your career after?
I model my career after Sara Barielles. She is so talented, and her lyrics are so raw and real. My goal is to be able to sing her high notes with ease.

*Tell us about your work with the Imprint Hope project. How and why did you get involved?
Imprint Hope is a non-profit that works with children with disabilities and educates their parents on how to care for these special kids. In Uganda, many people see persons with disabilities as 'cursed,' and Imprint Hope is a place where these children are loved and celebrated. I heard about [the organization's] founder Clare Byrne through a mutual friend and had to see her and the work she was doing. I visited Uganda and performed for the children and their families there. I also brought back some beautiful bags and headscarves that the mamas made to sell at my concerts. We donate the proceeds back to Imprint Hope, and we've raised almost $1,000 on this tour alone!

*Congratulations on touring with Five for Fighting. Is there anything you're excited about experiencing during the tour? How did you connect and decide to tour together?
This tour has been amazing! John from Five For Fighting is a killer performer and a wonderful person. It's a blessing for me to watch the show every night and soak up his obvious professionalism and artistry. My awesome manager, Josh Terry, got me this tour though his connection with Five For Fighting's manager.

*How long will you tour? Do you record while you're on the road? This tour is only a couple weeks, but I'll be on and off the road all summer. I haven't! I can't imagine recording while touring, although I know a lot of people do.

*Is there any anxiety associated with touring? How do you manage stress? I don't have very much anxiety on tour. We don't sleep very much, so a ton of coffee is a must! I try to keep up with my workout routine, prayer/meditation time and a healthy diet. I don't always succeed, but I think that makes a big difference. 

*Your label is in Nashville; is that your home base? What do you miss about home when you're touring?
I have a room I rent in Nashville, and I love my life there, but I also spend a bunch of time in Shenandoah Valley Virginia, where my family lives. I love being on the road. Besides my family, I don't miss much! I think I was built for this life.

*Letterbox is your first full-length album. Was the process different for you than producing singles or EPs?
The process of recording the album was uhhhhmazing! I recorded it in L.A. and Nashville with two incredible producers, Eric Rosse and Chad Copplin. Recoding a full-length is really just twice as much fun as an EP.

*What's your favorite song on the new album and why? My favorite song is Glitter Gold. The production is exactly how I wanted it to be, and I felt like it captured the emotion of the song in such a beautiful way. I always seem to like sad songs.

*Where do you get most of your inspiration when you write?My inspiration comes mostly from my own personal relationships either with friends, family, or love interests. My songs are very much like reading my journal. I usually write solo, but I am getting better at co-writing!

*Do you think full-length albums can still be relevant in today's music scene?I think people are always going to want full-length albums — or at Ieast, I know I will.

*What other music do you listen to? Are there any singer/songwriters or bands that you follow now?
I listen to a lot of different kinds of music now, anything from The Lumineers to Thomas Rhett to broadway musicals.

See www.mariemillermusic.com.

Thursday, March 22, 2018

Voices & Viols Filled The Barn at Flintwoods

By Christine Facciolo

First appearing in Spain in the 15th Century, the viola da gamba — or viol — was a most popular instrument in the Renaissance and Baroque eras, holding an honored position even in the court of the Sun King. But by the mid-18th Century, the viol fell out of favor as concert halls grew larger and the more penetrating sound of the violin family became more popular.

The viol attracts little attention today, even though the 1991 film Tous les Matins du Monde about two of the greatest composers for the instrument, Marin Marais and Saint-Colombe, and a number of contemporary composers have written for it.

But the rich sounds of this once princely instrument were duly showcased in Brandywine Baroque’s March 16-18 concerts, “Voices and Viols.”

Joining Brandywine Baroque Artistic Director Karen Flint on vintage harpsichord were violists Catharina Meints, John Mark Rosendaal, Donna Fournier, and Rebecca Humphrey Diederich, flutist Eileen Grycky, soprano Laura Heimes and tenor Tony Boutte.

Meints pointed out that she and Flint had been friends for a very long time because of their passion for collecting period instruments. Meints then proudly displayed her treble viol, which dates back to 1700 and is, remarkably, in virtually the same condition it was when it was first made.

England boasts a very rich history of viol composition and performance, more than likely inspired and encouraged by the royal patronage of Henry VIII, and that tradition was well-represented in the first half of the program as the consort accompanied songs by William Byrd, Henry Lawes and Thomas Morley.

Songs from the French Baroque made up the second half of the program with selections by Michel Lambert, Jean-Baptiste Lully and Etienne Moulinie.

Heimes delivered the clear, unadorned vocal quality and needle-sharp intonation that has earned her respect and admiration. Here in consort with the viol she offered heartfelt, vibrant performances that effectively portrayed the texts without losing touch with the songs lovely vocal characteristics. Standouts included Byrd’s My Mistress Had a Little Dog and Lambert’s Ombre de mon amant.

Tony Boutte’s tenor was pure and emotional, breathing much life into songs like Byrd’s Though Amaryllis Dance in Green and Moulinie’s Enfin la beaute.

Heimes and Boutte delivered some delightful — and expressive — duets, including Henry Lawes’ A Dialogue Upon a Kiss and The Mossy Bank.

The instrumentalists gave imaginative accounts of William Lawes’ Airs in C, Nos. 113 and 109. Flint and flutist Grycky explored the rich textures and dense tapestry of ornaments in the Prelude, Courante and Gaillard in G minor from Jean Henry D’Anglebert’s Pieces de clavecin (1689). The ensemble concluded the concert with a lively rendering of Marc-Antoine Charpentier’s Concert pour quatre parties de violes.

See www.brandywinebaroque.org