Wednesday, January 17, 2018

DDOA Announces 2018 Individual Artist Fellowships

This post content courtesy of a press release from Delaware Division of the Arts...

Seventeen Delaware artists are being recognized by the Division for the high quality of their artwork. Work samples from 124 Delaware choreographers, composers, musicians, writers, folk and visual artists were reviewed by out-of-state arts professionals, considering demonstrated creativity and skill in their art form. The 17 selected fellows reside throughout Delaware including Lewes, Newark, Rehoboth Beach and Wilmington.

Awards are given in three categories — $10,000 for the Masters Award, $6,000 for the Established Professional Award, and $3,000 for the Emerging Professional Award — and Fellows are required to offer at least one exhibit or performance during the upcoming year, providing an opportunity for the public to experience their work. The work of the Fellows will be featured in a group exhibition, Award Winners XVIII, at the Biggs Museum this summer.

“Individual Artist Fellowship grants provide the recognition and exposure that artists need to successfully promote their work,” said Paul Weagraff, director of Delaware Division of the Arts. “The financial award allows them to pursue advanced training, purchase equipment and materials, or fulfill other needs to advance their careers.”

The Masters Fellowship is open to differing artistic disciplines each year. In Fiscal Year 2018, Masters Fellowship applications were accepted in Dance, Jazz or Music from artists who had previously received an Established Professional Fellowship. In addition to exemplifying high artistic quality, Masters Fellowship applicants must demonstrate their involvement and commitment to the arts in Delaware. Listed below are the Delaware Division of the Arts 2018 Individual Artist Fellows and four Honorable Mentions.

Musician and educator Lloyd Shorter has been awarded this year’s Masters Fellowship in Music: Solo Recital. Shorter plays English horn, oboe, and oboe d’amore. This season marks Shorter’s 45th season with the Delaware Symphony Orchestra. He is also a performer and Co-Artistic Director of the Relâche Ensemble, an eight-member contemporary music ensemble based in Philadelphia. With Relâche he has recorded or performed new works, toured nationally and internationally, and collaborated with numerous composers including Philip Glass. At the University of Delaware, Shorter spent 34 years as Assistant Professor of Oboe, and was the Director for the Governor’s School Music Program and a member of the Del Arte Woodwind Quintet. He continues to teach privately and explore new music with a special interest in technology.

Delaware Division of the Arts 2018 Individual Artist Fellows

Masters Award ($10,000)

Established Professional Award ($6,000)
Emerging Professional Award ($3,000)
Honorable Mention
  • Teresa Clifton, Milford — Literature: Fiction
  • Charles Guerin, Dover — Visual Arts: Works on Paper
  • Isai Jess Muñoz, Hockessin — Music: Solo Recital
  • Terence Roberts, Wilmington — Visual Arts: Photography
To contact an individual artist, contact Roxanne Stanulis, Program Officer, Artist Programs and Services.  The next deadline for Individual Artist Fellowship applications will be Tuesday, August 1, 2018 by 4:30pm.

The Delaware Division of the Arts is an agency of the State of Delaware. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. Funding for Division programs is provided by annual appropriations from the Delaware General Assembly and grants from the National Endowment for the Arts, a federal agency. For more information about the Delaware Division of the Arts, visit arts.delaware.gov

Thursday, December 21, 2017

Experiencing Piffaro's Holiday Musical Renaissance

By Christine Facciolo
For those seeking “off-the-beaten-track” holiday music, the Immanuel Church in Wilmington’s Highlands neighborhood was the place to be on Sunday, December 17, as Piffaro, the Renaissance Band, presented Es Ist Ein Ros, a German Renaissance Christmas.

Piffaro’s Christmas program this season followed Welcome the People, the ensemble’s homage to the 500th anniversary of the Reformation and featured a host of beloved carols that serve as an integral part of Protestant worship to this day.

If there’s one thing that emerged from this concert, it’s that Martin Luther loved Christmas and he loved music. While the Reformation was wringing out the ritual excesses of the late medieval church, Luther was working to integrate the simple unison plainsong and complex polyphony of the Catholic Church into his new Protestant liturgy. Luther also brought significant change by giving the congregation an active, musical role in church services through the singing of vernacular psalms, hymns and carols.

The beautifully curated program featured the refined Christmas music of Michael Praetorius (1571-1621) as well as compositions by Luther himself, including Veni, Redemptor gentium and Von Himmel hoch, which he wrote for his family’s Christmas Eve devotions.

The concert also included works by among others, Johann Rosenmuller, Johann Walter, Johann Eccard, Hans Leo Hassler, Christoph Bernhard, Leon Paminger and Adam Gumpelzhaimer, all grappling with different ways of incorporating Italian musical forms into a Protestant liturgical design.

There was sheer pleasure in the graceful melodies and interesting harmonies. The alternation of Latin and German texts and sophisticated and common musical forms engaged listeners on a variety of levels.

The performance was everything you would expect from the musicians of one of the world’s greatest interpreters of Renaissance music. Intonation was flawless, the blend superb and the phrasing eminently convincing.

Guest soloist Jessica Beebe contributed a soprano that was tonally pure throughout its range, applying it with the assurance of an artist fully cognizant of the demands of the music.

See www.piffaro.org.


Friday, December 15, 2017

Christmas Brass from DSO

By Christine Facciolo
There’s nothing quite like the sound of brass at Christmastime. Those radiant tones can transform even the grouchiest Grinch into a merry elf.

In the Gold Ballroom of the Hotel DuPont Tuesday, December 12, a very appreciative and enthusiastic audience was treated to a variety of music courtesy of the Delaware Symphony Orchestra’s Brass Quintet.

The five talented musicians — Brian Kuszyk and Steven Skahill, trumpets; Karen Schubert horn; Richard Linn, trombone and Brian Brown, tuba — gave concertgoers a veritable smorgasbord of styles from Renaissance dances to Broadway show tunes and, of course, some sounds of the season.

The first half of the program featured three feisty dances by 16th Century composer Tielman Susato. This dance collection has become a perennial favorite with performers of Renaissance music, because its bald homophonic style makes it playable on just about anything. And that’s good news for the brass ensemble, which as a recent phenomenon, has very little repertoire written exclusively for it.

Bach’s stately Contrapunctus 9 added a bit of gravitas to the mix.

The Romantic Russian style of Victor Ewald’s Quintet No. 1 was the most conventional work on the program. Ewald 
— a close associate of the more famous composers of the “Russian Five” — wrote four quintets considered to be the first original pieces written specifically for the modern brass quintet.

The musicians stuck a delicate balance by both blending their distinctive timbres and highlighting their individual lines with the unique sounds of their instruments.

Lighter fare included selections from Leonard Bernstein’s West Side Story (Maria, Tonight and America) and Tchaikovsky’s Nutcracker Suite (March, Arabian Dance, Waltz and Trepak). 

The program concluded with the sounds of the season, including the traditional Ding Dong Merrily on High, The First Nowell, Coventry Carol, Rejoice and Be Merry and Joy to the World
.