Celebrating "Noises" Produced by Delaware Theatre Company

By Mike Logothetis

Theater reviewer Mike Logothetis grew up in North Wilmington, performing in school and local theater productions. He lives in Newark, but you can find him wherever the arts are good.

Noises Off at Delaware Theatre Company.
Photo by Matt Urban.

Delaware Theatre Company (DTC) opens its 2023-2024 season with the zany British comedy Noises Off. Nominated for multiple Tony and Drama Desk Awards including Best Play, the show lampoons the life behind the scenes of a theater production during its 10-week run. 

Creator Michael Frayn wrote his “farce from behind” as a one-act play before it was commissioned as a full-length version. Obviously, the laughs were extended across the current three-act production.

Each of the three acts of Noises Off contains a performance of the first act of a fictional sex farce (Nothing On), which is ridiculous in its premise. The audience experiences insider viewings of this “play within a play” at three distinct times: Act I is a technical rehearsal; Act II is during a matinée one month into the run; and Act III happens near the end of the production tour. 

But the twist in this tale is that the viewpoint changes from the front of the house to the back (Act I to Act II) before reverting to the front again (Act III). If that sounds confusing, it makes more sense to the audience than to the characters on stage. Those poor souls have no clue what is happening — except spinning comedic gold!

The ability to experience the front and the back of things is due to the brilliant work of Colin McIlvaine. His wonderful set demonstrates why he is a Barrymore-nominated scenic designer. The bilevel, multi-door set works (and “doesn’t work”) in clever ways, including rotating 180 degrees so the audience catches the action behind the (stage) action.

In Act I, Nothing On actors Belinda (Karen Peakes), Brooke (Elise Hudson), Dotty (Grace Gonglewski), Freddie (Ian Merrill Peakes), Garry (Justin Jain), and Selsdon (Anthony Lawton) cannot seem to follow cues, remember lines, or hit their marks during a tech rehearsal from Hell which makes director Lloyd (David Bardeen) more fraught by the moment. Bardeen is wonderful in slowly swallowing his building rage and providing notes to his troupe as they flub scene after scene. Assistant Stage Manager Poppy (Bi Jean Ngo) must obediently clean up the messes and do Lloyd’s bidding to keep things rolling. The overworked Stage Manager Tim (Brenson Thomas) does everything from fixing sets to running surreptitious errands to making PA announcements to performing understudy duties.

All the characters have their personality flaws up front for all to see — on stage and backstage. Garry can’t state anything definitively; Freddie falls to pieces when things get hairy; Brooke sticks to the script too closely; and Selsdon is a hard-of-hearing alcoholic with a penchant for forgetting his closing line. Speaking of mangling dialog, Dotty’s character changes a somewhat standard line so badly over the course of the show, it ends up as: “It’s good I can’t see far with this leg.”

Most theater productions have their share of infighting and clandestine romances. Acts II and III reveal souring relationships between the Nothing On cast plus the set and props failing. In Act II, the audience sees how the fallout of numerous romances and off-stage problems affect the action on both sides of the stage. 

While the actors remain determined to cover up the mounting chaos during Act III, it’s not long before the players must invent some hysterical ad-libs to reach a new ending. Let’s hope Noises Off director Jennifer Childs didn’t have to deal with Lloyd’s problems while wrangling her actors.

The show is somewhat dated, but still timeless in its cleverness and originality. The dialog is tight and the physical comedy will draw plenty of chuckles. Who knew that looking for a lost contact lens could bring down the house? Sometimes things get a little confusing, but stick with it and it’ll start to clear up. Come to DTC for a hearty laugh at the theater and maybe score a plate of sardines!

The performance schedule of Noises Off is Wednesdays (2:00pm), Thursdays (7:00pm), Fridays (8:00pm), Saturdays (2:00 & 8:00PM except September 23 for Opening Night – 8:00pm only), and Sundays (2:00pm) through October 8. 

Tickets start at $32, and discounts are available for students, groups, and military members/veterans. The show is roughly 2.5 hours long with one 15-minute intermission plus an entertaining pause between Acts II and III. 

There will be pre-show Viewpoints on Wednesdays at 1:15pm during the run plus talkbacks after Thursday performances. Call 302.594.1100 or visit DelawareTheatre.org to purchase tickets or for performance information. Delaware Theatre Company is located at 200 Water Street in Wilmington.

