Arts in Media Clients Create Virtual Music This Fall

By Morgan Silvers
Morgan is a high school senior who enjoys playing sports like field hockey and soccer, and loves spending time with friends. She notes she's happy to have a chance to help write about events and media! In the future, she hopes to pursue a career in either Fashion Merchandising or STEM.

BRANDYWINE BAROQUE
Delaware's ensemble where "early music lives" has shifted performances into the virtual realm. Currently in the middle of their 2020-2021 Virtual Concert Series, their "Concerts at the Flint Collection" can be viewed virtually. 

Their series includes performances by ensemble and guest artists and features works from their recently released CDs. All performances premiere Sundays at 3:00pm (EST) on Brandywine Baroque's new Vimeo channel.

The ensemble schedule premieres new performances approximately every two weeks. Each performance is about 30 minutes in length and is free to view.

The next concert will premiere Sunday, November 22 at 3:00pm and will feature Brandywine Baroque Artistic Director Karen Flint, performing Pieces in G minor by Jean Henry D’Anglebert on the 17th-Century French Ruckers harpsichord.

To join and view this (and each new) performance, visit https://vimeo.com/475203801. All of Brandywine Baroque’s virtual concerts are available to watch anytime on Vimeo throughout the 2020-2021 season about a day after they have premiered. Be sure to watch!

MARKET STREET MUSIC
Downtown Wilmington's most diverse musical series, Market Street Music, has moved to an online platform as well. Three performances will be offered this fall, each in a two-part concert on their new YouTube channel.

Part One of the first performance has already premiered this weekend (Saturday, November 14) and featured cellist Ovidiu Marinescu — a seasoned player of the beloved Bach solo cello suites. In this concert, patrons can enjoy some of those suites along with new music from Ovidiu himself. Part Two premieres Tuesday, November 17 at 7:45pm.

Later this month, Market Street Music presents Marlissa Hudson, soprano and Marvin Mills, piano. These brilliant Baltimore-area musicians perform a program of remarkably beautiful and timely music by Black composers. Part One of their concert premieres Saturday, November 21 at 7:45pm, and Part Two premieres Tuesday, November 24 at 7:45pm.

Finally in December, viewers can celebrate the beloved-by-all Market Street Music tradition — the return of the Cartoon Christmas Trio! This fun-loving trio performs Jazz music from A Charlie Brown Christmas and so much more. Part One of the Cartoon Christmas Trio premieres Saturday, December 12 at 7:45pm; Part Two premieres Tuesday, December 15 at 7:45pm.

Patrons who join at the premiere times can chat live with Market Street Music and fellow patrons during the performance! CLICK TO WATCH!

MÉLOMANIE
For their 2020-2021 season, the ‘provocative pairings’ ensemble presents a series of five 30-minute streamed concerts, called Mélomanie's Virtual Series, putting fans in the 'virtual front row'! Their performances will include the ensemble's signature baroque and contemporary repertoire as well as interviews with guest composers.

The first concert premieres Saturday, November 21, at 3:00pm via their new Vimeo channel. The first program will include Mélomanie performing Telemann’s Paris Quartet in A Major and Aegean Airs by Robert Maggio; a cello solo by Ismar Gomes of Abraham's Sons - In Memoriam: Trayvon Martin, composed by James Lee III; and brief interviews with composers Robert Maggio and Mark Hagerty with guest percussionist Chris Hanning. Patrons need only click on the Vimeo link on November 21 to view the premiere performance!

Their follow-up concert is scheduled for Saturday, December 12, at 3:00pm.

All concerts will include post-performance "virtual receptions" via Zoom with the artists, and fans can also participate in live chat with each other during performances. After each performance, fans can also enjoy access to full-length, in-depth interviews with guest composers by clicking here.

Wilmington’s Cultural Street Art Program Opens with Art Installation at Peter Spencer Plaza

The content of this post comes from a City of Wilmington press release...

The City of Wilmington, which supports Black lives and the ongoing effort to promote racial justice reforms locally and nationally, today (Monday, August 24, 2020) opened a community designed and executed cultural street art program. Organized by community activist and artist Vanity Constance and managed by City Cultural Affairs Director Tina Betz, the first of a series of cultural street art installations is underway beginning this morning at the King Street entrance to Peter Spencer Plaza.

