Wednesday, January 9, 2013

Art is Even More Awesome...After Dark


June 2012 Art is Social. Photo by Alessandra Nicole.
The Delaware Art Museum expands after-hours fun in Wilmo with Art is After Dark. This month, the Museum will stay open late and offer exciting events and activities for adults on select Friday nights. Perfect for the over-21 crowd, evenings include beer and wine tastings courtesy of FranksWine, as well as musical performances, salsa lessons, trivia, film screenings, themed parties and more!

And, Art is now DATE NIGHT: Clay Date and Make a Valentine invite guests to mix, mingle and get a little messy in the Museum's studio where art supplies, beer, wine and light snacks are provided. The galleries and special exhibitions also will be open for all indoor events and the Copeland Sculpture Garden for outdoor activities in warmer months.

The “After Dark” year kicks off this Friday with the popular Art is Social, featuring beer and wine tastings and JD3, a Wilmington-based keyboard jazz trio.  Prices for the new evening series vary from free to $35. Museum Members receive discounted rates for all events.

See
www.delart.org.

Saturday, January 5, 2013

Masterful Work by Mastersingers of Wilmington

By Guest Blogger, Barb Bullock
Barb is the Director of Development and Communications for Wilmington Renaissance Corporation. Barb has worked for a variety of arts organizations (Kennett Symphony Orchestra, Grand Opera House, OperaDelaware  and Delaware Theatre Company) and was the Executive Director of First Night Wilmington, a family celebration of the arts held on New Year’s Eve.

On Sunday, December 16, the Mastersingers of Wilmington – under the superb direction of Market Street Music's Artistic Director David Schelat – presented their exquisite annual holiday concert, The Wonder of Christmas with guest organist, Marvin Mills.  Warm holiday cheer and spirit filled the beautiful First and Central Church, as the remarkable musicians of Mastersingers presented four centuries of Christmas music – a wonderful mix of classical pieces and favorite carols to an enthusiastic audience of nearly 400 listeners.  This packed house is one of the largest audiences the Mastersingers have experienced at a performance.
The program's highlights included Surge, Illuminare by Mastersingers conductor, David Schelat; Rise Up, Shepherd, and Follow arranged by Marvin Mills; Ríu, Ríu, Chíu, Ave Maria and the beautiful Quem Pastores Laudavere by New York City composer, James Bassi.
The Mastersingers of Wilmington is a 28-voice choral ensemble of the finest professional and amateur singers in the region. Highly regarded for its choral sound and impeccable singing, the group explores classics of choral repertoire, new music and world music in its riveting!
Up next for the Mastersingers: Rich Increase: Shakespeare to Spirituals, Saturday, April 27, 2013 at 7:30pm at First and Central.

Saturday, December 1, 2012

Bloody Good Fun with CTC’s Bat Boy

Cast of Bat Boy taking their bows
One of the tightest productions you could see in Wilmington is playing at the Black Box of OperaDelaware Studios. Bat boy: the musical by Keythe Farley and Brian Flemming with music and lyrics by Laurence O’Keefe is a hilarious romp of a rock musical which director Michael Gray and music director Joe Trainor managed to fit onto the tiny stagelet on the Riverfront. The stage was bare, but with a jungle gym background reminiscent of trees and forest in the rural hills of West Virginia. The play’s opening lets the bars of the jungle gym be the walls of a cave where our intrepid siblings find a boy/bat in a cave and capture him.

Of course, the rest of the musical revolves around the identification, education and sanitization of the Bat Boy, played brilliantly by Brendan Sheehan. Whether he is cramped in a cage or mauled by fans and foes, Sheehan comes through with shining colors. Every detail – from his crooning mimic of his fellow humans to his totally convincing adaptation of BBC received speech – is spot on.

The orchestra is also beautiful, although it, too, must remain caged behind a black backdrop to avoid their overpowering the singers. Yet, the cues are perfect and the singers and orchestra seemed melded together for harmony and dynamics thanks to an inventive webcam setup. Christopher Tolomeo and Robert Dilton had some brilliant keyboard licks (although we didn’t know who was on when).

The cast was superb and surreal, with several gender changes and an explosive conversion – from a Lily Tomlin-like, pursed-lipped crone turning into a jiving rocking sexed-up Pan in the name of love – a superb release of Adam Wahlberg’s real vocal power as Pan. Steve Weatherman was a powerhouse as a rural whining mother and Reverend Hightower plus several other roles into which he was able to slip in about five seconds, costume change included.

Dana Michael and Jenna Kuerzi are two tiny sprites who play spirited mother and teenaged daughter, respectively. They rock, shuck and jive with the oversized vigor of the energizer Bunny coming out of lithe and slender bodies. Those two and the rest of the cast, all of whom have incredible light and spark, managed to do all of their singing and dancing while swinging up and down their jungle gym bars as if born to it.

If you feel like you need a jolt of energy in these winter doldrum days – stop by the Black Box at OperaDelaware Studios before December 15!

See www.city-theater.org.