Five Delaware Arts Organizations Receive Special Presenter Initiatives Grants from MidAtlantic Arts

The contents of this post originate from a press release from the Delaware Division of the Arts...

Mid Atlantic Arts, in partnership with the Delaware Division of the Arts, has announced over $102,000 in grants, across five states, through the 2023-2024 Special Presenter Initiatives program.

The Special Presenter Initiatives program provides funding to small and mid-size presenting organizations in Delaware, the District of Columbia, Puerto Rico, the U.S. Virgin Islands, West Virginia, and the Native nations that share this geography. The program supports presenting projects with professional touring artists and ensembles from anywhere worldwide. The supported projects include public performances as well as community engagement activities that enhance the performance experience and offer meaningful exchanges between touring artists and a presenter’s community.

The artistic engagements proposed by applicant presenters are diverse in performance genre and artist identity. Examples of Special Presenter Initiatives engagement and community exchange include Delaware-based, groundbreaking female Kora player Sona Jobarteh will be presented in her home state by Arden Club, along with her band, to share her evolution of the African musical tradition through performances and an open Q/A and sound-check.

African Kora virtuoso Sona Jobarteh will appear at Arden Concert Gild this season, as part of Arden's 
Mid Atlantic Arts grant. 

“We congratulate the grantees of the 2023-2024 Special Presenter Initiatives program,” said Jessica Ball, the Director of the Delaware Division of the Arts. “These grants will play a pivotal role in bringing exceptional artists and diverse performances to the First State. Our mission at the Delaware Division of the Arts is to foster artistic excellence and enrich the cultural landscape of Delaware, and these grants align perfectly with that goal. We are excited to witness the meaningful exchanges between touring artists and our communities, and we look forward to the transformative impact these performances will have on our state.”

The 2023-2024 grantees from Delaware include:

• Arden Club, Inc., Wilmington presenting Lankum, Ireland
• Arden Club, Inc., Wilmington presenting Sona Jobarteh, DE
• Christina Cultural Arts Center, Inc., Wilmington presenting Stacey Harcum, DE
• Cityfest, Inc., Wilmington presenting Gerald Veasly Electric Mingus Project, PA
• Coastal Concerts, Inc., Lewes presenting JiJi, Guitar and Danbi Um, Violin, NY
• Coastal Concerts, Inc., Lewes presenting Michelle Cann, PA
• Delaware Symphony Orchestra, Wilmington presenting André Raphel, PA

“Mid Atlantic Arts plays a vital role in bringing exceptionally talented artists to our community through their generous support,” said Delaware Symphony Orchestra CEO J.C. Barker. “Not only does their assistance enable the DSO to showcase these important artists, but it also provided the necessary resources to foster a collaboration with young talents at the Music School of Delaware. This partnership created invaluable opportunities for aspiring young musicians to learn from a musical virtuoso.”

“CCAC is humbled and honored to be the recipient of a Special Presenter Initiative Grant from Mid Atlantic Arts,” said Christina Cultural Arts Center Executive Director James Rhodes. “As we continue to move beyond shuttered venues and welcome visitors back to CCAC, this funding allows us to engage dynamic artists from around our region and across the country to reconnect with our thousands of supporters.”

Ron Ozer from the Arden Concert Gild stated, “the Special Presenters grant allows Arden Concert Gild to take bigger risks booking unusual eclectic but top tier artists from around the world, such as Lankum, in one of only 5 appearances across the US in one week in 2023.”

Carol Dennis, Executive Director of Coastal Concerts stated, “I’m a strong believer that music has a special way of inspiring and transforming our lives in a multitude of ways. The Mid Atlantic Arts Special Presenter Initiative Program is a remarkable program that allows us to enrich the lives of the youth and adults in southern Delaware by supporting the presentation of our educational outreach programs and concerts by renowned musicians.”

About the Delaware Division of the Arts
The Delaware Division of the Arts is an agency of the State of Delaware. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. Funding for Division programs is provided by annual appropriations from the Delaware General Assembly and grants from the National Endowment for the Arts, a federal agency. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.

About Mid Atlantic Arts
Mid Atlantic Arts supports artists, presenters, and organizations through unique programming, grant support, partnerships, and information sharing. Created in 1979, Mid Atlantic Arts is aligned with the region’s state arts councils and the National Endowment for the Arts. We combine state and federal funding with private support from corporations, foundations, and individuals to nurture diverse artistic expression while connecting people to meaningful arts experiences within our region and beyond. To learn more about Mid Atlantic Arts visit www.midatlanticarts.org.