“This new art program is a community expression that comes from people’s feelings about the current state of racial justice and racial relations,” said Mayor Mike Purzycki. “This effort has the wholehearted endorsement of City government because it is also about supporting better things to come for all of us who live in, work in, and visit Wilmington. Council President Hanifa Shabazz and I, respectively representing the Executive and Legislative Branches of government, embrace the colors, images, themes, and individual artistic efforts of this program and thank Vanity and all of the participating artists for helping us appreciate art while we learn and heal.”

Monday’s opening cultural street art installation was organized by the Local Street Art Group, a non-profit founded by Vanity Constance. The lead designer and artist facilitator on Monday’s project is local artist JaQuanne Leroy who created the image to be painted entitled “Freedom and Justice.” The work, pictured at the beginning of this news release, features African tribal patterns and symbols. It is expected that this initial artwork will be completed by Tuesday.

The section of sidewalk that is being decorated crosses the western entrance to Spencer Plaza, named for Peter Spencer (1782-1843), who founded the Mother AUMP Church (African Union First Colored Methodist Protestant Church) on the site of the plaza in 1813. The church was the first independent Black denomination in the country. The plaza was also the site of the first Big Quarterly (or August Quarterly), which was started by Spencer in 1814. The plaza statue, "Father and Son," was erected in 1973 and depicts a Black male figure cradling a sleeping child in his arms. Larger-than-life and dressed in a t-shirt and jeans, the man is not a direct representation of the religious leader but rather a symbol of the hope for the future that he inspired. The remains of Peter Spencer, his wife Annes, and ten of his followers are interred in a vault beneath the statue. After Spencer’s death in 1843, there was a split in the church. The African Union Methodist Episcopal Church (AUMP) and the Union American Methodist Episcopal (UAME) both trace their history to the original church at 819 French Street.

Vanity Constance and Tina Betz said the first art installation site that was originally selected — crosswalks at 4th and Market Streets — could not proceed because of a series of technical problems such as needing to prep the asphalt for a few days before paint could be applied. Instead, it was decided that the Spencer Plaza sidewalk artwork would be an appropriate way to start the program.

Betz and Constance said other art installation sites will be announced soon, which will include a new mural in Freedom Plaza, the courtyard and public meeting space in between the Louis L. Redding City/County Government Building and the Elbert C. Carvel State Government Building on French Street. The mural will replace a sky and cloud patterned mural that graces a side wall of the Redding Building and serves as the backdrop for a stage that is used for music performances and other community-related events.

On August 13, a community-led ceremony was held in Spencer Plaza to unveil the permanent home of the Pan African RGB Flag. The date of the flag-raising — August 13 — is significant because it marked the 100th anniversary of the signing in 1920 of the Declaration of the Rights of the Negro People of the World by the United Negro Improvement Association (UNIA) chaired by Marcus Garvey. This document is one of the earliest and most comprehensive human rights declarations in U. S. history.

Delaware Artist TAHIRA Set to Release First Single, "Freedom Call"

Delaware-based songwriter and storyteller TAHIRA is excited to release her first single, Freedom Call, which will be available worldwide on Wednesday, August 5.

Freedom Call is an anthemic song written by TAHIRA and executive produced by Darnell K. Miller. This single is sure to become a part of the soundtrack of this time period of protest and demand for social justice. 

TAHIRA and Miller gathered the First State's premier soulful vocalists to come together on this rousing single, in a artistic collective known as The Delaware Artists for Change.

In addition to TAHIRA (yup, her legal name is spelled in all capital letters) and Miller, The Delaware Artists for Change include:

• Maya Berlardo
• Nihkee Bleu
• Jahiti
• Nadjah Nicole
• Noelle Picara
• Jea Street, Jr.
• Donna Tucker

Better known for her national work as a professional storyteller, TAHIRA wanted her first song to be the byproduct of the talents within the Small Wonder state. Subsequently, all components of the single were created in Delaware, including the engineering, which was done by Ishmail Abus Salaam at King Creative, a studio which opened in Wilmington last year.

Members of the funky, soul band The Soulidaires make up the rhythm section on the song, joining TAHIRA on guitar and Miller on lead guitar. 

TAHIRA, says, "Tapping homegrown talents was imperative. Do not sleep on Delaware. This group of artists is not only gifted but each is dedicated to using their craft to speak to the times they live in and uplift their community."

Look for the single released online wherever music is available.