Monday, January 17, 2011

Mélomanie Lights Up with FireDance

As always, Mélomanie takes the audience to new horizons. The ensemble’s winter concert included works by Louis-Gabriel Guillemain, Diane R. Jones, J.S. Bach and Bohuslav Martinů.  The concert began with a lovely, airy quartet by the French composer, Louis-Gabriel Guillemain. Kimberly Reighly played the baroque flute, with Donna Fournier on viola da gamba and Douglas McNames on baroque cello and Tracy Richardson on harpsichord.

Diane R. Jones described to the audience how she was inspired to write FireDance, commissioned by Mélomanie, as she sat outside her house, watching the fire at night. I realized how lucky we were to hear a composer talk about her work. So often we must delve into history books, hoping musicologists have understood the hearts and minds of composers. In writing the piece, Jones became fascinated with the idea of crafting a modern work for period (baroque) instruments.

FireDance lives up to its name. The first movement, Sparks has short bursts of melody, with one instrument beginning and another taking over. Reighly (baroque flute) and Elizabeth Field (baroque violin) are so skilled at matching their tones that the melody flows effortlessly. The second movement Embers starts out with only strings. We can picture the fire being ignited, as instruments are added. Jones gestures to early music in the third movement, Flames. It begins with a violins solo, followed by sections of imitation and sequences-staples of baroque composition.

Douglas McNames tackled Bach’s Suite in E flat minor. On a Landophi instrument (built in 1750), strung with steel strings, instead of gut, and resting on a modern endpin, he played with precision and passion.

The Martinů Promenades for flute, violin and harpsichord is a jewel. Here, Elizabeth Field showed off some of her sweetest violin playing. The piece exploits the harpsichord’s nasal tones in a quirky way. Typical of many European composers from that period, Martinů drew on a rich store of folk music, infusing his works with colorful melodies and rhythms.

Be sure to check out the release party for both Mélomanie’s and Mark Hagerty’s CDs at the Shipley Lofts in downtown Wilmington on Friday, February 4, from 5:30-8:00pm!

Wednesday, January 12, 2011

New Ark Chorale Announces Mid-Season Auditions

For its upcoming April 9 "Mass of the Children" concert, New Ark Chorale invites vocalists to audition to join as guest singers in the performance.

All singers are required to attend three of the four rehearsals, held March 8, 15, 22 & 29 at Newark United Methodist Church in Newark from 7:30-9:30pm, and attendance at the dress rehearsal on April 5 is mandatory.  There is a $20 participation fee. 

Auditions will be scheduled on an individual basis. Contact Michael Larkin at 302.475.5658 or mlarksing@aol.com or Joanne Ward at 856.371.6371 or joannejward@aol.com.

Rutter's Mass of the Children with Delaware Children's Chorus & chamber orchestra
Saturday, April 9, 2011, 7:00pm
Newark United Methodist Church, 69 E. Main Street, Newark
The Chorale and the DCC collaborate in this program which will benefit Camp New Hope of Delaware Hospice.
Tickets $15 · $12 Seniors · $5 Students · Children 12 & under admitted free.
Purchase at the door or reserve by calling 302.368.4946 or purchase online at www.mycommunitytickets.com.

Sunday, December 19, 2010

Newark Christmas Cheer


If Santa is hiring any new elves, I would highly recommend Dr. Michael Larkin for the job. His effervescent enjoyment of Christmas and Christmas music is a delight to behold!


This year’s program was named Forward to the Past: A Christmas Concert based on Dr. Larkin’s study of Christmas music of Western Europe. Fifteenth Century (Guillermus Dufay), Sixteenth Century (Praetorius), including a softened and slowed En natus est Emmanuel preceded the Seventeenth Century Tomas Luis Vittoria’s O magnum mysterium motet and selections from the mass.


Then a jump to the Twentieth Century with arrangements by Dr. Larkin of many popular Christmas tunes, including selections he took from the movie White Christmas.


Mindy Bowman accompanied the choir in the modern part of the program where Mike Alexander sang O Holy Night, Jay Williams soloed in Count your blessings and Della Lied gave a beautifully clear rendition of Love, you didn’t do right by me. Her solo reminded me of the arrestingly clear voice of Joan Baez singing Little Drummer Boy on a Christmas album I have long lost.


Dr. Larkin gave great energy to directing the audience in refrains of popular carols and it seemed like an old Newark party in the beautifully decorated vault of the Newark United Methodist Church.


They will perform the same program at Saint Helena’s Roman Catholic Church in Wilmington on Sunday, December 19.


See www.newarkchorale.org.