A Toast to the Fallen Woman

Danielle Rice, executive director of the Delaware Art Museum, hosted a delightful open discussion about fallen women of the Nineteenth Century and asked the audience why the theme permeated literature, music and art of the time. She started the ball rolling by showing slides of art depicting fallen women. Her first example was William Holdman Hunt’s The awakening conscience since it had been completed in the same year as Giuseppe Verdi’s La Traviata (the fallen woman). Her partner in leading the discussion was Lee Kimball, general and artistic director of Opera Delaware, who will present La Traviata at the Grand Opera House on November 7, 12 and 13. The two are friends, which made the lively discussion even more fun. Mr. Kimball bravely pointed out that usually it is the fallen woman who gets killed or arrested or punished, while the fallen man tends to walk away with only a few regrets.

After the discussion, the crowd mingled and enjoyed delicious hors d’oeuvres and drinks which they brought to the entrance hall of the museum, where the grand piano was waiting for Jeffrey Miller, chorus master and associate music director of Opera Delaware and Colleen Daly, soprano and Alak Kumar, tenor. The two will be singing the lead roles in La Traviata and if this foretaste in which they sang La Brindisi is any indication, the next time we hear those two could be at Lincoln Center.

The intimacy of the setting, the lively discussion and the informal concert made it feel as if we were attending a party at Barone Douphol’s house watching Alfredo flirt with Violetta in front of her rich lover…

Having had the hors d’oeuvre, my appetite has been whetted for the main course. See you at the Grand.

See www.operade.org

UD Orchestra in Puglisi Hall

Although I was slightly disappointed not to find Edgard Varese’s Ameriques on the program on October 20, hearing the Stravinsky arrangement of the Star Spangled Banner and his Scherzo a la Russe provided an equally eclectic salute to the United States and the fascination of European composers for the freedom and wildness they saw in this country in the first half of the Twentieth Century. The big band flavor with which Stravinsky had spiked his film music was a great vehicle for the large brass section of the college orchestra and Yael Hernandez did a fine job with the piano part.

Robert Brandt’s rendition of the first set of Aaron Copland’s Old American Songs showed his extremely strong baritone voice. He almost knocked me out of my chair with his ‘Hi-ro, the boatman’ but he lacked the playfulness of the fine solo passages by Tara Rozanski on the flute and the great trumpet and trombone entries in Simple Gifts. The viola section was superb in their entrances in I bought me a cat.

But in Dvorak’s late Nineteenth Century tribute to the country which had just begun to tolerate the wild sounds of Brahms and Beethoven, the UD Orchestra hit their stride. Their intensity and musicality showed the skilled leadership of Dr. Brian Stone. The second movement’s soulful melody was played beautifully by Bryan Walker (English horn) and the brief duet by first cellist Rachel MacLeod and concertmaster Eliza Krivo seemed magical to me. But as I worked my way through the mass of exiting musicians to congratulate them, I interrupted the conversation between English horn teacher Lloyd Shorter and soloist Bryan Walker. They patiently waited for me to utter my compliments and as I walked away, I heard Mr. Shorter say, …"and one more thing…"

Well, they are students after all.

See http://www.music.udel.edu

Drawing Marathon Draws Artists

DCAD held its sixth Drawing Marathon on October 16. Over 70 artists participated in this day of figure drawing. The event, which was open to the public, began at 9 am and ended at 9 pm. Faculty, students, alumna and both the amateur and professional were all in attendance.

Cloth backdrops-some colorful and one all white- were artfully arranged, with still-life objects placed around to create the illusion of spaces in a house. When I arrived, the poses were already well underway. Artists were painting, drawing-even sculpting! It was inspiring to see so many levels of ability, styles and mediums all in one place. There was a quiet hush over the room, as the artists enjoyed the day, sharpening their skills and working their visual “muscles”. The poses ranged from 20 minutes to six hours in length.

One artist was creating a fabulous bust from clay. Another used the “20 minute pose” to create a drawing of the same figure in various poses. I enjoyed seeing the variety of ways the artists could use a figure and still life in their pieces, and wished I hadn’t brought a note pad, but a sketchpad instead.

See http://www.dcad.edu