Art POPS in Downtown Wilmo

A rendering of the pop-up gallery to be created in HB DuPont Plaza.

In keeping with this summer's "In the Plaza" arts- and entertainment-related happenings, Downtown Visions is sponsoring a free-standing art gallery and juried exhibition on Thursday, August 6, 4:30-7:30pm in HB DuPont Plaza (corner of Delaware Avenue and Washington Street) in downtown Wilmington.

By constructing a professional art venue in the park, The Shaft Space -- an artistic and curatorial collaboration between regional artists Maiza Hixson and Lauren Ruth -- seeks to generate civic dialogue, community and corporate engagement in the arts. Artists from all backgrounds were invited to submit up to three works for consideration.

As a result, approximately 40 Wilmington artists will display their work in the pop-up gallery at the Plaza. Artists' names to be announced soon.

If you have questions, email theshaftspace@gmail.com or contact Maiza Hixson at 302.415.4674.

Longwood & Brandywiners Team Up for a Fine "Fiddler"

By Guest Blogger, Julia Mason
Julia has been working in the marketing world for over seven years and has a deep passion for Wilmington, Delaware. When she is not working on revitalization efforts and exciting projects for Wilmington with The Buccini/Pollin Group, she enjoys working on her personal project, Positivelyglamorous.com.

Brandywiners' cast of Fiddler On the Roof

The charming and thought-provoking Fiddler on the Roof is now on performance at the magical Longwood Gardens Open Air Theatre.  The talented Brandywiners are putting on the production, and like the Longwood Gardens have a unique history.

The group began in 1932 with the goal to bring joy into people’s lives during the Great Depression. Chick Laird, co-founder of the group, just so happened to also be the favorite nephew of Pierre S. du Pont, owner of Longwood Gardens and the Open Air Theatre, The Brandywiners have been performing there ever since!

Fiddler on the Roof is The Brandywiners 84^th annual performance and all of that experience strongly shows through the play. The jubilant Marissa Broujos’ energy as The Fiddler can be felt strongly throughout the entire show, and her dancing was perfectly on point. William Fellner, as Teyve was impeccable at bringing out the character’s wit. Susan Brown captivated the audience with her motherly yet quick-witted personality. The real head turner was Tricia Beichner, who perfectly carried out the role as old Grandma Tzeital and was both mystifying and terrifying all at the same time!

The entire cast and orchestra did an excellent job and if you haven’t been to The Open Air Theatre to see The Brandywiners, or you haven’t seen Fiddler on the Roof, I would highly recommend attending. The play is just as wonderful as the setting and by being outdoors it somehow brings you that much more entrenched with the performance. The star-filled night sky and fireflies dancing above your heads make it all very enchanting.

P.S. The ending of play is not the end of the show, there is a dazzling fountain display, but I won’t spoil the surprise! You have to go see The Brandywiners yourself!

See www.brandywiners.org.

A Delightfully ‘Shrew-d’ Lesson Under the Stars

By Guest Blogger, Carol Van Zoeren
Carol is a 40+ year veteran of community theater and retired from DuPont.

DelShakes Opening Night in Rockwood Park

Full disclosure – I am a DelShakes groupie. I’ve attended every year since they started, and love everything about it: The Shakespeare factoids to read and pause as you trudge up the hill, the community picnicking, the beautiful setting. It just isn’t summer in Wilmington for me without them.

And the shows! Always good, and this year’s Taming of the Shrew is most delightfully one of the best I’ve seen. Director Samatha Bellomo and the cast expertly tackle the challenges of in-the-round staging, which draws the audience in so we feel we’re part of the action. The vibrant costumes by Kayla Speedy keep it visually interesting while helping guide us through the multiple disguises. And the outsized physical antics and perfect delivery of the Bard’s baudiest lines produce hearty belly laughs.

At its core, however, Shrew is a difficult play for modern audiences to square with gender equality. Both Producing Artistic Director David Stradley and Director Bellomo made this point in their program notes. The company’s struggle with threading that needle has really paid off, and I now see the play in an entirely new light.

Most of this challenge falls on the central pair Petruchio (Charlie DelMarcelle) and Katharina (Felicia Leicht), and they succeed.  Their first meeting crackles with breathless attraction, which launches a lovely trajectory for each character. DelMarcelle’s Petruchio is more caring and less cocky. Leicht conveys a delicate vulnerability, even longing, behind her brash exterior. From this grows genuine affection, mutual respect and desire for the others’ happiness. In this context, Katharina’s final monologue is not submission to a conqueror. It is liberation from self-imposed exile. Yeah, I admit I got a little weepy.

The relationships between masters and servants echo this genuine affection. Lucentio (Kevin Hoffmann) trusts his servant Tranio (Ife Foy) with his name and his love life. Petruchio’s poor put-upon servant Grumio (James Kern) always comes through in a pinch. In contrast, the Katharina’s sister Bianca (Tabitha Allen) proves to be disdainful under her “perfect” exterior, especially in a very funny Act 1 scene with her sister and father (Michael Gamache).

It’s a thrill to learn something new about a familiar play. It’s even better learn something new about oneself. DelShakes delivers on both, and proves once again that Shakespeare always has something to teach us. Plus, it’s just really, really fun!

See www.delshakes.org.