In the program’s Director’s Message, Brian Touchette states his objective is to immerse the audience in the world of the play. He begins even before the play starts by cleverly presenting the curtain speech as a letter from Nurse Ratched, welcoming the audience to participate in this “group therapy session” while also reminding us to turn off our cell phones.
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| The cast of Chapel Street's Cuckoo's Nest. Photos by Peter Kuo. |
Touchette more than succeeded in immersing me in the world
of the play. Yes, I was fully invested, but was also especially gratified that
these elements highlighted many themes of the play that I might have otherwise
missed.
For those unfamiliar with the play, or the 1975 movie
starring Jack Nicholson and Louise Fletcher, a brief plot synopsis: Randall P.
McMurphy is committed to a psychiatric ward after “a couple of hassles down at
the Work Farm and the Court ruled that I’m a psychopath.” The ward is ruled by
Nurse Ratched. A war for control ensues between McMurphy and Ratched, with both
tragic and uplifting results. But this plot is merely a vehicle for deep examination
of how institutions can destroy, how power can corrupt, and how one can both lose
and win at the same time.
OK, enough of the English 101 essay. This is a community
theater review, so let’s talk about the performances.
Scott F. Mason is a talented actor with whom I have shared
the stage, and I was delighted to see him play McMurphy. Mason portrayed the bravado
that has carried McMurphy through every hardship, and also well conveyed
moments of doubt when he realizes the power of the forces aligned against him. My
only quibble with the entire production is the choice for him to use a deeply
gravelly voice throughout. This was distracting, at time made his lines
difficult to understand, and generally detracted from the authenticity of the character.
As Nurse Ratched, Shelli Haynes embodied the iron fist
beneath the velvet glove (thinking of the cheery Christmas lights in the
Control Room). Ratched’s highest priority is control and power. Haynes expertly
played Ratched’s repertoire of tools — sing-songy comfort, intimidation,
emotional blackmail, flat-out baiting. In the context of Touchette’s design, I
realized that Ratched intentionally sacrifices her most vulnerable patient so
she can goad McMurphy into an attack that will secure her victory over him.
Power corrupts. Yes, it was there all the time. But without the rusty set, I
might have missed that.
As Chief Bromden, Arthur D. Paul broke my heart. As
mentioned above, the video and sound accompaniment helped reveal the deeper meaning
of his poetic monologues. So too did his demeanor — frightened and confused,
yet hopeful. In the Act II scene between Chief and McMurphy, when Chief reveals
that indeed he can hear and talk, it was simply beautiful to see genuine
affection develop between these two flawed men. It set us up to accept Chief’s
final act of kindness, not to let his friend live as a vegetable. And, again
thanks to Touchette’s overall concept, It is not lost on me that Chief escapes
after shorting out the power of the machine, thereby reclaiming his own
strength.
In direct contrast how Ratched beats people down to service
her need for total control, McMurphy is all about building people up. It is
touching that Dale Harding (Alan Harbaugh) eventually finds the courage to convince
Chief to leave. McMurphy convinces the
excruciatingly fearful Billy Bibbit (Stephen Ross Ashby) to embrace life, even
though this leads to both of their downfalls.
The other patients — Scanlon, Cheswick, Martini (Josh
Pelikan, Frank Newton, Andre Wilkins) — are clearly delineated with their own individual
quirks, but also serve collectively as a kind of Greek chorus. This was notable
in group therapy scenes when the three moved and reacted in sync, and most
poignant when they try to convince themselves that the lobotomized McMurphy is
just a mock-up, a dummy, and the real McMurphy escaped.
This all sounds like a very depressing evening. Indeed, that
was what I expected. So I was pleasantly surprised at how funny the show is.
The cast expertly plays up the comedy and was rewarded with raucous outbursts
of laughter from the sold-out opening night audience. Coupled with the
uplifting elements in otherwise dire circumstances, Chapel Street’s Cuckoo’s
Nest offers a deeply satisfying exploration of the worst, and best, of
humanity.
