February was Full of Album Writing in Delaware!

2012 FAWM'ers onstage at The Queen

I've said it a hundred times, but it begs repeating: There is so much talent here. And all the evidence you needed was in the house at World Cafe Live at The Queen on Sunday evening. Fourteen local singer-songwriters showcased their talents at the February Album Writing Month (FAWM) Showcase---nine as first-time participants.  Our local "FAWM'ers" hailed from throughout New Castle County and surrounding areas like Landenberg, West Chester & Philly.

Their charge?  Compose 14 songs in 28 (well 29, really) days, then show us what they've got. And, show us they did! The line-up and styles were so diverse, there really weren't any that I didn't enjoy, from a much-respected artistic POV.  Each artist presented three original songs, most accompanied by guitar or piano; several collaborated on pieces, enhancing the whole group vibe of the project.  It was thrilling to see so many artists connecting to and being inspired by one another---kinda like the final show of a "Songwriter's Camp".

But I have to give you some faves, so here goes.  First, I have to shout-out to first-time FAWM-er and Delaware Arts Info blogger, Jessica Graae.  She said she was nervous, but onstage she certainly didn't let on.  I loved her second song, Waiting Patiently, a heart-wrenching widow's tale, although I would loved to have heard the potential composition about searching for a bathroom on the Jersey Turnpike.

Although we arrived at the end of his set, I loved Michael Natrin's voice and snapped up his free CD to enjoy what I missed. (I'll have to report back on that later, sorry Michael.)  My gal pal and her daughter cracked up at Nancy Huebner and her dog Rusty's lovesick tale: The Doggie Dance, and we all belly-laughed through Todd Chappelle's musical romps: Beige, That's My Soup and More Than Bacon.  Erin Magnin, who collaborated on a few numbers throughout the night, struck me with her beautiful ode to a girl who paints her dreams on her body (Violet's Dreams); she simply drew me into Violet's world and made me wish I could do the same!

But I was mostly taken in by the voices of Evangelina Guajardo, Chelsea Sue Allen and Matthew Halley. Evangelina's voice was soulful, rich and quietly powerful. Her piece about a young hitch-hiker made my heart ache. Chelsea had the most interesting sound---a deep, smoky, haunting voice that blended well with her guitar-playing and garnered some of the biggest applause of the night. My friend and I were trying to pinpoint who she reminded us of and finally settled on Fiona Apple.  Matthew Halley (and hope he's not offended by this because I intend it as complimentary) had a wonderful, easy-going and mellow/folky sound that reminded me of the 70's songwriters I love: Glen Frey & Don Henley; Dan Fogelberg; England Dan & John Ford Coley.  I loved his collaboration Finding My Feet with Erin Magnin and Em McKeever, the event organizer. The three of them should tour together.

You can check out all the FAWM'ers on the website below.  Hopefully, you'll revisit the project next year and see what else they have in store for us.  In the meantime, seek out these artists and enjoy their talent...they're some of Delaware's hidden gems!

See www.fawm.org.

See The Gingerbread Lady at Chapel Street Players Before She Crumbles!

Although Neil Simon wrote The Gingerbread Lady in 1970, many of its themes - dysfunctional relationships, co-dependency, alcoholism, unemployment, and the fear of growing older - will resonate with today's audiences. All of these topics are fully explored during the dramedy now playing at Chapel Street Players.

Evy, a once celebrated cabaret singer, returns to her New York apartment after a lengthy stay at a rehab. While she is trying to put her life back together, her daughter (Polly) decides to move in with her, her two best friends (Toby, a vain upper crust woman, and Jimmy, a gay unemployed actor) share their hardships with her, and her former lover (Lou, who had left her for a younger woman) re-enters her life. This is a recipe for disaster, especially for someone as self-destructive as Evy.

Susan Boudreaux successfully tackles the difficult task of making the audience like Evy. Evy's self-centered, but she's also vulnerable and childlike. As much as you disagree with her decisions, you also root for her, hoping that by the end she will be on the path to sobriety and happiness and not crumble "like a gingerbread lady". Ms. Boudreaux's co-stars also gave fine performances, especially Ed Emmi as Jimmy and Pat Cullinane as Toby. Both actors brought much-needed comic relief to the play.

Although I enjoyed the performances, I was distracted by the costumes. The play is set in the 1970s, yet the costumes were a mix of apparel from the '80s and '90s. I expected to see leisure suits, bell-bottoms, and groovy clothing from The Brady Bunch era, but the costumes looked like they came from The Facts of Life and Ally McBeal eras.

Regardless, The Gingerbread Lady is a great piece of theater that should be seen before it closes on March 10. For tickets visit www.chapelstreetplayers.org or call 302.368.2248. 

CTC Stays Cruel, Calm & Neglected

Photo: CTC

In his Playwright's Note, David Robson describes his short work as "absurd, profane, silly, bizarre, take-no-prisoners kind of stuff." Cruel, Calm & Neglected is all of those things, and, at its best, is pretty deep, too. Not that the silliest pieces aren't fun. "Mel and Mee" is a sort of twisted Mel Gibson fantasy featuring Melissa Dammeyer and Kate Brennan; in "Head First," Kevin Regan plays a toilet as Andrew Mitchell and Suzanne Jean Stein's Peter and Rachel do an odd (and sort of gross) dance of old and comfortable romance; and "You Rang," featuring Jess Eppler, Jim McCabe and Kevin Regan, is about a cell phone with a soul that once inhabited a training bra. Robson seems to go out of his way to be thought-provoking in "Ed Rex," a well-acted piece featuring Michael Gray as a sleazy (very sleazy) corporate CEO, but, though it has its moments, it ultimately feels a bit heavy-handed.

Where the absurd meets the profound best is in "The Speech," the opening piece. The play starts abruptly, while the house lights are still on and audience members are still chatting. Dylan Geringer is Dani, a young woman giving a speech to her community college class. She's frazzled, can't stay focused, and before you know it, she's happily telling the professor and the class her not-so-happy life story, parts of which are acted out with Todd Holtsberry as her mother and Greg O'Neil as her sort-of boyfriend. It's darkly funny as Dani tries to come to terms with her own potential, and more than a little bit moving. Geringer is perfect in the role.

Photo: CTC

Also strong is "Killing Neil LaBute," in which aspiring playwright James (George Tietze) writes a critical Amazon review of LaBute's new play, and finds himself in an online exchange with the famous (and, apparently, super-sensitive) stage and film writer, played by the hilarious Melissa Dammeyer in a curly wig. Did Robson himself have a little run-in with the real LaBute on Amazon? I don't know, but it's funny, whatever the inspiration.

Cruel, Calm & Neglected will be performed for one more weekend, March 2 and 3, at the Black Box at OperaDelaware in Wilmington. See city-theater.org for tickets.