Monday, February 17, 2014

Hiker’s Art at Blue Ball Barn: Alapocas through the seasons


Program leader Lynn McDowell's Stream and Sky
When Delaware State Park employee Elizabeth Drummond and photographer Lynn McDowell began guiding public nature hikes with photography in mind, the results were a wonderful mix of photographic talent, healthful hikes and…now…a photography exhibit in the Blue Ball Barn  of Alapocas Run State Park.

After a year of Ms. Drummond encouraging people to hike and look carefully and Ms. McDowell telling the hikers to look with a camera, the two realized that they had amassed some impressive photographs.  Their hiker companions used cell phones and digital cameras and brought myriad levels of experience to the project, but the collaboration seems to have inspired one and all to view the seasons with creativity and imagination. 

Gavin's Reaching for the Sky
The youngest photographer whose work is on display is Gavin, 12, who attended the opening with his father and brother.  Gavin had taken a photograph of a dead tree from an angle where you see the trunk, but he managed to get the lacework of black twigs in perfect focus against a purplish blue winter sky.  The quality of the photograph makes it hard to believe he took it with a Panasonic Point and Shoot.

Don Thureau's Snake on the Rocks
On the far wall was a photograph which seemed to be of a swirl of colored autumn leaves.  Up close, you can see it is a snake which photographer Don Thureau photographed just as he extended his bright red tongue as he contemplated his human audience. 

Virginia Lockman's A Spider's Web
With McDowell’s encouragement, Virginia Lockman took a dramatic picture of a spider web.  McDowell decided to bring out the light by spraying the web with droplets of water which made a prismatic effect.

The project truly seems to have taken hold, with the joy and exuberance of both professional and amateur photographers excited to collaborate and capture the beauty of the Delaware State Parks on their hikes. The exhibit will be on display at Blue Ball Barn through March 16.

Thursday, February 13, 2014

Don't Miss the Delaware premiere of Jeremy O'Keefe's acclaimed film Somewhere Slow, Benefiting the WDL

Climb out of your snow-and-ice-filled funk this weekend and celebrate the Wilmington Drama League's Delaware premiere of Jeremy O'Keefe's award-winning film Somewhere Slow, starring Jessalyn Gilsig ("Glee," "Nip/Tuck") and Graham Patrick Martin ("Major Crimes," "Two and a Half Men") with Lindsay Crouse and Robert Forster.

More than a screening, the premiere is your chance to meet the writer and director, Delaware native Jeremy O'Keefe and star Graham Patrick Martin, while raising funds for the Wilmington Drama League.

Somewhere Slow is O'Keefe's second feature film, and the second to take place at least partially in Delaware (his first feature, Wrestling, was shot on location in Wilmington).

There is no better place than Wilmington Drama League for the Delaware premiere of the film the Los Angeles Times called "frequently affecting and mordantly funny" and the New York Times declared "wonderful."

"The WDL gave me my first opportunity to write and direct back when I was 12, and then each year after that before I went to college," says O'Keefe, who grew up in the Highlands/Trolley Square neighborhood and attended Cab when it was still only a middle school and graduated from A.I. du Pont in 1998. "I directed a young Keith Powell ("30 Rock") in the one-act play festival and a young Aubrey Plaza in my mainstage production of Here's Love -- and it was the belief of the members of the WDL and the community that supports this wonderful and magical theatre that gave me the strength and confidence to pursue the arts at a professional level. I owe any career that I might have to the WDL."

While his debut feature film, Wrestling, was a triumph, Somewhere Slow shows his progression in the industry, as respect for his work continues to grow. The film's stars, who went all-in as producers, make their confidence clear.

"The script grabbed me immediately," says Gilsig. "Sometimes you read something and think, 'I want to go there, I want to explore that story, that world.' Jeremy and I agreed to partner on the project in hopes of pooling our resources and seeing if we could get the film made while retaining the original vision he had. It’s been a long and varied road but entirely rewarding, especially now that it is reaching and audience and they are connecting the story the way I did originally."

Martin, who will be on hand for Q&As after the screenings, was similarly drawn to the script. "It's rare to find a script like this one that felt so raw and real -- there were no gimmicks at all," he says. "It was my first time working as the lead role in a film, which added a certain amount of pressure. Jeremy made me feel completely comfortable and confident in my work. I also loved how he worked more as a collaborator than a director. It was always a group effort and everyone's input mattered to him. That's pretty special."

"I think of the film as a beautiful short story," Gilsig says. "It explores the fantasy of: what if you could just stop the world and step off for a moment? Anna and Travis' love story is unsustainable but it’s a moment in time, and a moment they will be able to refer back to for the rest of their lives. It feels relatable to me. And I hope is an unexpected and effective escape for the audience."

Somewhere Slow premieres in Delaware this Saturday at 8:00 pm and Sunday at 2:00 pm at the Wilmington Drama League. Regular admission is $15; VIP tickets for Saturday evening, including a meet and greet with O'Keefe and Martin, preferred seating, a pre-screening coctkail reception and admission to the after-party, are $50. Proceeds benefit Wilmington Drama League. Purchase tickets via wilmingtondramaleague.org/somewhere-slow/.



Monday, February 3, 2014

A Romantic Russian Afternoon with WCO


The Wilmington Community Orchestra performed the Russian Easter Overture, Opus 36 by Nickolai Rimsky-Korsakov and in doing so showed off some of the talented players. Larry Hamermesh, concertmaster, played his solos with panache and the clarinet work of Anthony Pantelopulos and Michelle Webb was a delight. Melinda Bowman’s soaring and delicate flute lines created a spider web of texture for the orchestra. Barry Morris, Pete Witherell and Jim Yurasek took on the demanding trombone parts with ease and it sounded great. I was also delighted to hear the double basses shine in their rhythmic underpinning to the very striking overture.

Charles Abramovic, piano
But when Charles Abramovic began to play the Piano Concerto No. 1 in E-flat major by Franz Liszt, I could not listen to anything but the amazing piano sounds. Mr. Abramovic is an excellent pianist, but I had heard him play mainly modern piano music before this concert, so I was overwhelmed by his ability to make the piano notes ring and reverberate with the sort of perfect declamatory sound that is so characteristic of romantic music. The concerto is an unbelievable tour de force technically, but Mr. Abramovic seemed unconcerned by notes and dedicated to following the conductor and the orchestra. His dynamic control was superb and he had passages where he had to put a theme forward and have all twenty other fingers play rather quietly in the background. In the finale of the concerto, he played a resounding fortissimo which went deep into the keyboard to produce a ringing and resonant echo for the orchestra. It was quite a feat and he richly deserved the booming applause.

Dr. Schwartz spoke of the excitement of a premier on March 23, when the WCO will host the unveiling of a violin concerto composed specifically for the Wilmington Community Orchestra by English composer David Osbon, who came to hear them last year when they were rehearsing for another concert. The composer will conduct while the conductor plays the concerto.


See www.musicschoolofdelaware.org.