Macbeth Comes to Life in Innovative DelShakes Production

By Mike Logothetis
Theater reviewer Mike Logothetis grew up in North Wilmington, performing in school and local theater productions. He lives in Newark, but you can find him wherever the arts are good.

The ensemble fights for Scotland. Photo by Alessandra Nicole.

Macbeth comes to life in an innovative production by Delaware Shakespeare in its 21st year of outdoor theatre at beautiful Rockwood Park. Utilizing two stages keeps the action moving as theater patrons descend the chute of bloody tragedy that is “The Scottish Play.” (Actors dare not speak its name during a production run.) Director AZ Espinoza has their cast enter and exit both stages from a variety of angles which changes the audience’s collective perspective as scenes change.

“By the pricking of my thumbs, Something wicked this way comes.” — The Witches

The classic Shakesperean tale of Macbeth exposes the damaging physical and psychological effects of political ambition to those who seek power. Consumed by ambition and spurred to action by his wife, celebrated general Macbeth (Mariah Ghant) slays King Duncan (Katherine Perry) and takes the Scottish throne for himself. But he is quickly consumed by guilt and suspicion of those closest to him.

Consequently, Macbeth is forced to commit more murders and spiral deeper into paranoia and
tyrannical rule. The bloodbath swiftly takes Macbeth and his queen (Ciera Gardner) into the realms of madness and eventual death.

That’s my summary of the plot, but if you arrive at the park early, you can see four actors perform a “Macbeth in two minutes” routine which is hysterical and pretty accurate. Other pre-show entertainment includes a game of “Scottish Ninja Warrior” involving a spirited version of Capture the Flag and a dance-off. There is a nightly “orientation” at 6:50 before the comedy bits and games begin. The actual play runs just under 2.5 hours with one 15-minute intermission.

“What’s done cannot be undone.” — Lady Macbeth

The power of Macbeth resides in our sympathy with those who are spiraling downward. Ghant and especially Gardner take us with them as they journey to deeper and deeper depths of despair. We witness Gardner’s Lady Macbeth gleefully bathing in power yet to be assumed (or earned). We see literal blood on the hands of Macbeth after his unspeakable deeds. The Witches foretold this “violent sorrow” in the opening act, but how things unfold is revelatory.

Hecate (Katherine Perry) and the three witches
(CJ Higgins, Rachel O’Hanlon-Rodriguez,and Kimie Muroya)
greet Macbeth (Mariah Ghant).
Photo by Alessandra Nicole.

Returning to the Witches or Weird Sisters…
they are the best part of the show. CJ Higgins, Kimmie Muroya, and Rachel O’Hanlon-Rodriguez dominate the natural (and supernatural?) setting with their synchronized physical movements, pitter-patter of language, and eerie energy. The arrival of Hecate (Katherine Perry), queen of the witches, only enhances the mystical power of the coven. They also get the benefit of special effects like a smoke machine and spooky audio reverb in their microphones.

Other highlights of the production were the rhythmic dance-style murder of Banquo (Zach Valdez); the ghost of Duncan grabbing his buried crown; the changing of tartans upon new leadership; sword fighting without props; and the diverse cast taking on multiple roles successfully.

Attending performances outside in the round at Rockwood Mansion is a delight that longtime area theater-lovers and budding fans should make plans to experience. The entire Festival area is wheelchair accessible. It is necessary to traverse a gravel walkway and a grass lawn. The seating area is on a grass lawn and patrons should bring their own blankets or chairs. Picnicking is welcomed and light concessions featuring foods from Janssen’s Market will be on sale.

Macbeth runs from July 21 through August 6 with gates opening 75 minutes early for pre-show entertainment and picnics. Curtain is at 7:30 from Wednesdays through Saturdays and at 6 on Sundays. (Timing for pre-show events will alter accordingly for Sunday performances.)

General admission is $25 with discounted tickets for seniors and active military ($22) as well as students ($20). Sundays are Family Nights when children 12 and under are welcomed for free with a paid adult. New this year are “Pay-What-You-Can Wednesdays” where patrons can choose from a variety of ticket prices.

The 2023 Delaware Shakespeare season will include two full productions – the current Summer Festival (Macbeth) and a fall Community Tour (Cymbeline) spanning October 4-22. As usual, the Community Tour will bring high quality Shakespeare performances to non-traditional locations such as homeless shelters, prisons, and community centers.

“For Scotland!” — Company